The Honourable Woman

Throughout the eight episodes of The Honourable Woman the viewer is treated to a relevant, gutsy, challenging television experience. If you ever dismissed or plead ignorance over the Arab - Israeli conflict, you now have an emotional stake in the conflict. The characters are complex, the actors are skilled artisans. Ever since Maggie Gyllenhaal was slinking around in Secretary she has established a reputation for conquering the challenging, controversial roles. Maggie has conquered once again. The Honourable Woman will win a lot of trophies once the awards season has arrived. Amongst the superior cast is one actor who may have placed an exclamation point on his heretofore fine body of work. The trophy engravers should get a jump on etching Stephen Rea's name on the hardware from the Golden Globe, BAFTA, Emmy and Blockbuster(sic)awards. Rea simply owned every scene in which he appeared. His star rose with the release of the feisty film, The Crying Game whose plot twist remains one of the great and respected spoilers that is kept mum to this day. His efforts were rewarded with an Oscar nomination to go along with his Tony nomination. Twenty plus years later, it is time for this native and resident of Northern Ireland to get his due. Will The Honourable Woman return for another season? Hugo Blick and company drained every ounce out of the script and characters. Perhaps the dawn should best be left unsaid.

Stunning, beautifully made 8 hour mini-series that attempts to humanize a situation as impossibly knotty as the middle east, and against all odds, succeeds. The biggest triumph here is by writer/director/producer Hugo Blick, who creates an amazingly dense and cinematic landscape of characters and tragedies.

Nessa Stein (Maggie Gyllenhaal) is a tremendously wealthy Israeli determined to use her wealth and influence to try and bring together Israelis and Palestinians. Her father – assassinated before her eyes as a child – was an arms merchant amassing a huge fortune, but at a human cost Nessa finds hard to live with. Now, as an adult, along with her brother, she plans to bring the high-speed internet to the Palestinian areas of Israel to help jump start their economy and self-sufficiency.

But, understandably this plan raises hackles and suspicions on both sides and before you know it Nessa's brother's Palestinian housekeeper (and Nessa's friend) has her son kidnapped. Thus begins a complicated, tense, tremendously intelligent and demanding trip down a rabbit hole of lies, secrets, hidden histories, violence, spies and counter-spies and the sadness of watching your ideals hacked to pieces by all those around you.

The series deserves credit for many things, among which is managing not to take sides, but to examine the madness on all sides of living in perpetual war.

The acting is tremendous. Maggie Gyllenhaal cements her position as one of our finest and most versatile actresses. Her Nessa is an admirable if deeply flawed woman. Gyllenhaal deftly melds all the character's sides; absurdly smart, brave, afraid, powerful, hidden, foolish, naive -- into a great tragic heroine. Stephen Rea is endlessly fascinating as a very smart UK spy attempting to uncover the many hidden truths. Quiet yet immensely powerful, watching Rea's Sir Hayden-Hoyle interrogate and manipulate those he interviews is a master class in loaded understatement in performance.

But the whole cast is absolutely first rate; the brilliant and under-appreciated Janet McTeer as Rea's boss, Andrew Buchan as Nessa's brother, Lubna Azbal as the mother of the kidnapped boy, etc.

Just as wonderful is the cinematography, editing and music, combing to create a show that feels stylistically far more like a top flight auteur film than TV. This is challenging, complicated stuff. You will inevitably get lost at times. But have faith Blick and crew will bring you back around if you pay attention. And you'll want to. I greedily watched the 8 hours in 2 days.

This also lead me to watch Blick's previous BBC mini-series "The Shadow Line" -- a tale of police corruption and drug dealing that's almost a complicated and great as "Honorable Woman". If you responded strongly to this, you should check out that earlier work as well.

I'm not a big fan of mini series; however, Honourable Woman is the exception for me. From the very first episode, I was drawn into this fast action drama as if I were there. Not only is this one of the best action packed mini-series I have ever seen, but the acting is over-the-top. Maggie Gyllenhaal does an amazing acting job portraying Nessa Stein. Her demeanor, style, and sensitivity to the part, to me, puts her in the stratosphere of acting with all the other great actresses. She's so good, that I couldn't help but feel everything she was going through in this well-played role. And Lubna Azabal portrays Atika Halabi in a way that makes me love her, and hate her. She was great in this role. And Stephen Rea played the part of Sir Hugh Hayden-Hoyle as I would expect a good spy does. His soft spoken demeanor, and his inquisitive mind really helped to make him a believable character. I would say that all the characters were believable, and made this mini-series what it is...fantastic.

Excellent spy series!! Top performances, top plot, top dialogues, nice build up. Quality all the way!!! Top tier!!!

Set in the middle of one of our era's most tragic and polarizing conflicts, it is perhaps understandable that reviewers here jump to the conclusion that it's propaganda for one side or the other. But it isn't. Using a family's internal struggle with the background being the Israeli-Palestinian conflict the writers almost can't win. But the preposterous claim that the series is justification for the current conflict when the shooting schedule began in July 2013...to say nothing of script writing, finding producers, and casting which would reach back into 2012 if not longer, demonstrates how explosive the setting is. As Nessa says, "It's the Middle East. Enemies is what you make." Therefore, it was brave of the project to chose that setting, but it shouldn't be seen as taking a stand for one side or the other.

The pace may be slow, but it's dreamlike point of view, for me, made it all the more transfixing. The cast, particularly Gyllenhaal's performance, is splendid, and the trap of being a mediator, whether is World politics or family dynamics demonstrates that hazard. ("You're either for me or against me.") This may be a series to watch all in one sitting, void of weekly waits and commercials. For me, it's the years best television series.