PUNTUACIÓN EN IMDb
7,6/10
1,9 mil
TU PUNTUACIÓN
Se centra en cómo el movimiento evangélico allanó el camino para la presidencia de Jair Bolsonaro y representa la amenaza de una teocracia nacional.Se centra en cómo el movimiento evangélico allanó el camino para la presidencia de Jair Bolsonaro y representa la amenaza de una teocracia nacional.Se centra en cómo el movimiento evangélico allanó el camino para la presidencia de Jair Bolsonaro y representa la amenaza de una teocracia nacional.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 4 nominaciones en total
Henry Kissinger
- Self
- (metraje de archivo)
Oscar Niemeyer
- Self
- (metraje de archivo)
Michelle Bolsonaro
- Self
- (metraje de archivo)
Damares Alves
- Self
- (metraje de archivo)
Tomé Abduch
- Self
- (metraje de archivo)
- (sin acreditar)
Reseñas destacadas
As a documentary that explores deep religious-political issues, it's no wonder that there will be (and there are already) lots of negative comments about it. However, Brazil (like many other countries) has been split open in two halves of the political spectrum for quite some time now. But what we see in this film (and in Petra's previous one) is that, in Brazilian history, it was always the right wing that resourced to violence to force their ideals. When open violence was no longer an attractive tool, they turned to religion, offering easy, messianic tools to promise solutions to a struggling people often failed by democratic institutions. The poorly educated masses of Brazil are easy prey to evangelical-politician hawks who, deep within, care a lot about their pockets but nothing at all about their flock.
Brazil was never meant to be a country built for itself and its people, and we can see the results now.
Brazil was never meant to be a country built for itself and its people, and we can see the results now.
This is a very difficult but very necessary movie, which shows us upfront the destructive foolishness of allowing Christianity to dictate politics, and of enabling dangerous authoritarians to represent people.
Brazil has been - and still is - saddled with multitudes of delinquents with Christian discourse. There is no upside to that obscenity, and we all must strive to get rid of that disease.
The movie is a bit tedious, for sure. So much of what it shows we have painfully watched happens with our own eyes. But perhaps not enough people have the integrity to remember what has happened and how fiercely it must be stopped and corrected.
Brazil has been - and still is - saddled with multitudes of delinquents with Christian discourse. There is no upside to that obscenity, and we all must strive to get rid of that disease.
The movie is a bit tedious, for sure. So much of what it shows we have painfully watched happens with our own eyes. But perhaps not enough people have the integrity to remember what has happened and how fiercely it must be stopped and corrected.
The new Netflix documentary "Apocalypse in the Tropics" is a chilling, close-up look at Christian Nationalism on the rise, this time in Brazil, which is reckoning with its own version of January 6. With an eerie score, pointed narration, and unnervingly intimate footage, the doc takes you into the backrooms where power, faith, and fascism collide. What's most striking is that unlike the U. S., Brazil seems willing to hold its would-be coup plotters to account. As an American who lived through a real military coup in Thailand, I found this film deeply unsettling and terribly relevant. Watching from abroad, it's impossible not to see the parallels: attacks on democratic institutions, judicial overreach, corporate complicity, and a twisted gospel that weaponizes religion to control women, demonize LGBTQ+ people, and ignore the poor, the sick, and the stranger. This isn't just a Brazilian problem; it's a global one and it may already be too late. This doc is highly recommended and honestly, it's Code Red for democracy everywhere.
"Apocalypse in the Tropics" is a powerful and timely documentary that bravely explores the alarming rise of religious fundamentalism within the political sphere - a phenomenon with deep and troubling implications for democracies around the world, especially in countries like Brazil. With her signature sensitivity and courage, Petra Costa delivers a work that is both urgent and poetic, peeling back layers of ideology to reveal how faith, when co-opted by power, can erode institutions and threaten civil liberties. This film is not just a warning - it's a vital act of resistance. Petra once again proves why she is one of the most essential voices in contemporary documentary cinema.
This is the stark reality shown to the world. The photography is fascinating beyond its narrative, congratulations!
You can see Petra Costa's dedication to her research in the documentary, even though she brings her vision among the facts shown, she still shows partiality in many cases.
I hope that in this way, with this film by Petra Costa, we Brazilians can learn to be open-minded and that from now on we can open our eyes. Conservatism destroys, we know very well what happened to Germany and its conservatism in 1939.
This document deserves to be seen, not only as a film, but as an account of a nation in trouble!
You can see Petra Costa's dedication to her research in the documentary, even though she brings her vision among the facts shown, she still shows partiality in many cases.
I hope that in this way, with this film by Petra Costa, we Brazilians can learn to be open-minded and that from now on we can open our eyes. Conservatism destroys, we know very well what happened to Germany and its conservatism in 1939.
This document deserves to be seen, not only as a film, but as an account of a nation in trouble!
¿Sabías que...?
- CuriosidadesDirector Petra Costa met Brad Pitt at the Academy Awards nominee lunch, who would then become an executive producer on this film. She stated that because of the recognition of 'The Edge of Democracy,' they were able to finance this film independently, otherwise there would be no film because then President Jair Bolsonaro had come to power and had finished with the National Film Agency in Brazil and cut all fundings for films.
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Detalles
- Duración
- 1h 50min(110 min)
- Color
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