Kung Fu Jungle

"Kung Fu Killer" (aka "Yi ge ren de wu lin") is one of the absolute better Donnie Yen movies in years. I had very little expectations to the movie when I sat to watch it, expecting it to be little more than just another tough-guy-beating-up-all-the-bad-guys movies that Donnie Yen usually tends to make. However, I was more than genuinely and pleasantly surprised at the outcome of "Kung Fu Killer".

What makes "Kung Fu Killer" a good movie is a combination of several things, which include the action, the martial arts, the story, the acting, the setting and the atmosphere of the entire movie. I was really enjoying this movie from start to end. As with all Donnie Yen movies, then the martial arts and action sequences are tight, precise and well-choreographed and equally so executed. And I am a sucker for Hong Kong movies, so of course it was a treat to be back on the gritty streets midst worn-down old and sparkly new buildings at the heart of South-East Asia.

Donnie Yen does deliver his usual perfect set of fighting and action skills here in this movie, and he is joined alongside by Baoqiang Wang, whom I don't think I have noticed before. But wow, this guy was also quite amazing, and definitely a name to keep an eye on. There was a good feeling of brutality and honest, hard-hitting fighting throughout the entire movie, without excessive use of Wire Fu. Charlie Yeung also did add a good element to the movie with her acting talent.

The story is about an imprisoned martial arts instructor whom is given a deal to work with the Hong Kong police in order to find and stop a particularly brutal serial killer who is targeting the best of the best of martial artists.

The characters in the movie were a bit square, yes. And by square I mean that they were generic and as you would expect from a movie of this type. Nothing grandiose here or nothing innovative in terms of character building. But that is still alright, because they are enjoyable and well portrayed by the cast hired for the various roles and characters.

It should be said that director Teddy Chan does follow a strict how-to-make-an-action-thriller by the book. And that is one of the downsides to the movie, because it does give it a bit too much of a predictability to it.

If you enjoy Hong Kong cinema, then "Kung Fu Killer" is a definite must watch movie, especially in the latter years. I was quite surprised with how good the movie was, and am pleased to say that Donnie Yen is definitely back in top form. I am rating "Kung Fu Killer" a solid eight out of ten stars.

Granted, they had me at Donnie Yen, but then they gave me incredible production values, a fairly competent storyline, and met the action/fight-sequence quality of the first two IPman's.

This was ranked 6.4 this morning, 6.5 this afternoon, and could be headed higher.

It deserves it. It's a freakin' blast!

The final fight is as good as the alleyway in Killzone, and a clear lack of the all-too-present drama silliness found in many of these HK action flicks. Some of the serious stuff is handled quite well.

Albeit the fight scenes are still gloriously over-the-top(not sure what some were expecting reading some negative reviews - i mean isn't that wHY you rent a kung fu flick? Geesh).

The "filler" is solid, decently acted fare that keeps at an even pace and keeps the audiences interested in the fate of its lead characters. If u want realism go rent "the gunman" and be bored to death with a more basic plot, realism, and seasoned actors. It will fry your brain and send u back to the redbox faster than "Get Hard". Or have fun watching a mindless, unrealistic kung fu flick - which flies by like an F-16, and is a 90-minute adrenaline rush.

Highly recommend this! 65/100

I will be purchasing this. You should know where u stand before u hit play. If u enjoyed "true Legend", the "police stories", "supercop" or SPL:Killzone.. Or any modern kung fu flick.. You will love this!

As much as we love the 'Ip Man' star, we'll be frank to admit that Donnie Yen needs a hit – bad. Which is why his latest, which reteams him with 'Bodyguards and Assassins' helmer Teddy Chen, is such a huge sigh of relief for us – it packs Yen's signature brand of hard- hitting action with a compelling narrative to be both thrilling and moving at the same time, and is indeed as good a comeback as we could have asked for.

The setup isn't complicated, and fuses the themes in a kung fu picture into a police procedural. A brief prologue which shows Yen turning himself in at the police station after killing his exponent in a fight frames the former, while the latter unfolds three years later with the emergence of a serial killer who is targeting experts in different martial arts disciplines, i.e. boxing, kicking, grappling, weaponry etc. Immediately after hearing a news report of one such victim, Yen's martial arts instructor Mo Hahou starts a prison brawl just to get the attention of its lead investigator (Charlie Yeung), proceeding to name the others whom he claims would be next.

As it turns out, Yen's portents come true one by one, and he gets a temporary release from prison to aid in the manhunt. To be sure, there is no doubt on who that is – an unhinged psychopath called Fung Yu- sae (Wang Baoqiang) who has just lost his wife to cancer and now possesses only a murderous motivation to prove himself the best of the best. Unsurprisingly, the film builds to an ultimate challenge between Yen and Wang, the former's motivations and the latter's intentions more personal and intertwined than what you are likely to have thought at the start.

Chan isn't a storyteller without purpose, and none of that seems lost in Lau Ho Leung and Mak Tin Shu's tight scripting from Chan's own story. Chan's character-driven tale depicts Yen and Wang's on- screen personas as two sides of the same coin, both of them highly trained pugilists tempted to use their skills to kill rather than to protect and whose personal quests for supremacy has blinded them to the consequences of getting there. It is a familiar conceit all right, but Chan's incredibly assured direction fleshes it out convincingly.

His ingenuity doesn't quite end there; by placing such themes within the context of a modern day setting, Chan has truly accomplished a rare feat of making a contemporary martial arts movie; in fact, we'd even go as far as to say that 'Kung Fu Jungle' is the very embodiment of such a movie. The use of martial arts here makes complete and perfect sense, woven beautifully into the plotting and given a gritty down-to-earth polish that makes it all the more authentic. Chan's aim here is also homage, and eagle-eyed fans of the genre will have a field day spotting – among others – Mang Hoi, Tony Leung Siu-Hung, Tsui Siu-Ming, Yuen Cheung Yan and Sharon Yeung in cameos.

Yes, many of these stars have paved the ground on which Yen's stature as a martial arts actor stands on, and their appearances – no matter how brief – has clearly energised Yen. His work as action director here is among his best in years, but it is probably no coincidence that he is joined by other luminaries like Yuen Bun and Tung Wai. Each kill provides an expedient setting for a quick burst of adrenaline, with trained kung fu actors like Shi Yanneng and Louis Fan in brief but memorable supporting roles that Wang challenges to a one-on-one fight to the death.

Quick, clean but brutal – they pretty much establish the tone for the more elaborate setpieces to come, and it is in the latter that one is reminded why Yen is arguably the best active kung fu actor out there today. From a signature 'one against many' brawl in prison to a cat-and-mouse chase in and out of the stilt houses that form Lantau Island's fishing community to an exhilarating finish along the Container Port Road leading out of the Kwai Tsing Container Terminals, Yen impresses with his speed, agility and execution. In particular, the latter ranks as one of his best in intensity and inventiveness, especially with a wowing mid-section that sees Yen and Wang duelling with wooden poles.

If Wang ever seemed an odd choice for Yen's opponent given his filmography, the Shaolin-trained Mainland actor finally redeems himself here. This isn't their first match-up – that ignominy goes to the atrocious 'Iceman 3D' – but seeing Wang fight the way he does here is truly an eye-opener, firmly putting to rest any doubts of his ability in a physically demanding role like this. Wang is also chillingly good as the snarling murderer whose hood hides a deliberately scarred face, but is equally persuasive when portraying the part of a loving husband to his dying wife. Yen's acting is in equally fine form as an honourable man wracked by his past demons and trying to stop a monster for more personal reasons than he is willing to admit to anyone.

Truth be told, we weren't quite sold when we heard that Yen and Wang were re-teaming after 'Iceman 3D', and if you're having similar reservations, we're here to tell you that they are unfounded. 'Kung Fu Jungle' is a thrilling showcase of martial arts action and gripping storytelling, a shining example of a contemporary kung fu movie and an earnest and befitting tribute to a bedrock of Hong Kong cinema.

Kung fu instructor Hahou Mo (Donnie Yen) is serving a prison sentence for the accidental death of an opponent during a duel. When he sees a news report on the prison TV about the murder of a top martial artist, he believes that he can help the police to find the person responsible (who turns out to be a highly skilled fighter with a gimpy leg, as played by Baoqiang Wang).

While not exactly boasting the most inspired or original of plots (the story is reminiscent of all those old school kung fu films in which a villainous martial artist kills the good guys to prove he's number one), Kung Fu Killer is still a case of Donnie Yen proving to his detractors that he's still got it. Almost two and a half decades after he wowed audiences in In the Line of Duty IV, he is more than capable of choreographing and performing jaw-dropping scenes of martial arts mayhem.

I admit I was a tad doubtful at first, the initial fight scenes not grabbing me in the way I had hoped, but with each successive battle getting more and more elaborate and increasingly brutal, the film eventually won me over, the final showdown on a busy freeway being an incredible tour-de-force of kung fu excellence (with a truly wonderful spot of pole fighting midway). Admittedly, the fights are not without their use of CGI and wirework, but that's become fairly standard for modern action films, and the technology is used well in this instance. I for one am just happy to see Donnie still leaping about and doing what he does best. May he long continue to do so.

KUNG FU KILLER - aka KUNG FU JUNGLE - is the latest slice of martial arts madness from Donnie Yen, here playing a tough-as-nails convict who's released by the police in order to track down a serial killer who's been making it his business to kill Hong Kong's top martial arts fighters. What we have is a slim police procedural plot enlivened by tons of hard-hitting and well-choreographed kung fu fights.

What you see is what you get, and there's little to disappoint here. The production values make for a glossy, high-spirited production, and there's also plenty of the human drama you'd expect from the storyline. Donnie Yen always plays himself, really; whether he's a cop or a criminal, he's always the good-natured, good-moral hero who you're rooting for throughout. Charlie Yeung's female detective provides a good opponent for him to butt heads with though.

Really, though, the plot is just an excuse for the action, and it's plentiful indeed. Most of it consists of one-to-one bouts, although there's time for a riotous interlude inside a prison. All of it builds up to an extended finale in which Yen and the sneering villain beat seven shades of hell out of each other for what seems like an enternity, and it's all very entertaining, although not quite up there with the best of this genre (aka FLASH POINT and KILL ZONE).