Presunción de inocencia

An Ordinary Case (2024), directed by Daniel Auteuil, is a compelling legal drama that explores the complexities of a murder trial where a man is accused of killing his wife. His lawyer must defend him against all odds, including the personal demons that seem to complicate the case even further. The film is deeply engaging, weaving a narrative that holds the audience's attention, especially with its foundation in real events, adding an extra layer of intrigue.

Auteuil, who also stars in the film, gives a strong performance as the defense lawyer, balancing the tension of the courtroom drama with the personal conflicts of his character. His portrayal is nuanced and absorbing, capturing the internal struggle of a man who is forced to confront his own doubts as he defends his client. The film also features strong performances from Grégory Gadebois and Sidse Babett Knudsen, who bring depth to their roles, though the story often feels more centered on Auteuil's character, limiting their potential.

The narrative is driven by the tension of the courtroom, and while the film offers some well-crafted moments of suspense, it often falls short of reaching the emotional or dramatic heights it could have. The story, though powerful, sometimes feels restrained, and despite its heavy subject matter, the pacing occasionally stalls. There are a few scenes that feel more like dramatic flourishes than essential plot points, detracting from the overall flow.

Visually, the film is clean and effective, with a straightforward approach that reflects the restrained nature of the narrative. The cinematography, while competent, doesn't do much to elevate the film beyond its familiar courtroom setting. The tone is steady, but the film lacks the emotional intensity or complexity that would have made it a truly memorable experience.

While An Ordinary Case is a solid and engaging film, its execution doesn't fully tap into the potential of its powerful premise. The performances, especially Auteuil's, are strong, but the film never quite reaches the level of intensity or drama it could have. Still, it's a well-crafted legal drama worth watching, though not one that will leave a lasting, profound impact.

Rating: 7/10. A gripping legal drama with strong performances and an interesting premise, but it misses the opportunity to push the emotional and narrative boundaries further.

"Le Fil", literally "The Thread" in English, was released under the title "An Ordinary Case"-which I think is a much more fitting name. It's a kind of legal drama: throughout the whole film, we follow the progress of a court case related to a murder. It's a tough challenge for the Lawyer, who has become isolated and withdrawn, giving us a chance to observe his reflections as the circumstances slowly unfold. The film offers a lingering observation of vague, blurry images that force us to focus on every detail that might reveal what really happened.

We're looking for something mysterious, unusual, hidden from ordinary view-but there's nothing. There is only the striking use of cinematic light, detailed wide shots, and the music of Bach. The film's editing doesn't allow us to get bored. It's filled with the movement of life that expresses waiting and foreboding. A detailed wide shot shifts to an extreme close-up to convey the Lawyer's subtle emotions. It reflects his tendency to isolate himself when he feels vulnerable.

It's almost the end. I could've vomited along with the lawyer - from the ordinariness of the case and the judge's decision. In the last four minutes, I got a punch to the mind. An ordinary case turned into the thread. It's rare for an ending to hit so hard.

I remember "La Mer A Boire" the movie with Daniel Auteuil - it did the same to me.