Eleven

The underlying story has great potential and could've been made into a super-hit movie. Most of the actors were terrible and seemed either robotic or too dramatic in most scenes. There was an unnecessary romantic spin added in-between (maybe to appease Indian audiences) that was so cringe-worthy! Some of the plot points especially at the end didn't even make sense and felt like the director had given up. So many scenes cut at odd/weird instances. The movie actually ended better than I expected which was the only silver lining. Overall I wished this story - that had so much potential, was made into a much better movie that didn't make me question why I was watching it during the 2 hour ordeal.

Many scenes with abhirami were unnecessary. The suspense was phenomenal and there were many times when i raised my eyebrows in shock, but the story was presented very casually and felt flawed. The start of the film was too fast as well. There were many things which didnt make sense as the movie progressed and the actors couldve been better. Personally this movie had great potential to become a critically acclaimed masterpiece but the unnecessary fight scenes, or abhirami (whom i think is a horrible actor) fan girling the lead was crazy stupid and poorly presented. The ending itself was weird because it gave the audience two different opinions in the start and enf of the movie. Also the depiction of the police force is done stupidly.

Eleven is a Tamil-Telugu thriller that roars like a masala-fueled rocket.

Freshman director Lokkesh Ajls, a Sundar C protégé, unleashes a wild ride with ACP Aravind (Naveen Chandra) chasing a twisted serial killer torching twins in Vizag's gritty streets. It's got Se7en's dark pulse but with a spicy South Indian kick.

Chandra is a total boss, his steely cop vibe oozing intensity... think brooding hero with a badge. Shashank and Abhirami bring solid backup, but Reyaa Hari's heroine feels like a soggy dosa, undercooked and out of place.

Lokkesh's direction pops with neon-soaked visuals, and Karthik Ashokan's cinematography makes Vizag a moody, menacing star. D. Imman's score slaps, though some tracks are louder than a Diwali cracker.

The first half rockets with slick chases and chilling kills, but the middle stalls with a draggy love track and overdone flashbacks that sap the buzz. Clocking in at 136 minutes, it could've shed 15 for max impact. The climax, though, is a firecracker, delivering a twist that's juicy, if a bit guessable.

Eleven's a bold, bumpy banger-perfect for thriller junkies. 7.5/10.

Watched the Tamil film Eleven and walked away with mixed feelings.

To start with the strengths, the movie is gripping from the midpoint till the end. The narrative unfolds one twist after another, pulling the viewer deeper into the story. Abirami's storytelling stands out, structured, immersive and paced well. The hero, with his stoic expressions, fits the role perfectly and adds to the film's serious tone.

However, the first half is very slow. It could have been fastened a bit. No, not just a bit, a lot. The pacing drags and tests patience before the story picks up momentum. While suspense exists, it does not allow the viewer to play detective. The plot twist comes not with shock but with an air of detachment. The heroine's portrayal was a letdown. Her performance felt like theatre rather than cinema. There was emotional weight in the voice, possibly dubbed, but the acting lacked conviction and polish.

What resonates deeply is the emotional exploration of childhood trauma and its lifelong echoes. The school day flashbacks touch a universal nerve. While no one would ever condone the killer's actions, the film invites empathy, not justification, for how a disturbed mind is shaped.

Eleven may not be perfect but it attempts to probe the fragile line between pain and violence. Despite its flaws, it is engaging and thought provoking. It is a family watch that sparks reflection and discussion.

If you're tired of overhyped star-studded films packed with unnecessary drama, romance, and item numbers, Eleven is your antidote. This indie mystery crime thriller cuts through all the cinematic noise with a tightly written plot, sharp direction, and an absolutely gripping narrative.

With no big stars, no familiar faces, and zero reliance on glamour, Eleven does what many high-budget films fail to - it keeps you hooked from start to finish. The story unfolds with a slow burn, but the build-up is masterfully executed, pulling you deeper into the mystery with every scene.

There are no distractions - no forced love angles, no song breaks, no over-the-top action. Just pure storytelling, rich atmosphere, and a web of twists and turns that hit hard when you least expect them. It respects your intelligence and rewards your patience.

What truly stands out is the tight script and editing - every scene matters. The characters, though unfamiliar, feel real and grounded. You won't find a single wasted moment or flashy gimmick here.

In short, Eleven is a refreshing, raw, and absolutely worthwhile watch for anyone who craves real thrillers - no fluff, just story.