PUNTUACIÓN EN IMDb
5,1/10
1,1 mil
TU PUNTUACIÓN
Un padre y esposo de los suburbios abrazan una vida delictiva para mantener a su familia.Un padre y esposo de los suburbios abrazan una vida delictiva para mantener a su familia.Un padre y esposo de los suburbios abrazan una vida delictiva para mantener a su familia.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 5 nominaciones en total
Boots Southerland
- Pawn Broker
- (as Marlin Boots Southerland)
Reseñas destacadas
Our Protagonist is both an idiot and an unsympathetic moron. It absolutely blows my mind why this character would be written by this. This is not a "character study". The Direction and Performances present him as a "family man" and a "loving dad", while the writing portrays him as a sociopath. Meshed together, it makes a sickeningly stupid film.
7Mg6
This is not a happy film, it's a downer. But some people in this world of ours experience downers. Wes Bentley's character Billy is a loving father and husband that is dealing with the reality that losing his job is impacting his entire existence. Bill feels compelled to cross the line in order to provide, not realizing that these actions threaten things he cherishes even more. I did feel for Bill and thought Bentley was very good here. Perhaps some people were put off by the gloomy nature of the film. However, that in no way justifies people giving it 2s and 3s. This film is more than capably done.
West Bentley plays the lead "Bill Scanlon" an insurance adjuster father and husband who got laid off after he bought a way too expensive suburban house in Albuquerque NM. But he is too proud to even tell his wife. So one day after he walks out into the neighboring desert to waste himself with an old revolver he finds he can't do it. So he wonders into a model house of a new subdivision where he finds a couple having sex, some sort of affair. So he ends up "accidentally" robbing them, then realizes sticking people up is lucrative and even fun.
So he embarks on a life of crime while still pretending to be working and even meets a down at his heels seedy detective played by the great Jason Isaac. He befriends them then takes them out in the desert where he gives the younger Bill a shooting lesson, after finding out Bill's dad was a cop. All sorts of things happen like his wife finds out he is out of a job and decamps with the kids to her dad's house. Our hero then decides to fill the pool in because "pools are such a hassle" even as he tries to unload the too big defaulting house. Then his wife comes back, why?
He also tries to play the good guy by threatening various hold up victims like a manager of a convenience store who was nasty to a cute employee he liked. The movie premiered at some German film festival where the audience ate it up as a perfect example of the rotten American dream and the rotten nuclear family.
I didn't buy it, especially with its dreamy camera work, slow pacing and emo score. It was just schlock pretending to be profound.
So he embarks on a life of crime while still pretending to be working and even meets a down at his heels seedy detective played by the great Jason Isaac. He befriends them then takes them out in the desert where he gives the younger Bill a shooting lesson, after finding out Bill's dad was a cop. All sorts of things happen like his wife finds out he is out of a job and decamps with the kids to her dad's house. Our hero then decides to fill the pool in because "pools are such a hassle" even as he tries to unload the too big defaulting house. Then his wife comes back, why?
He also tries to play the good guy by threatening various hold up victims like a manager of a convenience store who was nasty to a cute employee he liked. The movie premiered at some German film festival where the audience ate it up as a perfect example of the rotten American dream and the rotten nuclear family.
I didn't buy it, especially with its dreamy camera work, slow pacing and emo score. It was just schlock pretending to be profound.
It's a very difficult movie to sell. Our main character is not really that likable, with some traits that a Hollywood Blockbuster would attribute to its bad guy. But this is not a Hollywood movie, so if you're looking for senseless entertainment, you'd be better off looking somewhere else for that.
No this is a character study, which is well played by Wes Bentley. Even though he seems to be pigeonholed into this sort of a role, you still cannot deny his charisma and his power to portray men in despair. His looks/face alone is worth a lot. But him alone is not enough, you need someone like Jason Isaacs to balance all that stuff. Another man with issues of his own, these two men seem to find each other, even without looking. The "friendship" that ensues is not one that seems to have long lasting power though ... but you'll have to watch the movie, to see how that drama and web of lies unfolds ...
No this is a character study, which is well played by Wes Bentley. Even though he seems to be pigeonholed into this sort of a role, you still cannot deny his charisma and his power to portray men in despair. His looks/face alone is worth a lot. But him alone is not enough, you need someone like Jason Isaacs to balance all that stuff. Another man with issues of his own, these two men seem to find each other, even without looking. The "friendship" that ensues is not one that seems to have long lasting power though ... but you'll have to watch the movie, to see how that drama and web of lies unfolds ...
The film's poster convinces us that what we're about to see is another ordinary action film, with touches of an empathic and gripping drama destined to make us support the main character's actions. Don't be fooled by that image. "After the Fall" is a good drama with small portions of action, and the latter isn't all that compelling or exciting. Wes Bentley stars as a desperate man who takes extreme measures after losing job and being unable to take care of his family, surrounded by debts after debts. His only option: committing crimes, mugging the residents of his small town. On his trail there's a decadent detective (Jason Isaacs) who is trying to catch this new suspect who appeared in town all of sudden, but they barely knew they would cross paths early on and become buddies who are stuck in saddening times, with their personal crisis and just trying to find a way to live their lives.
More artistic than entertaining, "After the Fall" treats its themes by appropriating itself of some of Terrence Malick's techniques - though more conventional to mainstream audiences - with the use of the main character's narration remembering the lovely times he had with his family in their big house and their pool, describing the love and care he had for his wife and kids; and also appropriates of some "Breaking Bad" elements, without ever getting on the same level of greatness. Mr. Saar Klein's debut as director comes across as simple-minded, clichéd yet manageable and interesting due to the performances of Bentley and Isaacs (who steals the show, this time without playing the villain). Bentley was a decent anti-hero, you get easily involved with his obstacles, and enjoy each time he tries to help people in worst conditions than him (like the female cashier - but hey at least she has a job, awful but still), almost getting close to being a hero (helping the old man who spotted him before a robbery at a drugstore).
And if the movie loses points is because of its lack of alternatives and unusual conceptions. Why the lead character never, at no point, tries to get another job? He's stuck in that weird business, still trying to impress his former boss when he's no longer part of the company in ages. That part was really strange. And since when stealing pocket money from other people can be enough to make one rescue his taken car? He survives from stealing to stealing, and it's all very unconvincing. I won't even mention the solution given at the conclusion which the writer simply fast forward with a plausible explanation.
Here's another modern treaty about the swifty American dream; there's always crisis and always unexpected solutions but family always comes first. Even though you're about to lose them. 6/10
More artistic than entertaining, "After the Fall" treats its themes by appropriating itself of some of Terrence Malick's techniques - though more conventional to mainstream audiences - with the use of the main character's narration remembering the lovely times he had with his family in their big house and their pool, describing the love and care he had for his wife and kids; and also appropriates of some "Breaking Bad" elements, without ever getting on the same level of greatness. Mr. Saar Klein's debut as director comes across as simple-minded, clichéd yet manageable and interesting due to the performances of Bentley and Isaacs (who steals the show, this time without playing the villain). Bentley was a decent anti-hero, you get easily involved with his obstacles, and enjoy each time he tries to help people in worst conditions than him (like the female cashier - but hey at least she has a job, awful but still), almost getting close to being a hero (helping the old man who spotted him before a robbery at a drugstore).
And if the movie loses points is because of its lack of alternatives and unusual conceptions. Why the lead character never, at no point, tries to get another job? He's stuck in that weird business, still trying to impress his former boss when he's no longer part of the company in ages. That part was really strange. And since when stealing pocket money from other people can be enough to make one rescue his taken car? He survives from stealing to stealing, and it's all very unconvincing. I won't even mention the solution given at the conclusion which the writer simply fast forward with a plausible explanation.
Here's another modern treaty about the swifty American dream; there's always crisis and always unexpected solutions but family always comes first. Even though you're about to lose them. 6/10
¿Sabías que...?
- CuriosidadesDirectorial debut of Saar Klein.
- Citas
Bill Scanlon: Eventually the truth comes out.
Frank McTiernan: [in disgust] Oh, fuck the truth! No...
[brightening, raising his glass in a toast, which Bill joins]
Frank McTiernan: Fuck the truth!
[they clink glasses]
Frank McTiernan: What does it matter?
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- How long is After the Fall?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Things People Do
- Localizaciones del rodaje
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 50 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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By what name was After the Fall (2014) officially released in India in English?
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