Saiyaara

Krish Kapoor (Ahaan Panday) is an egoistic, short-tempered musician in search of a big break. He meets Vaani Batra (Aneet Padda), a shy, aspiring journalist who was once left at the altar. Krish chances upon her diary, filled with lyrics. He turns them into songs-and they're a hit. Love follows. But fate plays spoilsport, and the two are separated. Will they reunite, or are they destined to be star-crossed lovers ?

Story-wise, Saiyaara doesn't offer much novelty. Sanam Teri Kasam, which found a second life with its re-release in 2024, followed a very similar path. And most of Mohit's romantic films follow familiar beats-you can often guess what's coming next.

The first half here sets the tone quite well, and the film is naturally emotional in the second half. Mohit knows his audience very well: he knows the majority would comprise either couples or groups of friends. Writer Sankalp Sadanah keeps things conventional yet appealing.

So, if it's a story we've heard before, what works in the film's favour ? Three things: a talented cast, soulful music, and some beautifully crafted scenes.

When Mohit recently said that Saiyaara is what Aashiqui 3 could have been, he wasn't wrong. The film feels like an organic fit into the Aashiqui universe. And perhaps it's for the best that it didn't carry the franchise name-it gives this story space to shine on its own.

Ahaan Panday makes a confident debut as Krish. He pulls off an intense role in his very first outing, and that deserves praise. He emotes well and carries the spark of a romantic hero. It'll be interesting to see how he handles other genres in the future. Aneet Padda gets a complex part, and she fits the role. She looks great on screen, and together, Ahaan and Aneet share convincing chemistry. Their performances keep Saiyaara afloat.

Music has always been a strength in Mohit's films, and this time too, he doesn't disappoint. Tanishk Bagchi, Arslan Abdullah, and Faheem Nizami compose genuinely moving tracks. Personal picks: the title song and the beautifully shot Tum Ho Toh, sung by Vishal Mishra.

Overall, Saiyaara may not break new ground in terms of storytelling, but it strikes the right emotional chords. It's a film that understands its audience and delivers with sincerity. It offers just enough to make you feel-and that, sometimes, is more than enough.

In an era where films constantly strive to surprise with twists and unconventional storytelling, Mohit Suri's Saiyaara chooses a different route, it leans into the familiar with confidence. Instead of chasing innovation, it opts for emotional depth and storytelling sincerity. At its heart, Saiyaara is a love story you may have heard before but it's the way it's told that makes all the difference. The narrative might be predictable, but it's infused with genuine emotion that connects.

There are moments in Saiyaara that unmistakably echo the emotional essence of Mohit Suri's earlier works like Aashiqui 2 and Hamari Adhuri Kahani. Yet, instead of coming across as repetitive, the film feels like a heartfelt continuation of that emotional lineage. It stays within the bounds of conventional storytelling, but does so with such conviction that it keeps you hooked especially during the interval and the deeply moving climax, which are bound to stir even the most reserved hearts. Rohan Shankar's dialogues are another strength, providing the emotional spine to the film.

Debutants Ahaan Panday and Aneet Padda are the soul of Saiyaara. In a film that depends more on emotional resonance than narrative twists, their performances hold the weight of the story. Ahaan brings vulnerability & charm to Krish. Aneet Padda matches him beat for beat, portraying Vaani with grace and quiet strength. Their chemistry crackles on screen, making their love story feel heartfelt and lived-in. Alam Khan, Geeta Agrawal, Rajiv Kumar, and other supporting actors provide strong support, adding emotional gravitas without overplaying their roles.

Director Mohit Suri knows his audience intimately. No Mohit Suri film is complete without a memorable soundtrack, and Saiyaara is no exception. The title track "Saiyaara" is undoubtedly the standout. Other tracks like "Dhun," "Barbaad," "Tum Ho Toh," and "Humsafar" are equally soulful, each one placed perfectly to elevate the emotional beats of the story. Saiyaara is worth your time, the movie proves that sometimes, storytelling isn't about reinventing... it's about resonating.

Direction 3.5/5 Acting 3.5/5 Music 4/5 Story 3/5 Screenplay 3.5/5.

Normal love story , nothing new about story , nice acting , ok songs not that good , overhyped.i have heard so many more beautiful songs , this song are not even in comparison. Idk what hype is about and how people are reacting in theatre, only very little of movie of relatable. It's a just a teenager audience movie, unreal story and my experience was okish, I would to watch laila majnu anyday but not this . If this movie was about songs and music then atleast they should have better songs , only focus was on the word saiyaara in songs. The hype is unreal and proper PR stunt u think so . So it's a one time watch.

I'm not against anyone else's review, and I respect that everyone has their own perspective when it comes to movies. However, after watching this film, I couldn't help but feel that most of the reviews floating around seem overly hyped and, frankly, a little too positive to be genuine. It's a Yash Raj movie, so expectations were naturally high, but in my honest opinion, it doesn't quite live up to the buzz.

Let me start by saying that I went into the movie with an open mind. Yash Raj Films has given us some unforgettable classics, and their name alone usually guarantees a certain level of quality. That said, just having a big banner and a great cast doesn't automatically make a movie exceptional. For me, this one fell short in many areas, especially when it comes to the story.

The plot felt like something we've seen before-a romantic drama that brings nothing new to the table. In fact, the whole vibe reminded me a lot of Aashiqui-the same old tragic love story template, only with a slightly happier twist at the end. There's no harm in using familiar themes if they're executed well, but here, the narrative lacked depth. The emotions didn't hit as hard as they should have, and the dialogues were pretty average. Honestly, I was waiting for that one moment that would make me go, "Wow, this is why everyone is praising it," but it never came.

What surprised me even more is how every review I've seen calls this a "masterpiece" or "one of the best romantic films in recent times." That feels exaggerated. Sure, the cinematography was beautiful, the music was decent, and the lead actors delivered solid performances. But if we're talking about storytelling-the backbone of any film-I found it lacking originality. Everything felt predictable, from the first meeting to the conflict to the eventual resolution.

Now, I completely understand that everyone has different tastes. What might seem dull and repetitive to me could be deeply moving for someone else. And that's okay. Movies are subjective experiences, and that's what makes art beautiful. However, I can't shake the feeling that some of these glowing reviews are either influenced by the big production house backing the movie or are part of an intentional push to create hype. It's something we've seen happen before-manufactured buzz to draw crowds to the theater.

I also want to be fair. The movie does have its positives. Like I mentioned earlier, the visuals are stunning, and some of the songs are genuinely good. If you're someone who just wants a light romantic film with glamorous sets and beautiful faces, you might enjoy it more than I did. But if you go in expecting something groundbreaking or emotionally intense, you might walk out feeling a bit underwhelmed.

At the end of the day, this is just my personal opinion. I could be completely wrong, and maybe I'm missing something that others connected with deeply. I'm sharing this not to discourage anyone from watching the film, but to add a different perspective to the conversation. Reviews, whether positive or negative, should always reflect honesty, and this is mine.

So, if you're planning to watch it, go with an open mind. Don't get carried away by the hype-experience it for yourself and decide. Who knows, you might end up loving it! For me, though, it's just an average film that doesn't justify the overwhelming praise it's getting online.

Again, this is just my thought. It may not be right, but I felt like sharing.

Saiyaraa comes across as a heartfelt yet heavily inspired romantic drama that feels like a cinematic blend of three well-known films across different languages. The emotional journey of the male lead becoming a superstar after losing his love strongly mirrors Rockstar (2011), where grief fuels creative brilliance. A major part of the story unfolds in a remote, serene location reminiscent of Shankar's I (2015), suggesting the characters' need for escape and transformation. But the most striking parallel is with 50 First Dates (2004), where the female lead suffers from Alzheimer's-like memory loss, forgetting the hero each day, while he patiently reminds her of their bond - a direct emotional echo of Henry and Lucy's story. While Saiyaraa succeeds in delivering powerful performances, beautiful visuals, and a touching storyline, its lack of originality is hard to ignore. The film, though emotionally moving, seems more like a curated homage to its cinematic predecessors than a standalone masterpiece.