Dos estudiantes de primer año de la Universidad de Oxford se unen al infame Riot Club, donde la reputación se puede ganar o perder en el transcurso de una sola noche.Dos estudiantes de primer año de la Universidad de Oxford se unen al infame Riot Club, donde la reputación se puede ganar o perder en el transcurso de una sola noche.Dos estudiantes de primer año de la Universidad de Oxford se unen al infame Riot Club, donde la reputación se puede ganar o perder en el transcurso de una sola noche.
- Premios
- 2 nominaciones en total
Reseñas destacadas
A secret Oxford University club where if you have to ask to join you can't be a member who are all from affluent backgrounds and think they are better than anyone beneath their social standing.
We see how the club begins from its origins to modern day with the group needing new recruits . We see the process and induction of the new members and quickly realise that they are raucous to the extreme. They are preparing to book the annual meal and have to leave Oxford and end up in a beautiful family orientated gastro pub.
As the drink flows and the drugs are consumed the behaviour of the group becomes excessive. A pre arranged prostitute refuses to co-operate which infuriates the members further.
A violent assault tests their loyalty to each other and is played out with the involvement of outside parties.
That said, the writer, Laura Wade, explores some very complex issues regarding wealth and peer pressure. While these themes have been depicted in movies over and over again, she does not imply that the entire upper class is a bunch of arrogant pricks, who think they can buy their way out of everything. Clearly, they can, you can't really fault them for that, but the Riot Club is not inherently an evil society. They are rich, they drink, and they sometimes lose control, as we all do. The difference is that there are no consequences for them, so they can keep on doing it. I liked how peer pressure was depicted in this film and how the guilt and responsibility of some of the members was shown. It really made me consider how we act in situations we have very little control over and how responsible should we feel in these kinds of situations.
My only complaint about the movie would be the main character (Miles Richards) being a flawless Mary Sue - rich, handsome, witty, intelligent, kind and well meaning, as well as some of the other positive characters being presented as these morally superior beings. That felt very strange for a movie, the main idea of which is that not everything is as black and white as it seems, and we all just try to justify our own actions while doing what we feel (not think) is best.
I was captivated as I sat in terror through this movie. Shocked, not by violence, but by the attitude of the memebers of the Riot Club. The lack of empathy, care, humanity.
I enjoyed how the plot shifted and got me constantly guessing who is the antagonist and who's the protagonist. It was also a really beautiful movie. The cinematography was great, but not overly original.
Great acting from Sam Clafin.
But the greatness of this movie is the storyline. Its so good, striking and upsetting that I never want to watch it again.
These are entitled rich brats. None of them are that compelling as individual characters. Most of them are too interchangeable. Their hi-jinx are annoying and not particularly imaginative. It's a lot of drinking and destruction. Throwing in Natalie Dormer as a hooker does help. There is boring boorish talk and a couple of interesting moments. The scene with Lauren in the restaurant is wrong. It's excusable that Miles is drunk but Lauren is too slow on the uptick. Even then, Miles can't be that weak-minded. It makes no sense that he doesn't leave to chase after Lauren other than for the sake of the story. There are a few clunky moments. It's unbelievable that the guys don't do more than a night in the drunk tank. They walk out with their clothes which should be taken as evidence. The only way to make it all work is if the cops are bought off right away. The possibility is there but it's not sharp enough.
¿Sabías que...?
- CuriosidadesThe film was originally a successful play 'Posh' that premiered at the Royal Court Theatre in London in 2010, before transferring to the London West End.
- PifiasWhen Charlie comes to the pub she is handed a glass of champagne. With different camera angles the champagne flute turns to a shot glass then back to a champagne flute.
- Citas
[as Alistair is using a cash machine, two muggers walk up close behind him]
Mugger: [pulling out a knife] Don't scream. Don't look at me. Just put in the PIN number, take out 200.
Young Hooded Man: Come on, put in the fucking PIN number!
Alistair Ryle: [as he waits for machine to give him the money] It's uh, it's actually just "PIN".
Mugger: What?
Alistair Ryle: The N stands for number, it's Personal Identification Number. So, if you say "PIN Number" you're saying "number" twice. You're saying "Personal Identification Number Number". It's just... it's just wrong.
[the second mugger shoves him and he bangs his head against the wall and falls to the ground]
Mugger: You think you're fucking clever?
Alistair Ryle: Jesus, please!
Mugger: Shut it, you posh twat. Pompous little prick.
[he spits on him and walks away]
- ConexionesFeatured in Projector: The Riot Club (2014)
Selecciones populares
- How long is The Riot Club?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- The Riot Club
- Localizaciones del rodaje
- Winchester College, Winchester, Hampshire, Inglaterra, Reino Unido(Oxford University)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 7734 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 2188 US$
- 29 mar 2015
- Recaudación en todo el mundo
- 3.517.925 US$
- Duración1 hora 47 minutos
- Color
- Mezcla de sonido