Endeavour

In my opinion they are the best English series ever! Absolutely great story lines, great actors... The Pilot episode is just wonderful.

I have already seen both series 1 & 2 and cannot wait for series 3. You can watch each episode separately without following the order of episodes.

I recommend it to those who love English series and not just those... also who ever likes a good thriller!

It's very difficult to figure out who is the killer and that's what I like about those series too.

Those series give you some explanations to Inspector Morse and his behavior.

Love this drama. Like the whole idea of a young Morse. Endeavour certainly has his detractors which have the scope to needle him because he is so junior. I suppose this is why he is so grumpy when he is older - getting his own back as it were. So plenty here to allow viewers to hark back to the original drama but also a huge amount of good coming from the new actors. From the use of typewriters to seeing lots of letters. A lack of overt violence, sex and swearing plus excellent story lines. What more can we ask?

It's quite possible to marry the indelible Sixties period to that charming music. Roger Allam is excellent at Fred Thursday and Shaun Evans puts a lot of effort into the young Morse. Anton Lesser as chief superintendent Bright is a prig

Well, it's now all over. Endeavour has ended it's 11 year, 9 season run. The finale was beautifully crafted into one of the greatest final episodes of any series, ever.

This series has given us wonderful stories, great scripts, superb acting and wonderful Oxford backdrops. It has managed to weave an intricate web that keeps everything on track to lead into the original Morse series.

All the main cast were fantastic, but special mention to Shaun Evans, Roger Allam and Anton Lesser, who were standouts. It's scandalous that Evans and Allam didn't receive a single BAFTA nomination for their work in Endeavour.

The series will be sorely missed, but we have a great body of work to revisit.

After the surprisingly well handled one-off prequel, Shaun Evans is back as the young detective Endeavour Morse. Just like the original series with John Thaw, its success hinges on the charisma and personality of the lead character. Here Evans excels and carries the whole thing off handsomely. His performance portrays obvious knowledge and classical moral values but also an eager curiosity, drive and a naive humility which reminds us throughout this episode that he is a new recruit of sorts. The only issue I could find to quibble with is the almost Sherlockian mythology that has been added. In the original he was a knowledgeable and sharp police detective whereas here he is very much the deductive crime-fighter. As a Conan Doyle fan I do approve a little of the mythologizing but it needs to keep its roots with the original and down to earth.

High quality television, with its strength being the re-creation of the 1960s, but with 2010s cinematic advances. The main characters are interesting and well-acted, although if you are a steady mystery viewer, you will figure out the ending very soon, which does take away from the suspense.

Sean Evans presents the shy, taciturn Morse in his younger days as a detective. He is fetching and keeps his own counsel as to personal matters, and we can see him developing into the ascerbic, driven chief detective we've come to love and respect. Colin Dexter's brill writing launches us here in ENDEAVOR into a seamless transformation into the mature Morse with promise of excellent episodes to come. I'd like to see more of the young Morse and hope this is only one segment of what will surely be a superior backstory for the series. Beautifully written and paced, ENDEAVOR presents a cast of appealing faces and splendidly low key criminal pursuits. Highly recommended. I loved it, am clamoring for more.