Jilla

Mohanlal making an appearance was the only motivating factor for me to watch Jilla. And Lalettan under-played subtly. I didn't expect this. But that's exactly why I liked it.

Lalettan could have been given more platform to exhibit his histrionics. But ironically, not exceeding is why the role stands out on its own. There is no hyper-realistic histrionics nor mad-cap mayhem. But there's the ubiquitious punch thrown into satisfy the local audience. Lal is definitely much more than, but sivans boundary stops there and lal becomes sivan and does ample justice by mellowing down.

There's this one shot in a far-off highway, where hes sitting like a King Dethroned, robbed of pride and glory and yet the director didn't subject the scene to melodrama. Instead he let Lalettan shed a …teardrop ! I love Jilla

Decent Entertainer. Songs were good. Story was nice. Mohanlal acted very well. Simple acting. No over-acting. Family emotions and sentiment also well done. Scene with sister in second half also good. Sampath unexpected villain. Good twist. Seeing poornima jayaram on screen after years was also nice. No overacting by mother and son in drama scenes. Heroine portion could have been better. But melody was nice. Imaan is proving he is boss of melody. Too much fighting, although crowds like it. In fact movie has lot of fights which todays youth love ! which i felt could have been avoided. but to compensate, Parotta suri is very comical. But expected more from thambiramaiah. Overall, nice movie. Can be enjoyed with family.

Its one of those Commercial rockets. Works primarily B-COS although its got stars, its got a engrossing story that keeps claiming attention. Something or other happens in Jilla ! either somebody is comical or somebody is fighting a war or somebody is asking justice. Its this "story-laden" aspect that works big-time for this movie. on the flip side, there was probably too much story. every scene had detailing which worked largely positively and at times, over-whelmed the frame. But try telling that to vijay die-hard fans ! Direction was smooth. Not over- doing anything and good tempo maintained throughout. I wonder why there were complaints on the pacing. i look forward to good story-telling and pacing is never a deterrent in an action masala. overall, Jolly enjoyable film

Basically handling two major superstars in one film is not easy at all for anyone, even for a talented director. However, in this film direction towards vijay and mohanlal seemed to be much good either in action scenes or in fun making scenes. As this film been considered as the commercial entertainer, it totally exemplifies it undoubtedly. Along with vijay and mohanlal other co stars also given their best, which's the most highlight able point in this film. From beginning to end it could be considered as the tasty commercial recipe which has all ingredients perfectly, but only turned little badly in climax somehow. For a film, climax is the most significant segment which's because it may decide whether the film been enjoyed by the audience or not. According to me i only felt bad about he climax. Besides the climax, this film is a solid commercial entertainer which has lovable music, fun, sentiment, and action overall. In conclusion Jilla is an expectable treat for his fans, and no one should miss this entertainer for any reason.....

The off-the-chart expectations stirred by the release of projects of two mega stars lured me in for the first day premiere of "Jilla". Despite encircled by a surreal crowd that screamed "Vijay" at the top of their lungs, I managed to find a tunnel vision with a neutral point of view and am penning this review in the same perspective.

Jilla is the story of the Godson of a Don, who turns into a police officer to aid his godfather, who then does a 180 degree shift opposing him and offers an ultimatum: Change or I will Change you.

The typical essence of a Masala entertainer is sprinkled in vast proportions and hence finds an appeal among the fans. Neutral viewer, like me, will find it hard to sit through several scenes which were deliberately inserted to find whistles rather than aiding the pace of the screenplay.

Over 60 years of combined experience between "Mohanlal" and "Vijay" overshadows almost everyone else on screen. Kajal is just a 3 song dancer with 3 extra scenes none of which feeds her acting appetite. Suri, with his double-meaninged wit, has tried a few gags which in most cases deserve sympathy rather than laughter.

As usual, stunts and songs play spoilsport, since they are logic-less and speed breakers respectively. Suri himself quotes, "Why, unnecessarily, did you stretch a one liner into a song?"

Despite these flaws, the audience will find the movie appealing only because they are able to see the entertainment behind all the aforementioned veils. To give a clear comparison this flick is somewhere between "Thalaiva" and "Thuppaki". Unlike Thalaiva, this is original but unlike Thuppaki this isn't universal.

A little more editing could have sharpened the movie.

An average attempt (5/10).