Sigue a un ladrón que irrumpe en un todoterreno de lujo, sólo para darse cuenta de que ha caído en una trampa sofisticada y mortal.Sigue a un ladrón que irrumpe en un todoterreno de lujo, sólo para darse cuenta de que ha caído en una trampa sofisticada y mortal.Sigue a un ladrón que irrumpe en un todoterreno de lujo, sólo para darse cuenta de que ha caído en una trampa sofisticada y mortal.
- Dirección
- Guión
- Reparto principal
Ricardo Pequenino
- Street Drummer
- (as Ricardo Pequinino)
Sofia Tesema
- Sadie (Lipstick Woman)
- (as Sofia Tes)
Gabrielle Walsh
- Amy
- (voz)
Reseñas destacadas
My only advice for potential criminals who are reading this review is I would advise against breaking into a nice car lol. You will get locked in.
I caught the trailer and I was pretty hooked, went into this one open minded with zero expectation and it was a pleasant surprise.
Bill Skarsgård plays a really slimy character who at first I just wanted to see him suffer. But as the story progresses you start to feel for him, and start rooting for this guy.
Anthony Hopkins plays a narcissist rich man who is really sick and twisted. But you understand why he does certain things as you learn about his back story. His weapon of justice is a modified car that feels indestructible.
The suspense is great and I really liked the film's atmosphere and setting. There's never a dull moment and the pacing moves along really well. Twards the end I found Locked a little predictable but overall this is an enjoyable time at the theater. Go out and see it, at least watch it on vod when it comes out.
I caught the trailer and I was pretty hooked, went into this one open minded with zero expectation and it was a pleasant surprise.
Bill Skarsgård plays a really slimy character who at first I just wanted to see him suffer. But as the story progresses you start to feel for him, and start rooting for this guy.
Anthony Hopkins plays a narcissist rich man who is really sick and twisted. But you understand why he does certain things as you learn about his back story. His weapon of justice is a modified car that feels indestructible.
The suspense is great and I really liked the film's atmosphere and setting. There's never a dull moment and the pacing moves along really well. Twards the end I found Locked a little predictable but overall this is an enjoyable time at the theater. Go out and see it, at least watch it on vod when it comes out.
A man, sick and tired of people breaking into his car, traps the next thief and extend his torture for longer than necessary by making his own justice. A man willing and capable to do anything, and a youngster at the wrong place.
I wasn't expecting the sound design to be so crunchy, or for it to be as gore-y as it was. The setup isn't particularly memorable, and most of the dialogue isn't that good. I enjoyed Collateral (2004) much more than this for that simple reason. But it takes its premise and goes places with it.. but not enough to fill in 90 minutes. Sadly, there's a LOT of "empty space" and the pacing suffers a lot because of its content. The acting is good, but not great.
Overall, it's okay.
You understand what it is doing/saying, and you know where it is going to go (more or less). The sad part is that there is no particular reason to watch this.
I wasn't expecting the sound design to be so crunchy, or for it to be as gore-y as it was. The setup isn't particularly memorable, and most of the dialogue isn't that good. I enjoyed Collateral (2004) much more than this for that simple reason. But it takes its premise and goes places with it.. but not enough to fill in 90 minutes. Sadly, there's a LOT of "empty space" and the pacing suffers a lot because of its content. The acting is good, but not great.
Overall, it's okay.
You understand what it is doing/saying, and you know where it is going to go (more or less). The sad part is that there is no particular reason to watch this.
Totally boring, implausible and pointless. Another disappointing flop featuring Skarsgård. It's not tense so much as just tedious. The back and forth moralizing of the protagonist and his captor seems like a stale attempt at courting the public discontent. The protagonist's complaint that laws serve to only protect the rich elicited a real groan from me. Fortunately this evaporates quickly, and never returns. However there's else here to captivate. All of the characters are ugly, and unlikeable. Save yourself the time and watch the 2000s classic 'Phone Booth' instead, which is much more thrilling.
I got back from the theaters a few mins ago
I thought this movie looked more like something I would watch on streaming, but since I have Regal Unlimited, I decided to go on a slow day at the office.
Long story short - the movie isn't good. You're better off waiting for streaming
The plot itself is bare-bones. Bill Skarsgard (who looks a little like Pete Davidson here) gets trapped inside a car, basically. And as a result, very little actually happens for most of the movie. What we get, instead, is about an hour and change of watching Skarsgard sit inside the car by himself, which gets dull very quickly. The movie simply doesn't have enough to maintain interest while Skarsgard is trapped. The dialogue between him and Hopkins isn't interesting: Hopkins' characters meanders on and on, and they seem to repeat themselves ("What do you want from me?" "I want you to understand" .. seriously, I feel that I heard that exchange at least 5 times). The little acts that Hopkins does to terrorize Skargard similarly become repetitive
The movie is basically a two-man show in Skarsgard and Hopkins, and neither one of them is likable. Hopkins' character is obviously too pyscho for the audience to like. And though the film tries to make Skarsgard appear likable by using his daughter as well as a scene where he randomly gives water to a dog, the basic truth remains that he's scum who steals people's money and belongings . There is no one here for the audience get behind
The movie takes a bit of a silly turn when Hopkins somehow controls the car remotely; the events that happen here become almost unintentionally funny. Some of the dialogue near the end (e.g. Dirty Harry references) become cringe
4/10.
I thought this movie looked more like something I would watch on streaming, but since I have Regal Unlimited, I decided to go on a slow day at the office.
Long story short - the movie isn't good. You're better off waiting for streaming
The plot itself is bare-bones. Bill Skarsgard (who looks a little like Pete Davidson here) gets trapped inside a car, basically. And as a result, very little actually happens for most of the movie. What we get, instead, is about an hour and change of watching Skarsgard sit inside the car by himself, which gets dull very quickly. The movie simply doesn't have enough to maintain interest while Skarsgard is trapped. The dialogue between him and Hopkins isn't interesting: Hopkins' characters meanders on and on, and they seem to repeat themselves ("What do you want from me?" "I want you to understand" .. seriously, I feel that I heard that exchange at least 5 times). The little acts that Hopkins does to terrorize Skargard similarly become repetitive
The movie is basically a two-man show in Skarsgard and Hopkins, and neither one of them is likable. Hopkins' character is obviously too pyscho for the audience to like. And though the film tries to make Skarsgard appear likable by using his daughter as well as a scene where he randomly gives water to a dog, the basic truth remains that he's scum who steals people's money and belongings . There is no one here for the audience get behind
The movie takes a bit of a silly turn when Hopkins somehow controls the car remotely; the events that happen here become almost unintentionally funny. Some of the dialogue near the end (e.g. Dirty Harry references) become cringe
4/10.
Anthony Hopkins must be in financial trouble to have taken on this major disappointment and waste of time. Even the free version of Copilot in Bing could've come up with a better plot and far better dialog.
The characters were so under developed they'd be blank if they had been traditional camera film in a photo lab. The dialog was so undercooked it should've come with a salmonella risk warning.
The movie attempted to be twisted but was annoying. It tried to be twisty but was predictable. It wanted to be suspenseful but was boring.
The audience is the victim locked in the theater suffering through a script that should've been locked away in the depths of a paper shredder.
The characters were so under developed they'd be blank if they had been traditional camera film in a photo lab. The dialog was so undercooked it should've come with a salmonella risk warning.
The movie attempted to be twisted but was annoying. It tried to be twisty but was predictable. It wanted to be suspenseful but was boring.
The audience is the victim locked in the theater suffering through a script that should've been locked away in the depths of a paper shredder.
¿Sabías que...?
- CuriosidadesThe starring vehicle in "Locked" is a "Dolus", a custom-built Land Rover Defender-based SUV.
It was designed and built especially for the film and is now on display at Volo Museum.
It's a one-of-a-kind vehicle with a full custom body design, intricate interior details, and eye-catching lighting.
Two "Dolus" vehicles were made: one for interior and hero shots and another for some serious stunt driving.
They were built at a staggering cost of 1.3 million USD.
- PifiasIn the beginning Eddie argues with the mechanic that the alternator for his van is a "$400 part". On average, for his van, an alternator would cost about $120.
- Banda sonoraDrive Off: Tchaikovsky Piano Concerto 1
Written by Pyotr Ilyich Tchaikovsky
Performed by Tim Williams (as Timothy Williams) and The Budapest Scoring Orchestra
Published by Something for the Beach House Publishing (ASCAP)
Courtesy of Beach House Music, Inc.
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- How long is Locked?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- Locked
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 1.632.758 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 924.054 US$
- 23 mar 2025
- Recaudación en todo el mundo
- 4.113.341 US$
- Duración1 hora 35 minutos
- Color
- Relación de aspecto
- 2.76 : 1
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