Aavesham
- 2024
- 2h 35min
PUNTUACIÓN EN IMDb
7,8/10
30 mil
TU PUNTUACIÓN
Tres adolescentes llegan a Bangalore para obtener su título de ingeniería y se ven envueltos en una pelea con personas mayores. Encuentran a un gángster local llamado Ranga para que les ayud... Leer todoTres adolescentes llegan a Bangalore para obtener su título de ingeniería y se ven envueltos en una pelea con personas mayores. Encuentran a un gángster local llamado Ranga para que les ayude a vengarse.Tres adolescentes llegan a Bangalore para obtener su título de ingeniería y se ven envueltos en una pelea con personas mayores. Encuentran a un gángster local llamado Ranga para que les ayude a vengarse.
- Premios
- 9 nominaciones en total
Reseñas destacadas
A full-on entertainer with a wildly fantastic Fahadh Fasil having so much fun. He is so good in this that the other main 4 actors who have done a brilliant job might go underappreciated. If it was any other film, they would have gotten a lot of praise but Fahadh is just ruling the screen here. I even forgot about Sushin's score after a point, which has as much importance as a character here. The comedy and the action worked great but it even brought an emotional element that worked very well for me. Towards the end, when the theatre was filled with laughs, I was having a hard time choosing to laugh or cry as it was emotional and funny at the same time. And that emotional part that is working in this movie with such a character, is something only an actor with the calibre of Fahadh can pull off. It was such a blast when the Illuminati song started playing at the end.
I don't wish to write a detailed, eloquent review for a film that only tries to present itself as a pure, no-holds-barred entertainer with just the right doses of everything (save for a romance). The character sketch of Ranga, along with an insane range of unpredictable emotions, is safe in the hands of FAFAA. He embodies the adorable, fun-loving thug with a penchant for violence (although he's under oath not to inflict any himself) like no other performer can, at least in Malayalam cinema. We've seen him play solemn, serious protagonists with consummate ease, but Aavesham gifts him the opportunity to fully embrace his zany side. If his foray into Tamil and Telugu cinema eventually led to him signing up for such an unhinged role in Malayalam, then I'm all in for those decisions.
The plot can be summed up in two or three lines, but director Jithu Madhavan is adept at keeping the proceedings tremendously enjoyable. As a result, we get a well-cooked mix of terrific action blocks, plenty of laugh-out-loud moments (major credit to Sajin Gopu), and even a little unexpected emotional depth to the protagonist. Sushin Shyam's songs and score are every bit an essential ingredient, without which, the mass moments would lack the necessary knock-out punch. The three guys who tag along with FaFaa also manage to hold up their end of the bargain, and their exchanges especially in the latter half, left me in splits. There are occasional signs of the screenplay running out of storytelling steam, but the fun factor never takes a dip. Once in a while, Malayalam cinema needs an injection of packaged entertainers like Aavesham where you slip into your most comfortable sitting position, clapping and hooting at the antics of an electrifying FaFaa.
The plot can be summed up in two or three lines, but director Jithu Madhavan is adept at keeping the proceedings tremendously enjoyable. As a result, we get a well-cooked mix of terrific action blocks, plenty of laugh-out-loud moments (major credit to Sajin Gopu), and even a little unexpected emotional depth to the protagonist. Sushin Shyam's songs and score are every bit an essential ingredient, without which, the mass moments would lack the necessary knock-out punch. The three guys who tag along with FaFaa also manage to hold up their end of the bargain, and their exchanges especially in the latter half, left me in splits. There are occasional signs of the screenplay running out of storytelling steam, but the fun factor never takes a dip. Once in a while, Malayalam cinema needs an injection of packaged entertainers like Aavesham where you slip into your most comfortable sitting position, clapping and hooting at the antics of an electrifying FaFaa.
This is what you call a theatre experience. I don't think this film would have anywhere close to the impact it had in the theatre
Fahadh Faasil absolutely killed it, his screen presence is just too damn good. Its honestly a crime that he hasnt acted as a mass hero more often, such a blast everytime he was on screen.
As for the film more generally, the plot is almost non-existent but who cares. The music is genuinely brilliant, adding so much energy to the movie. The fight scenes are vibrant.
Something better would've to maybe flesh out the characters of Fahadh's sidekicks (e.g. Amban) a bit more, but considering the film is all about Fahadh we only really need his character to be nuanced and developed, which it truly is.
I can see Ranga becoming a cult character in the Malayalam film industry for sure, what a character, what a performance.
Fahadh Faasil absolutely killed it, his screen presence is just too damn good. Its honestly a crime that he hasnt acted as a mass hero more often, such a blast everytime he was on screen.
As for the film more generally, the plot is almost non-existent but who cares. The music is genuinely brilliant, adding so much energy to the movie. The fight scenes are vibrant.
Something better would've to maybe flesh out the characters of Fahadh's sidekicks (e.g. Amban) a bit more, but considering the film is all about Fahadh we only really need his character to be nuanced and developed, which it truly is.
I can see Ranga becoming a cult character in the Malayalam film industry for sure, what a character, what a performance.
As they were promised they did re introduce Fahad.
No one has ever seen FaFa like this. No one in the whole movie couldn't match with his energy and vibrant performance.
It was definitely an all and out Fahad movie.
Next thing should be mentioned is sushin shyam . He is now a brand, audience are gonna wait for sushin's music. People surely choose his movies not without taking another opinion.
Jithu madhavan is now on the list of most promising Malayalam Directors. His works gonna blow up in the future.
He can perfectly balance each emotion on its correct meter. No scenes were too emotional or cringey everything were perfectly balanced.
No one has ever seen FaFa like this. No one in the whole movie couldn't match with his energy and vibrant performance.
It was definitely an all and out Fahad movie.
Next thing should be mentioned is sushin shyam . He is now a brand, audience are gonna wait for sushin's music. People surely choose his movies not without taking another opinion.
Jithu madhavan is now on the list of most promising Malayalam Directors. His works gonna blow up in the future.
He can perfectly balance each emotion on its correct meter. No scenes were too emotional or cringey everything were perfectly balanced.
Aavesham has a great 1st half and not that great 2nd half. It's a good mix of mass and comedy. It's mostly a FaFa show all through with some catchy comedic moments from Sajin. 1st half is a laughter riot and the whole theatre vibes was crazy. Sushin' music is so hip that it really ups the game in the mass scenes and as bgm. The new comer kids have done a really good job and they doesn't feel like freshers in acting. They also have plenty of comedic presence and felt fresh alltogether. Eventhough the second half lags a bit giving the feeling of trying to find the right pace and place, overall it's a good entertainer.
¿Sabías que...?
- CuriosidadesIn the movie, the car Ranga used is mentioned in director Jithu Madhavan's debut movie Romancham (2023) along with its number plate.
- ConexionesFeatures Dabzee: Illuminati (2024)
- Banda sonoraGalatta
Written by Vinayak Sasikumar
Performed by Paal Dabba, Sushin Shyam
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- How long is Aavesham?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en todo el mundo
- 3.694.257 US$
- Duración2 horas 35 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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