PUNTUACIÓN EN IMDb
4,4/10
2,2 mil
TU PUNTUACIÓN
Un día en la vida de un experimentado policía neoyorquino y su compañera recién graduada, sumidos en los desafíos de su profesión de alto riesgo.Un día en la vida de un experimentado policía neoyorquino y su compañera recién graduada, sumidos en los desafíos de su profesión de alto riesgo.Un día en la vida de un experimentado policía neoyorquino y su compañera recién graduada, sumidos en los desafíos de su profesión de alto riesgo.
Reseñas destacadas
This movie takes 25 minutes to get to the first police action scene, a guy cutting the same part of his arm over and over again with a cleaver. I guess that was the only bleeder special effects they had? After 3-4 times chopping the same place I expected the hand to fall off.
Lots of cop-new-partner buddy talk. Really incredibly boring stuff. Lots of tracking shots of Gino Pesi walking around in his dark coat. Like John Wick, but without any shooting or fighting.
His co-star Detective Kristin Renton acted like she just came from MTV, and she had. She seemed about to start dancing at any point. Just totally no dynamics with the sour personality of Gino Pesi.
Into the movie are cut various scenes of unexplained guy and his girlfriend and son. At some point she wants to leave him because he is doing drugs. No explanation what the connection is to the main characters. Eventually at the end, we get a pretty disgusting murder scene, and the connection is just bombed into the movie.
Halfway in, an old guy (Willie C. Carpenter) has a seizure at a grocery store, and Pesi sees him at the hospital, and the old man asks him to find his dog. Pesi goes back to the grocery store and finds the dog.
The scenes with the dog, Pesi, and Renton are by far the best scenes in this movie. The dog is really friendly and reacts to Pesi better than his partner Renton does. They made the movie a lot better by putting the dog into it. The dog was the only actor that had chemistry with Pesi.
Lots of cop-new-partner buddy talk. Really incredibly boring stuff. Lots of tracking shots of Gino Pesi walking around in his dark coat. Like John Wick, but without any shooting or fighting.
His co-star Detective Kristin Renton acted like she just came from MTV, and she had. She seemed about to start dancing at any point. Just totally no dynamics with the sour personality of Gino Pesi.
Into the movie are cut various scenes of unexplained guy and his girlfriend and son. At some point she wants to leave him because he is doing drugs. No explanation what the connection is to the main characters. Eventually at the end, we get a pretty disgusting murder scene, and the connection is just bombed into the movie.
Halfway in, an old guy (Willie C. Carpenter) has a seizure at a grocery store, and Pesi sees him at the hospital, and the old man asks him to find his dog. Pesi goes back to the grocery store and finds the dog.
The scenes with the dog, Pesi, and Renton are by far the best scenes in this movie. The dog is really friendly and reacts to Pesi better than his partner Renton does. They made the movie a lot better by putting the dog into it. The dog was the only actor that had chemistry with Pesi.
Reading the info on this I went into it thinking it would be a good view, I don't put too much thought into a movie except that it's a break from reality for an hour and a half of entertainment but quite honestly this one was kinda boring, the acting was definitely B movie rating, storyline was all over the place and the characters don't really pull you in too well, main character seems guarded but at the same time opens up messing it up for us as viewers, no spoilers here but I wouldn't recommend this one to anyone as like I said, it is on the boring side and one of those movies where you will watch it one time and never again.
In a departure from high-profile blockbusters, this film presents a refreshingly grounded narrative that captivates through its sincerity and charm. The story centers on a seasoned New York detective who, despite his initial reluctance, is paired with a dynamic female officer recently transferred from Atlanta. This classic setup-where a grizzled veteran must adapt to a new partner-forms the backbone of the film's engaging plot.
While the storyline unfolds within the familiar confines of a New York detective thriller, it distinguishes itself through its focus on character development and realistic, heartfelt interactions. The film skillfully delves into the personal backgrounds of its characters, adding depth to their motivations and relationships. Although the antagonists may adhere to certain genre conventions and lack complexity, they serve their role effectively within the narrative.
Overall, the film succeeds in delivering an entertaining and emotionally resonant experience, despite its adherence to genre tropes. Its strength lies in its authentic portrayal of human connections and the understated charm of its characters, making it a worthwhile watch for those who appreciate a more nuanced approach to the detective genre.
While the storyline unfolds within the familiar confines of a New York detective thriller, it distinguishes itself through its focus on character development and realistic, heartfelt interactions. The film skillfully delves into the personal backgrounds of its characters, adding depth to their motivations and relationships. Although the antagonists may adhere to certain genre conventions and lack complexity, they serve their role effectively within the narrative.
Overall, the film succeeds in delivering an entertaining and emotionally resonant experience, despite its adherence to genre tropes. Its strength lies in its authentic portrayal of human connections and the understated charm of its characters, making it a worthwhile watch for those who appreciate a more nuanced approach to the detective genre.
It's a trifecta... poorly written, poorly acted and poorly directed. A possible career ender for all involved. From its nonsensical plot to the painfully wooden performances, this movie is a masterclass in cinematic mediocrity, leaving viewers with a profound sense of wasted time and a yearning for something, anything, to engage with on screen.
The narrative, if you can call it that, is a jumbled mess of poorly connected subplots that seem to have been thrown together haphazardly. Characters are introduced with no apparent purpose, their motivations unclear, and their arcs abruptly truncated without any satisfying resolution. The story attempts to tackle themes of love, loss, and redemption, but falls flat at every turn, leaving the audience bewildered and questioning if they missed some crucial piece of the puzzle that never actually existed.
The narrative, if you can call it that, is a jumbled mess of poorly connected subplots that seem to have been thrown together haphazardly. Characters are introduced with no apparent purpose, their motivations unclear, and their arcs abruptly truncated without any satisfying resolution. The story attempts to tackle themes of love, loss, and redemption, but falls flat at every turn, leaving the audience bewildered and questioning if they missed some crucial piece of the puzzle that never actually existed.
One of those movies that probably won't have anything that really sticks with you long term but there isn't really anything egregiously bad here. Some fun scenes, and a couple interesting scenes of action. Some dialogue is quite awkward and some parts of the movie feel like the characters had no reason to do what they ended up doing but I wasn't expecting anything groundbreaking from this. Uwe Boll has made many a bad movie in his time but this is definitely on the better end of his catalogue. I think that the overly negative reviews may be in part to his notorious reputation since over the years he has attracted a vast array of trolls.
¿Sabías que...?
- PifiasWhen a guy has to choose whether he or his son gets shot, you hear a hammer being pulled back on more than one occasion. The baddie is using a Glock that does not have a hammer.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Первая смена
- Localizaciones del rodaje
- Nueva York, Nueva York, Estados Unidos(location)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 29 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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