Anna Nicole

TV biopics rarely have the sort of depth that a feature has. I was looking forward to this one because I've always admired and enjoyed Director Mary Harron's work. But not even a really good cast and director could make this film any deeper than its subject matter. In all fairness, there wasn't that much to say without speculating -- which wasn't really the purpose of the film.

Fresh on the heels of the amazing HBO documentary called "Love, Marilyn," I was anxious to see how Anna Nicole's story would unfold, given that Marilyn Monroe was such an obvious inspiration for Anna Nicole. Certainly, if anyone in this century embodied sex appeal in some of the same ways as Marilyn, it would be Anna. However, unlike Marilyn - there was really never any attempt apparent that she took acting very seriously as Marilyn did.

I'd be interested to know how much Lifetime producers may have interfered with the production of Anna Nicole because that would be a sure indicator of a less than stellar production to follow.

I wasn't expecting all that much, given the subject matter - but I was at least expecting a more enlightening rendering of it. It's not bad enough not to see -- but it was nothing that merits seeing again, for sure.

This film was not geniously architected, but it portrays Vicky/ Anna in a honorable way, and the viewer never see an obscene image from the beginning to the end of this piece. We all knew that Anna Nicole had a reputation to be a sex, drugs and rock & roll abuser, but, through the scenes it's well notorious the unconditional love that she had for her son, Daniel. He was always her light, the star that shine in her life. And it's factual too, that she did the best she could, the best that she had learned herself, since she was alone throughout her young adult life and motherhood. Yes, she was over the top, and not politically correct, but that character/ personality aggregated to her overwhelming appearance made her who she was: the desirable, yet suffering with inner trauma, 21st century Marylin Monroe. The director made an excellent job with this biography movie, showing more the personality, the human being, without focusing too much in the scandals and on the negative side of her life. Over all, I was expecting worse and have a slightly good surprise. And this goes into the light.

While I am not really overly familiar with the details about the life that Anna Nicole Smith was living, then I will say that the movie "Anna Nicole" actually managed to put together a rather nicely told story. But whether how true the movie is to the actual story of Anna Nicole Smith, I have no clue.

Agnes Bruckner really carried this movie nicely, and did a great job in portraying the iconic and legendary model Anna Nicole Smith.

No sense in going into details about the storyline here, as it is a filmed biography of sorts about Anna Nicole Smith.

Of course this movie is mostly appealing to those who were fan of Anna Nicole (or those who still are), but still, for someone impartial then it provided good enough entertainment, just don't expect to be blown away.

I will say that the performances were generally good all round, and people did contribute well to the movie and their respective characters.

Anna Nicole Smith's story is an interesting one, actually. How a person can go from being a person from a small place and end up being known world wide, but also showing the bad things that comes along with the burden of fame. For that, I think that the movie "Anna Nicole" deserves to be watched just once at least.

Pretty pre-teen Vicky Lynn is visited by her future self, in her mirror; she's bosomy blonde Agnes Bruckner (as Anna Nicole Smith). The tyke idolizes Marilyn Monroe while her parents holler, fight and drink. This apple will not fall far from the tree. When she becomes a teenager, our heroine stuffs her bra and becomes pregnant. After acquiring extra large breast implants, Ms. Smith is an exotic pole-dancing sensation. She poses for Playboy, meets wealthy octogenarian Martin Landau (as J. Howard Marshall) and soaks up whatever drugs are available. Alas, tragedy waits...

Anna Nicole Smith was a celebrity due to her looks and lifestyle. The comparison to Marilyn Monroe falls flat because Ms. Monroe was skilled at a craft we can (still) see and admire (although her own drug problems eventually hindered her work). Ms. Smith was not able to develop much of an artistic skill, though she may have had the potential. Smith's wretched TV program "The Anna Nicole Show" (2002–2004) featured the overweight star in obvious stages of alcoholism and drug abuse. This biographic TV movie covers that travesty, along with Smith's tabloid headlines...

Looking much like his counterpart, Adam Goldberg (as Howard K. Stern) plays the sleazy lawyer lover. Grown-up Graham Patrick Martin (as Danny) finds his own way out of mama's mess. Mary Harron orchestrates them well. Everyone here does a good job conveying the excess and incredible sadness in watching Smith waste her life away. Even worse is the heartbreaking story of her neglected son. However, there is nothing special about this celebrity's life. That could have been the point, but it isn't; instead, the subject is herein cheapened by false elevation and evaluation.

Anna Nicole (6/29/13) Mary Harron ~ Agnes Bruckner, Martin Landau, Adam Goldberg, Graham Patrick Martin

Following the rocky road and life a times of Playboy model and 'actress' Anna Nicole Smith up to her untimely death of 39.

Actress Agnes Bruckner delivers a fine portray of the larger than life troubled Anna Nicole/Vicky Lynn. While not being an Anna look-a-like Bruckner certainly captures Anna's spirit and persona, at times effectively laying down some of heart wrenching scenes. Although this a steppingstone presentation of her life, it covers the main highs and lows but leaves you with a lingering feeling that it's a little rushed.

The acting for the most part is impressive especially from Bruckner, Cary Elwes - Marshall's son, Virginia Madsen - Anna's mother and Martin Landau as billionaire J. Howard Marshall. American Psycho (2000) director Mary Harron keeps it interesting and fast paced. The prosthetic make-up effects of Anna's assets and weight gain are particularly notable.

The Anna's voice from the grave aspect, her younger self and Marilyn Monroe vision/dream additions scripted by Joe Batteer and John Rice keep the proceedings at times eerily compelling.

Its an especially well made for a TV movie and thankfully treats the departed with respect while at the same time being entertaining and highlighting the superficial world of celebrities. As an anti-drug movie look no further and to the producers credit ironically and in contrast to Anna's real life job offers it's certainly not a cheap cash-in.