Cuando cae la nieve

I accept that I am not among the sophisticati who live and breathe movies and contribute frequently to IMDB. But as a U.S. diplomat I served at the U.S. Embassy in communist Budapest Hungary in the Cold War 1970's. Much that was depicted in this movie ran true back then -- dilapitated decaying wall-peeling apartnents and buildings versus relatively elegant government buildings, bugging of even private apartments, etc. etc. Much was the same in Moscow too. I write rarely on IMDB and only when some movie especially intrigues me. This one did. No grotesque slasher torture-, gun- or hyper-violence here, no f-words. Rather, intelligent dialogues, gorgeous repeat gorgeous cinenatography, delicate music and I venture director's and financial backers' love for this movie's concept make this movie a true work of ART. I am glad it came to be nade.

Now that the Iron Curtain has collapsed and we have access to not only to modern Russia and former Soviet and Bloc countries, but we can now uncover stuff that took place in all those years without any restrictions. Historians even have access to restricted stuff as governments have made a lot of it public.

This film looks like an 80's film that imagines how things were like in the Soviet Union. There are many things about it that show a Western Cold War perspective of life in the Soviet Union, as well as politics and such. It is not well researched, if at all. The same director has a story about two women in a relationship in the apartheid era and another film about a Muslim woman who cancels her wedding because she's in love with another woman. These are her three feature films. I haven't seen the other two, but seeing how clichéd and un-researched Despite the Falling Snow is, I doubt that she spent a lot of time researching Islamic society or apartheid South Africa.

I say "director" when people expect me to say writer, but Sarif is the writer for all her films. This lack of outside input doesn't help.

So many directors spend endless hours researching life in their own country in the 90's and 80's, times when they were around. They put the time and effort to research the language, clothing, technology, etc. This film doesn't waste any time on that. "It's just in the Soviet Union, accept it. It's not accurate, move on. Just look at Ferguson. Isn't she pretty?"

If some actors are type-cast, then Samim is type-directing. Cheesy love story, history as a back drop rather than a setting, very beautiful actresses to distract from the plot. In almost every film that's what people talk about, good and bad reviews, how beautiful the actresses are.

Most people that watch films want a bit more than eye candy.

This movie has a lush, romanticized wartime feel. But I wish that it hadn't started in present day though, because in doing so, it diminished some of the intensity and intrigue around the past story.

In the film's early sixties beginning, Sasha (Sam Reid) is defecting to the US in a harrowing chase to the safe car. Once inside, his joy turns to anguish as he receives terrible news of others. Flashing forward to just after the fall of the Soviet Union, an older Sasha (Charles Dance) , now a successful American businessman, doesn't like that his niece, Lauren (Rebecca Ferguson) is having a showing of her wonderful artwork in the new Russia. She is also determined to find out some secrets about her family. Now, suddenly, we are back in Communist Russia where beautiful Katya (also Rebecca Ferguson) is casting eyes on the young Sasha, short for Alexander. At a cocktail party, the lovely school principal is meeting the handsome aid to a high ranking Soviet official. But, all is not as it seems. Katya's parents were murdered under Stalin and she was left an orphan. Although she appears to be a true believer, she is secretly transferring Soviet secrets to the Americans, for she hates the communists. In this, her friend and mentor, Misha (Oliver Jackson Cohen) has suggested she "get close" to Sasha for he will have a bounty of secrets on his watch. So, Katya does as told. But, what starts as espionage ends in Katya falling hard for the personable and handsome Misha, as he also loves her, and marrying him, much to Misha's dismay. Now, lives are in danger and defection may be the only option. How will it end? Then, too, will Lauren discover these happenings as well? This fine film has sumptuous visuals of Moscow amid the snow and a great cast. Add on wonderful costumes, an intriguing, time-hopping story and a polished direction and here is a film many refined movie fans will love. Are you one of these?

Just watched this movie having previously read the plot online and been semi-excited to watch it. On the whole however I have to say I was left a little bit disappointed.

I've always been fascinated by life in the Soviet Union both during and after WWII and both during the Stalin and post-Stalin worlds, so anything set then is of interest to me.

Things I struggled with however were in the 90's part of the film, who Rebecca Ferguson was playing (I have since gather it's the main character's niece, but as you never see his sister this didn't make much sense) and secondly the lesbian-love angle between the niece the and journalist seems very unlikely to me to be credible. That in particular seemed more of an attempt to place modern values upon the past which is never something I am keen on in a movie.

The plot itself jumps around a bit through the timelines but you can kind of follow it and the ending I thought made the whole thing semi-worthwhile. It's just the middle section of the movie I thought was a bit weak.

On the whole though I think it's worth a watch, but wasn't one where I would ever be likely to want to watch it again.