PUNTUACIÓN EN IMDb
6,4/10
86 mil
TU PUNTUACIÓN
Un grupo de adolescentes descubre los diseños secretos para construir una máquina del tiempo, y eso hace. Sin embargo, pronto pierde el control de la situación.Un grupo de adolescentes descubre los diseños secretos para construir una máquina del tiempo, y eso hace. Sin embargo, pronto pierde el control de la situación.Un grupo de adolescentes descubre los diseños secretos para construir una máquina del tiempo, y eso hace. Sin embargo, pronto pierde el control de la situación.
- Dirección
- Guión
- Reparto principal
Reseñas destacadas
David Raskin (Jonny Weston) applies to MIT with the help of his friends Quinn Goldberg (Sam Lerner), Adam Le (Allen Evangelista), and his sister Christina Raskin (Virginia Gardner). He could only get a small partial scholarship and his mother is looking to sell their home to raise tuition money. While looking for his late father's experiments in the attic, David finds an old video of his 7th birthday but it has his older self in the video. He and his friends find parts of a time travel machine hidden in his basement. They reconstruct it and travel back in time with his crush Jessie Pierce (Sofia Black-D'Elia).
This uses the found footage idea and the shaky cam moves get tiresome. It adds nothing and has no real internal logic. The kids are all excited and hyper. Obviously, it's intended to inject energy into the movie. That also gets tiresome. The big turning point is Lollapalooza which only adds to the superficiality of the whole enterprise. The premise starts out well but the movie is a long slow downward slide. Its initial potential slowly fades away.
This uses the found footage idea and the shaky cam moves get tiresome. It adds nothing and has no real internal logic. The kids are all excited and hyper. Obviously, it's intended to inject energy into the movie. That also gets tiresome. The big turning point is Lollapalooza which only adds to the superficiality of the whole enterprise. The premise starts out well but the movie is a long slow downward slide. Its initial potential slowly fades away.
The teenager David Raskin (Jonny Weston) is a genius that dreams on joining the MIT. He has a crush on Jessie Pierce (Sofia Black-D'Elia) but he is too shy to date her. When David finds the design of a time machine that belonged to his father, he decides to build the device together with his friends Quinn Goldberg (Sam Lerner) and Adam Le (Allen Evangelista) and his sister Christina Raskin (Virginia Gardner). Soon Jessie joins the group and becomes David's girlfriend. When their experiment gets out of control and changing the future, David decides to fix the problems making them worse.
"Project Almanac" is a sort of "The Butterfly Effect 4", with a similar storyline with many paradoxes. Each time that the teenagers interfere with the past for personal profit, the future changes and the responsible David tries to fix it. Unfortunately the funny adventure is ruined by the awful camera work. My vote is six.
Title (Brazil): "Projeto Almanaque" ("Project Almanac")
"Project Almanac" is a sort of "The Butterfly Effect 4", with a similar storyline with many paradoxes. Each time that the teenagers interfere with the past for personal profit, the future changes and the responsible David tries to fix it. Unfortunately the funny adventure is ruined by the awful camera work. My vote is six.
Title (Brazil): "Projeto Almanaque" ("Project Almanac")
And this is true of both the characters in the movie and the viewer. Well the latter should rather try to enjoy as much as possible. Because the science behind it all does not really mix well together. A problem that the movie is not alone with. Mingling with time and trying to make it plausible is almost impossible. Just a few have managed to get the "technical" things right or rather the things right that would seem logical.
But throw logic out of the window, because this is about teenagers. And while you get the obvious "what would you change, if you could" discussion, in the end it all boils down to personal advantage (mostly). And can you blame them? The twist at the end is kind of redundant, but it's there and better than the alternate endings that can be watched on the disc/special features. Enjoyable if you don't think too much
But throw logic out of the window, because this is about teenagers. And while you get the obvious "what would you change, if you could" discussion, in the end it all boils down to personal advantage (mostly). And can you blame them? The twist at the end is kind of redundant, but it's there and better than the alternate endings that can be watched on the disc/special features. Enjoyable if you don't think too much
I liked Project Almanac. It didn't necessarily excite me. And I did scratch my head a few times. But ultimately, I liked it. It had an interesting, if slow moving, story. It stayed grounded, or at least tried to, and did it's very best to legitimize time travel as a possibility, even if it doesn't do a very good job of actually explaining the whole thing. Certainly some things are silly, like explaining being able to control the time machine with a cell phone as cell phones 'having enough power to put a rocket in space', but these don't really take away from a lot of the fun dealing with the time travel element.
The story is pretty simple, but actually feels heart felt. David, a genius level teenager newly accepted to MIT, finds himself short on the money to pay his tuition there. This inadvertently leads him to discover an unfinished time machine his absent father left hidden in his basement. While it takes a while for the time travel elements to ramp up, there is fun to be had in seeing these kids build, experiment, and ultimately successfully travel through time. The film does a good job in allowing us to escape certain illogical elements, like how a group of teens with a fairly limited budget could create a fully functioning time machine, much less create one when no one else on earth seemingly could. David and his buddy Adam are already established as being geniuses from the moment the film begins. So, it's not much of a leap that together they could figure out how to complete the already crafted instructions and blueprints sitting in front of them. You could even say there's legitimacy to the use of the found footage style they went for. They even comment on the use of the camera, which at least shows they recognize that it's there.
However, despite some explanation that helps solidify the camera's constant presence, the film , like so many found footage films, would have benefited from simply being shot like a typical narrative. The film even goes the lengths to, strangely enough, be somewhere in between. We see edits that don't make sense for someone whose recording and we have music play over things like a montage. It's just bizarre to see and hear these things play out over a film that is supposed to pretend to be found off camcorder footage. And these production elements aren't bad, they're just out of place and show the film could have benefited from simply eschewing the found footage style all together. There's also some head scratching moments throughout that can be eye-roll-inducing, but I tend to be able to suspend my disbelief, so it didn't bother me as much.
The film overall isn't one I'd probably tell people to run out and see. But I'd certainly tell them it's not a bad film. Far from it, it's a surprise in the sub genre of found footage. And while it doesn't reach the heights of Chronicle, which I consider to be the peak of found footage, I do think it's one of the better found footage films.
The story is pretty simple, but actually feels heart felt. David, a genius level teenager newly accepted to MIT, finds himself short on the money to pay his tuition there. This inadvertently leads him to discover an unfinished time machine his absent father left hidden in his basement. While it takes a while for the time travel elements to ramp up, there is fun to be had in seeing these kids build, experiment, and ultimately successfully travel through time. The film does a good job in allowing us to escape certain illogical elements, like how a group of teens with a fairly limited budget could create a fully functioning time machine, much less create one when no one else on earth seemingly could. David and his buddy Adam are already established as being geniuses from the moment the film begins. So, it's not much of a leap that together they could figure out how to complete the already crafted instructions and blueprints sitting in front of them. You could even say there's legitimacy to the use of the found footage style they went for. They even comment on the use of the camera, which at least shows they recognize that it's there.
However, despite some explanation that helps solidify the camera's constant presence, the film , like so many found footage films, would have benefited from simply being shot like a typical narrative. The film even goes the lengths to, strangely enough, be somewhere in between. We see edits that don't make sense for someone whose recording and we have music play over things like a montage. It's just bizarre to see and hear these things play out over a film that is supposed to pretend to be found off camcorder footage. And these production elements aren't bad, they're just out of place and show the film could have benefited from simply eschewing the found footage style all together. There's also some head scratching moments throughout that can be eye-roll-inducing, but I tend to be able to suspend my disbelief, so it didn't bother me as much.
The film overall isn't one I'd probably tell people to run out and see. But I'd certainly tell them it's not a bad film. Far from it, it's a surprise in the sub genre of found footage. And while it doesn't reach the heights of Chronicle, which I consider to be the peak of found footage, I do think it's one of the better found footage films.
Found footage movies are often pretty predictable and sketchy, but project almanac isn't. Unlike other movies of this genre, the pace is kinda slow, which is appropriate for the story. When you build a time travel machine, it is normal that it takes multiple attempts before it works. Even though sometimes you may wonder why the characters are still filming their journey, it's not disturbing enough to prevent you from focusing on the plot, which is a good thing. There's also a good love story and some funny moments, in addition to a breath taking last act. I'd compare it to the Canadian movie Chronicles.
Overall you'll have a great time watching this movie, even more if you are familiar with this genre.
Overall you'll have a great time watching this movie, even more if you are familiar with this genre.
¿Sabías que...?
- CuriosidadesThe movie took only nine months to write, film, and edit. Researching (on time travel) took approximately three months.
- PifiasAllen draws circles on the board to explain the ripple effect on the plane crash. Later, David goes back in time to fix it. When he comes back, we see the board still has circles drawn on it though they shouldn't be there considering the plane crash never happened.
- Citas
Jessie Pierce: You know what I would've done if I was smart enough to build a time machine? I would've gone back in time to meet you sooner.
- Créditos adicionalesThe MTV Films logo featured some multicolored eyes, When we get to the last eye it zooms to it's iris and to reveal the logo A live-action shot of a cheering audience in a concert is inside in the "M".
- ConexionesFeatured in Smosh: TIME TRAVELING PICKUP MASTER (2015)
- Banda sonoraJungle
Written by Sam Harris, Alexander Grant, Jamie N. Commons & Michael Francis Gonzalez
Performed by Jamie N. Commons (as Jamie N Commons) and X Ambassadors
Courtesy of Interscope Records
Under license from Universal Music Enterprises
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Bienvenidos al ayer
- Localizaciones del rodaje
- Grant Park, Downtown, Chicago, Illinois, Estados Unidos(Lollapalooza)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 12.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 22.348.241 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 8.310.252 US$
- 1 feb 2015
- Recaudación en todo el mundo
- 33.213.241 US$
- Duración1 hora 46 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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Principal laguna de datos
What is the streaming release date of Project Almanac (2015) in India?
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