PUNTUACIÓN EN IMDb
7,1/10
6,4 mil
TU PUNTUACIÓN
Sigue el romance entre un estudiante universitario de primer año y una ídola del pop.Sigue el romance entre un estudiante universitario de primer año y una ídola del pop.Sigue el romance entre un estudiante universitario de primer año y una ídola del pop.
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Doona (Bae Suzy) is the front icon of an idol group, when she has a breakdown and drops out. She moves into a small rental complex where the other tenants are college students. Lee Won-joon (Yang Se-jong) also moves into the house.
Doona is a seeker, an insecure soul, self-destructive, unreliable and driven by impulse. Won-joon is cautious, controlled, and tied down. They are each other's opposites, but coincidences cause them to develop a fragile friendship and a mutual dependence on each other.
The plot is subordinate in this fine-tuned little gem where the actors get to excel in low-key portraits of two people who meet and become each other's lifeblood but also their greatest weakness, who challenge the other's self-image and shake up what they thought they knew about themselves, their life choices and their dreams.
Anyone looking for an easy-to-digest k-drama will be disappointed. It's low key, serious, slow and wistful. It is real and painful. The photography is fantastic, the soundtrack well chosen. The interaction is exquisite between Bae Suzy, who gives her (in my opinion) best performance, and the absolutely magnificent Yang Se-jong, who's performance goes straight to the heart.
This is the best I've seen this year. Possibly it could have benefited from a few more episodes, to deepen the characters' backstories somewhat, but that's just a small note in the margin. The ending is unexpected and can be interpreted in several ways, which is quite unusual in Korean series I've seen.
If you enjoyed My Liberation Notes, Our Blues and Nevertheless, this series is for you. I give it 9.5 out of 10 wistful hearts.
Doona is a seeker, an insecure soul, self-destructive, unreliable and driven by impulse. Won-joon is cautious, controlled, and tied down. They are each other's opposites, but coincidences cause them to develop a fragile friendship and a mutual dependence on each other.
The plot is subordinate in this fine-tuned little gem where the actors get to excel in low-key portraits of two people who meet and become each other's lifeblood but also their greatest weakness, who challenge the other's self-image and shake up what they thought they knew about themselves, their life choices and their dreams.
Anyone looking for an easy-to-digest k-drama will be disappointed. It's low key, serious, slow and wistful. It is real and painful. The photography is fantastic, the soundtrack well chosen. The interaction is exquisite between Bae Suzy, who gives her (in my opinion) best performance, and the absolutely magnificent Yang Se-jong, who's performance goes straight to the heart.
This is the best I've seen this year. Possibly it could have benefited from a few more episodes, to deepen the characters' backstories somewhat, but that's just a small note in the margin. The ending is unexpected and can be interpreted in several ways, which is quite unusual in Korean series I've seen.
If you enjoyed My Liberation Notes, Our Blues and Nevertheless, this series is for you. I give it 9.5 out of 10 wistful hearts.
10jiwonoc
It's always the jealous antis who are more motivated to give negative review. Doona trended, globally rated in top 5 or above, #1 in many countries including SK and in top #10 in many countries for over a month for a reason. Many will agree, Doona is strangely addictive, mainly because of the intense chemistry between Doona and Won Jun and the not obvious happily ever after ending. Yang Sejong is amazing as ever...showing why he was dubbed Monster Rookie his debut year and winning best actor awards. He really convinces as an innocent boy who has pure love for Doona yet manages to not completely lose himself, which makes him even more attractive to the viewers and Doona (versus being a completely lovesick doormat). Suzy is beautiful and part of the fascination is whether she as Doona really loves Won Jun...one can't help but doubt til the end. Not sure if that's good or not good enough acting on Suzy's part? She's definitely Doona tho.
Everything about this drama was amazing, the chemistry, the story, the acting, one of the best cinematography I've ever seen. The OSTs were 10/10 loved them all very much. The only thing I didn't like was the ending, I'm so confused, not sure if it was a happy or a sad ending? I don't understand their relationship and whether they're still together or have separated in the end? Some people call it an "open ending" and maybe they're right. I personally don't like open endings and would have preferred some kind of closure....
other than that I really enjoyed watching it, it's one of those dramas that you can binge watch without getting bored and feel all the emotions while watching it. You'll feel both happy and sad.
It's refreshing that a love story especially a non action show can be so involving and so popular with audiences around the world. It shows more physical affection on screen than some previous dramas so things don't feel old fashioned. The POV is more the guy's. For a change 3 girls chase an ordinary guy. Suzy Bae has star quality and keeps you watching her. Given her background as an idol singer this role is tailor made for her. Her haistyle didn't suit her though. Yang Se Jong is well cast as the sweet innocent college student. The supporting cast is great and most K drama fans will recognize veterans cast as her mother (the funny North Korean villager from CLOY) and older manager played by Lee Jin Wook.
Actually the director also directed CLOY and the ending is similiar. Due to the silly idols having to be single requirement they can only meet overseas. Pay attention the opening scene of the last episode and the closing scene which are both set in Japan. The ending should have been clearer and not fragmented. Had to read up online to understand it.
Actually the director also directed CLOY and the ending is similiar. Due to the silly idols having to be single requirement they can only meet overseas. Pay attention the opening scene of the last episode and the closing scene which are both set in Japan. The ending should have been clearer and not fragmented. Had to read up online to understand it.
I definitely don't agree with the critical reviews on here. Just because this series doesn't follow the usual format of traditional k-dramas, it doesn't automatically make this series bad. I actually like this series because of the fact that it tries to do something new. I really like the blend of romance and drama paired with this melancholic vibe. I was interested through out all the episodes, because it was so fresh.
This series also did a great job at casting. Bae Suzy is the perfect person for this role, her delivery was great in this. The story was also really interesting.
For me to have given this series a higher rating, I would have wanted to see more character development. I feel like some of the storylines were left open or unfinished. Some of the plotlines felt rushed or out of place as well. I wanted to know more about the characters and their reasons for doing what they did. Still, this was worth watching.
This series also did a great job at casting. Bae Suzy is the perfect person for this role, her delivery was great in this. The story was also really interesting.
For me to have given this series a higher rating, I would have wanted to see more character development. I feel like some of the storylines were left open or unfinished. Some of the plotlines felt rushed or out of place as well. I wanted to know more about the characters and their reasons for doing what they did. Still, this was worth watching.
¿Sabías que...?
- CuriosidadesAdapted from the webtoon "The Girl Downstairs" (Iduna!)) by Min Song-a.
- ConexionesRemake of The Girl Downstairs (2023)
- Banda sonoraOrdinary Days
Performed by Bae Suzy
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- 50min
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