PUNTUACIÓN EN IMDb
5,5/10
3,2 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA fading Hollywood pretty-boy gets taken and brutalized in Louisiana by two local men with his total ruination at heart.A fading Hollywood pretty-boy gets taken and brutalized in Louisiana by two local men with his total ruination at heart.A fading Hollywood pretty-boy gets taken and brutalized in Louisiana by two local men with his total ruination at heart.
- Dirección
- Guión
- Reparto principal
Stephen Louis Grush
- Junior
- (as Stephen Grush)
Heidi Brook Myers
- Rhonda
- (as Heidi Brook-Myers)
Jamie Normand
- Girl 2
- (as Jamie Normand-Latrance)
Reseñas destacadas
An amazing thing about Catch Hell is how unexpectedly *watchable* it is. I really figured it wouldn't have staying power, yet it coaxed me in.
Others have commented on the film's modest strengths, which are; decent writing, good acting, good pacing (the scenes that seek to capture the long waiting of a hostage situation like this don't feel interminable), good (if elemental) character development, good editing, interesting scenario.
And, amazingly, the final scene (which ingeniously plays over the end credits) struck me as a profound redemption tour-de-force. Rarely have I seen such a cosmic message writ so bizarrely. I can think of one other example, off the top of my head, that comes close. And, when I say "redemption", I don't mean the redemption of a person. I really mean the redemption of this film from being a mere low-rent action/horror snack. I'm sincere about this: It says an important thing about the nature of grace; that you might encounter some at the very bottom of a very deep, very dark pit.
Worth watching, even if only because you're fascinated by the promise of smart low-budget stylizing.
Others have commented on the film's modest strengths, which are; decent writing, good acting, good pacing (the scenes that seek to capture the long waiting of a hostage situation like this don't feel interminable), good (if elemental) character development, good editing, interesting scenario.
And, amazingly, the final scene (which ingeniously plays over the end credits) struck me as a profound redemption tour-de-force. Rarely have I seen such a cosmic message writ so bizarrely. I can think of one other example, off the top of my head, that comes close. And, when I say "redemption", I don't mean the redemption of a person. I really mean the redemption of this film from being a mere low-rent action/horror snack. I'm sincere about this: It says an important thing about the nature of grace; that you might encounter some at the very bottom of a very deep, very dark pit.
Worth watching, even if only because you're fascinated by the promise of smart low-budget stylizing.
Wondering how come this has under 2k voters in over 4 months since the release.
Maybe the script is not something new, but this is the case with almost everything nowadays. However, the way how the things are presented and the acting level is notable.
The situation is simple and one young actor is trapped into a scam for doing a new film, things ending up with him being a prisoner. But from an initial ignorance and the 'stars attitude' he is going to transform himself and to experience a new reality, of being afraid, insecure, hurt and even losing his 'image' for the outside world.
Ryan Phillippe is putting a great effort in impersonating all these emotions, while on the dark side, you will get a good acting level from both kidnappers.
Maybe the script is not something new, but this is the case with almost everything nowadays. However, the way how the things are presented and the acting level is notable.
The situation is simple and one young actor is trapped into a scam for doing a new film, things ending up with him being a prisoner. But from an initial ignorance and the 'stars attitude' he is going to transform himself and to experience a new reality, of being afraid, insecure, hurt and even losing his 'image' for the outside world.
Ryan Phillippe is putting a great effort in impersonating all these emotions, while on the dark side, you will get a good acting level from both kidnappers.
Morality tales are always difficult. Going after the whole fame makes one vulnerable thing too. Put "crazy fans" into it and you get something weird like this. And all that with one of the worst plans (if any) in recent memory. Things can go sideways and they will especially if you haven't really thought about them.
Don't get me wrong, there are quite a few scenes that are difficult to watch, because they are brutal and you feel the pain just watching. Nothing that is exciting or fun in any way. Thankfully it doesn't stay on that track too much. Not the kind of movies I like to watch anyway, this lacks a bit of empathy. Ryan Phillipe might feel at "home" (no pun intended) with some of the scenarios (job and fame wise that is), but this won't help him get back on any Hollywood radar any time soon
Don't get me wrong, there are quite a few scenes that are difficult to watch, because they are brutal and you feel the pain just watching. Nothing that is exciting or fun in any way. Thankfully it doesn't stay on that track too much. Not the kind of movies I like to watch anyway, this lacks a bit of empathy. Ryan Phillipe might feel at "home" (no pun intended) with some of the scenarios (job and fame wise that is), but this won't help him get back on any Hollywood radar any time soon
Ryan Phillippe directs and stars in Catch Hell the story of a film star on the downward slope of his career getting kidnapped by a pair of rednecks. One of them is Ian Barford who has a psychotic personality and a grudge against Phillippe for having a quickie with his wife. Poor Ryan he just can't remember who it was. Turns out she was a wardrobe girl on the set of one of his films. Barford and his nephew Stephen Louis Grush who's just a follower type drive off with him from his hotel in Shreveport, Louisiana and take him to a secluded cabin in the bayous.
Of course Barford wants to kill him, but he also wants to humiliate him as well so he gets Phillippe to cough up his computer and Twitter passwords and he starts posting all kinds of noxious material, the kind that has ruined the reputations of folks like Charlie Sheen and Mel Gibson.
No doubt Ryan Phillippe was going for a gay audience as well because of Grush's character. Throughout the film he's giving the look of love to Phillippe as he's a most closeted gay man. Life throws Grush a real nasty curve however. It gets good and homoerotic with Phillippe and Grush.
I wish Phillippe had picked some better material for a directorial debut. But the man does show some promise there.
Of course Barford wants to kill him, but he also wants to humiliate him as well so he gets Phillippe to cough up his computer and Twitter passwords and he starts posting all kinds of noxious material, the kind that has ruined the reputations of folks like Charlie Sheen and Mel Gibson.
No doubt Ryan Phillippe was going for a gay audience as well because of Grush's character. Throughout the film he's giving the look of love to Phillippe as he's a most closeted gay man. Life throws Grush a real nasty curve however. It gets good and homoerotic with Phillippe and Grush.
I wish Phillippe had picked some better material for a directorial debut. But the man does show some promise there.
Based on the negative reviews, I almost didn't get this movie. But after renting it from Redbox and figuring that besides losing my time, it wouldn't hurt to lose a $1.50 so I took the "risk". I'm glad I did. Not only was it entertaining all the way throughout the movie, it was really good to be Ryan Phillippe's first crack at directing. Don't forget that he also wrote AND starred in it!
Despite the majority of the movie only revolving around three characters, there were some funny parts associated with the typical stereotypes of people in the Louisiana bayou but I would definitely recommend you see this movie and not just out of boredom. Go rent it.
Despite the majority of the movie only revolving around three characters, there were some funny parts associated with the typical stereotypes of people in the Louisiana bayou but I would definitely recommend you see this movie and not just out of boredom. Go rent it.
¿Sabías que...?
- CuriosidadesRyan Phillippe's directorial debut.
- PifiasWhen Junior pulls down Reagan's underwear, he only pulls them to mid thigh. In the next angle his underwear is completely gone.
- Citas
Junior: You got a... nice smile.
Reagan Pearce: Thank you, Junior.
Junior: We', you know what I mean. It's... You got them nice... you know, Hollywood teeth.
- ConexionesReferences 20/20 (1978)
- Banda sonoraJohnny Manziel
(uncredited)
Performed by Barak the Rapper
[Rap song played in the car]
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is Catch Hell?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 2.500.000 US$ (estimación)
- Recaudación en todo el mundo
- 37.166 US$
- Duración1 hora 38 minutos
- Color
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta
Principal laguna de datos
By what name was Catch Hell (2014) officially released in India in English?
Responde