PUNTUACIÓN EN IMDb
7,1/10
1,3 mil
TU PUNTUACIÓN
Una estudiante de secundaria con la habilidad de ver los "colores" de las emociones de los demás. Fascinada por el color único de Kimi, una compañera de clase, se une a ella y a Rui, un aman... Leer todoUna estudiante de secundaria con la habilidad de ver los "colores" de las emociones de los demás. Fascinada por el color único de Kimi, una compañera de clase, se une a ella y a Rui, un amante de la música reservado, para formar una banda.Una estudiante de secundaria con la habilidad de ver los "colores" de las emociones de los demás. Fascinada por el color único de Kimi, una compañera de clase, se une a ella y a Rui, un amante de la música reservado, para formar una banda.
- Premios
- 2 premios y 3 nominaciones en total
Yasuko
- Saku Momochi
- (voz)
Ao
- Island People
- (voz)
Susanne Blakeslee
- Sister Juri
- (English version)
- (voz)
- …
Christine Marie Cabanos
- Additional Voices
- (English version)
- (voz)
Bryan Chao
- Additional Voices
- (English version)
- (voz)
Colleen Clinkenbeard
- Rui's Mother
- (English version)
- (voz)
- …
Bindy Coda
- Additional Voices
- (English version)
- (voz)
David Goldstein
- Additional Voices
- (English version)
- (voz)
Reseñas destacadas
The Colors Within is tender, mostly adorable, and quite modest compared to other Anime films I've seen over the past several years; even compared to other coming of age stories tinged with longing and/or lots of vibes, what's striking about Yamada's direction is how she isn't forcing you into feeling a certain way through an abundance of style. The colors that Totsuko sees are fantastical but lightly so, and once it's established as a sort of "quirk" you can sink into the story of these three sorta-outsider-ish teens that form a band and who either don't fit in (for Totsuko because of her color sights and also because she can't stay on a bus without getting carsick) or just don't like school so they drop out.
It's a movie based more around vibes than a really propulsive narrative, like the major conflict comes about that Totsuko and Kimi hang out overnight in the dorm and have (checks notes) lots of snacks and listen to that one song from the Trainspotting soundtrack (which becomes the basis of one of their three songs they work on and perform in the climax). But these are vibes that are vulnerable, or it's about how young people have so much vulnerability and social awkwardness until opening up, and there's no one here who stands out even as a threat or close to an antagonist.
And sometimes that's... fine, especially if it's a squishy sort of coming of age story that (a semi running theme for this director after A Silent Voice) is about the effort in apologizing; in this case there's also the fact that it's about the art that can come out of that emotional register, and that's kind of cool. Some of it is so pleasant feeling that it may be easy to nod off (or it was for me), and yet that isn't a problem for me either because you click back in to it once Totsuko dances and that big performance climax comes and it all fits.
So, even as this isn't quite a romance, it is about the love that comes with friendship in a sincere way, and I appreciate the total lack of irony and sweetness at its core.
It's a movie based more around vibes than a really propulsive narrative, like the major conflict comes about that Totsuko and Kimi hang out overnight in the dorm and have (checks notes) lots of snacks and listen to that one song from the Trainspotting soundtrack (which becomes the basis of one of their three songs they work on and perform in the climax). But these are vibes that are vulnerable, or it's about how young people have so much vulnerability and social awkwardness until opening up, and there's no one here who stands out even as a threat or close to an antagonist.
And sometimes that's... fine, especially if it's a squishy sort of coming of age story that (a semi running theme for this director after A Silent Voice) is about the effort in apologizing; in this case there's also the fact that it's about the art that can come out of that emotional register, and that's kind of cool. Some of it is so pleasant feeling that it may be easy to nod off (or it was for me), and yet that isn't a problem for me either because you click back in to it once Totsuko dances and that big performance climax comes and it all fits.
So, even as this isn't quite a romance, it is about the love that comes with friendship in a sincere way, and I appreciate the total lack of irony and sweetness at its core.
The friendship depicted in Yamada Naoko's works always shines with purity and beauty. With its fresh and healing visual style, expressive cinematography, and spiritually resonant premise, Your Colors locks in its position as an extraordinarily unique creation that stands shoulder-to-shoulder with her previous masterpieces. The three songs performed by the "Shironekodo" band during the film's climax poignantly correspond to "the radiant moments shared by the trio," "the melancholy of adolescence," and "the vibrant hues of Sakunaga Kimi that Higure Shiyo yearns for." Ultimately, every deception transforms into heartfelt confessions, every conflict resolves into reconciliation, leaving audiences bathed in sunlight and tenderness.
The subtle narrative thread involving teacher Hiyoshiko-sensei, who secretly supports the three protagonists, emerges as the story's most moving undercurrent. Though she couldn't pursue her own rock band dreams, she becomes an umbrella sheltering the youths' musical aspirations. Her nun-like costume design poignantly hints at both her constrained nature and life circumstances beyond her control.
The film unfolds with deliberate pacing, employing artful use of negative space that invites viewers to wander through imaginative possibilities. Certain sequences demand patient contemplation to fully absorb and comprehend. While it serves as a cerebral spa treatment in our fast-paced world, audiences should adjust expectations accordingly-this isn't a plot-driven anime feature with dramatic character arcs, but rather a meditative canvas where emotions flow like watercolors.
The subtle narrative thread involving teacher Hiyoshiko-sensei, who secretly supports the three protagonists, emerges as the story's most moving undercurrent. Though she couldn't pursue her own rock band dreams, she becomes an umbrella sheltering the youths' musical aspirations. Her nun-like costume design poignantly hints at both her constrained nature and life circumstances beyond her control.
The film unfolds with deliberate pacing, employing artful use of negative space that invites viewers to wander through imaginative possibilities. Certain sequences demand patient contemplation to fully absorb and comprehend. While it serves as a cerebral spa treatment in our fast-paced world, audiences should adjust expectations accordingly-this isn't a plot-driven anime feature with dramatic character arcs, but rather a meditative canvas where emotions flow like watercolors.
Totsuko has the peculiar ability to see people as colors and is drawn to people with a beautiful color. As she searches for a classmate she is drawn to, Totsuko stumbles into a boy she is also drawn to. The three of them create a band together and begin making music. As they go through the creative process, Totsuko discovers that her friends are going through their own struggles, and music is their passion and an outlet.
This coming-of-age anime is unique. The visual representation of how Tosuko perceives people as colors is well done. Overall, the animation is outstanding, from the characters to how they play musical instruments. Many can relate to the story as it deals with growing up, breaking away from expectations, and creating your own path. The film's pace is such that the one hour and forty-one minutes feel that long, starting slowly and moving faster closer to the story's climax. This is a great film, but it might be one that you enjoy from the comfort of your home.
This coming-of-age anime is unique. The visual representation of how Tosuko perceives people as colors is well done. Overall, the animation is outstanding, from the characters to how they play musical instruments. Many can relate to the story as it deals with growing up, breaking away from expectations, and creating your own path. The film's pace is such that the one hour and forty-one minutes feel that long, starting slowly and moving faster closer to the story's climax. This is a great film, but it might be one that you enjoy from the comfort of your home.
The Colors Within tells the story of Totsuko Higurashi(Sayu Suzukawa), a young girl who sees colors in anyone's heart, whenever she meets them. She starts a band with her friends namely, Kimi Sakunaga(Akari Takaishi) & Rui Kagehira(Taisei Kido).
The Colors Within is a great film. Director Naoko Yamada has given us a movie that is charming, quite funny & will make you tear up during its last scene. However, it's not as flawless as Look Back(2024) or The Boy and the Heron(2023), two other anime films that I watched recently. The animation is breathtakingly gorgeous & is the highlight of the film. The songs are foot-tapping. The vocal performances are spot on. Sayu Suzukawa is spectacular as Totsuko Higurashi. Akari Takaishi is mind-blowing as Kimi Sakunaga. Taisei Kido is awesome as Rui Kagehira. The supporting cast is brilliant. The Colors Within is a must watch for anime fans. Watch it on the big screen, for a more memorable experience.
The Colors Within is a great film. Director Naoko Yamada has given us a movie that is charming, quite funny & will make you tear up during its last scene. However, it's not as flawless as Look Back(2024) or The Boy and the Heron(2023), two other anime films that I watched recently. The animation is breathtakingly gorgeous & is the highlight of the film. The songs are foot-tapping. The vocal performances are spot on. Sayu Suzukawa is spectacular as Totsuko Higurashi. Akari Takaishi is mind-blowing as Kimi Sakunaga. Taisei Kido is awesome as Rui Kagehira. The supporting cast is brilliant. The Colors Within is a must watch for anime fans. Watch it on the big screen, for a more memorable experience.
I loved this movie. It had a certain warmth to it-the warmth that Totsuko brought through her honest appreciations, the warmth that rests in newfound friendships, the warmth of forgiveness and acceptance, the warmth of spending time with the ones you love away from the disturbances of life, and the warmth of creating art.
I think about the prayer Totsuko recited: "God, grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom to know the difference."
Life is hard, and perhaps it is for the best that, just like the color-viewing free spirit of Totsuko, we too somehow find within us the serenity, courage, and wisdom to go through it.
I think about the prayer Totsuko recited: "God, grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom to know the difference."
Life is hard, and perhaps it is for the best that, just like the color-viewing free spirit of Totsuko, we too somehow find within us the serenity, courage, and wisdom to go through it.
¿Sabías que...?
- CuriosidadesNaoko Yamada's fifth feature length film.
- Versiones alternativasThe version released in China's mainland was five minutes shorter, all scenes and lines relating to Christianity were altered or cut. Some were done by changing the meaning of original lines during the translation, for example, "church" was translated into "auditorium" in the subtitles. Even some lyrics were muted due to this reason.
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- The Colors Within
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 557.116 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 373.811 US$
- 26 ene 2025
- Recaudación en todo el mundo
- 2.485.281 US$
- Duración
- 1h 41min(101 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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