Too Late

Hats off to this film and the team. Really an interesting tale and told in an unconventional way. Always nice to see movies which break the mold and challenge the audience. Hawkes is great and the rest of the cast is really strong. You can feel the flaws in these characters as they try to sort out the connections between them.

The film has an unique style which does aid in the storytelling and keeps the audience wanting more. Great chemistry between the actors and they really do tie the whole film together with their layered characters.

Enjoyed the texture of the 35mm film. While not the perfect digital imagery which has become commonplace... it's flaws give the gritty story an authenticity which matches it perfectly.

Really enjoyed it... highly recommended.

It was an amazing experience.

It's a narrative told in a very nonlinear style. The first thing I thought of was Tarantino, but it's very not Tarantino, as it's not heavy on Trivial dialog, it's very to the point and counts on the emotion of these well designed characters.

characters well done that come alive with great actors. Lead by John Hawkes the actors all had amazing chemistry with each other. I was surprised by how many actors I actually knew on this small film. Like Rider Strong from Boy meets World and Robert Forester, to name just two.

It's really worth it to catch it on a screen showing it in 35mm. The camera work and the cinematography add so much to the personality of the film.

Pure enjoyment, highly recommended.

I freely admit to having watched this film primarily because of Dichen Lachmann and Natalie Zea (who I'll see in anything), but it had a great deal more to offer than I was expecting.

Yes, Hauck steals freely from Quentin Tarantino when it comes to mixed-up timelines, and steals even more from the genre of L.A. Noir, but it has its own charms. It also has some really ballsy experiments, such as shooting each of the five acts in one single take (on 35mm film, which must have been a real bitch to pull off given the changing lighting conditions).

Good performances from a wide range of actors clearly pitching in and having a good time with a small Indie film in between better-paying gigs. Plus, there are some genuinely touching moments, the kind that make you (or at least made me) go back and re-watch a couple of early scenes at the end to see them at the end, after the context of them has been to some extent explained.

I like that the song "Down With Mary" has been short-listed for the Original Song Oscar this year. That shows that this film got more attention than might be expected for a supposed low-budget Indie flick. I look forward to Hauck's next effort.

Once of best films in recent years. Sensitive. Great acting of John Hawkes.

This movie is shown as five episodes out of sequence, with a stunning twist at the end. Its style is an homage to the old fashioned crime noir genre, and while tiresome in spots, is well done overall. The characters and action seen at the beginning can give the impression that this is a marginal, unimportant piece, but it is really a work of art that must be seen from beginning to end.

If anything, this shows that a well-directed, well-scripted movie can even use low-life characters who are grade-school dropouts, who go through life pretending their inconsequential lives have meaning and importance, to produce a good film. The script elevates the usual stereotypes and trite conversation above the morass of every-day life, although some moments admittedly last too long.

Unless you see the film from beginning to end, even through the long annoying parts, you will not be able to fully appreciate how beautifully crafted this movie really is.