Una entrega errónea del famoso y eficaz sistema de reparto de fiambreras de Bombay conecta a una joven ama de casa con un hombre mayor en el crepúsculo de su vida, mientras crean un mundo de... Leer todoUna entrega errónea del famoso y eficaz sistema de reparto de fiambreras de Bombay conecta a una joven ama de casa con un hombre mayor en el crepúsculo de su vida, mientras crean un mundo de fantasía gracias a las notas de las fiambreras.Una entrega errónea del famoso y eficaz sistema de reparto de fiambreras de Bombay conecta a una joven ama de casa con un hombre mayor en el crepúsculo de su vida, mientras crean un mundo de fantasía gracias a las notas de las fiambreras.
- Dirección
- Guión
- Reparto principal
- Nominado a 1 premio BAFTA
- 30 premios y 46 nominaciones en total
Reseñas destacadas
The start of the story - A frustrated housewife prepares an excellent lunch for her husband with great care. But unfortunately (or fortunately!), it reaches to an equally lonely person on the verge of retirement - Saajan Fernandes (Irrfan Khan) whose wife died long back. This simple cross connection by Mumbai Dubbawalas in the age of digital era starts a beautiful and interesting romantic relationship however ending of which has been kept open-ended for our own imagination. At the same time we can see an excellent equation and emotional turmoil building up between Saajan /Irrfann, the serious and lonely parting boss and Shaikh/Nawazuddin, his future replacement, who is funny and enthusiastic and quiet opposite to his boss.In some cases Nawazuddin has overshadowed Irfann too! The direction was superb, specially the depiction of the supply chain of the Mumbai Dabbawalas through the city is just extraordinary.Hats-off Ritesh Batra for his unbelievable first time direction.
Disclaimer: This movie is 4.5/5 from me, 0.5 is deducted only for its little slow pace , otherwise it in an extraordinary story about very ordinary lives. To me, this movie deserves all the critical appreciations it has received both in India and Outside. Avoid only if you really hate slow paced realistic depiction about everyday common lives of Tom,Dick and Harry and expect only superheroes doing superhuman activities; otherwise this is a "MUST WATCH"!
One mistake that brews a terrific relationship between two strangers, so delicately portrayed through the exchange of letters. There are only three actors in this film and each has delivered a stellar performance. None of them have many dialogues, but their expressions and motions depict their character in such an excellent manner, you wished there were even fewer lines! Irrfan proves with every new film that he in fact is the best 'Khan' of Bollywood and Nawazuddin can just not disappoint. He's used his GoW success to break into films such as this one and done justice to each role. Nimrat Kaur's simplicity throughout the film looks so effortless and yet so unbelievable for the Bollywood of today, which is ever so increasingly synonymous of excessive glamour and fashion.
Cinematography is average, but again, this isn't a 'visual' movie, it's more of a story. Direction looks great as Ritesh has been able to get the best out of his cast. Well, you'd have to try real hard to have Irrfan and Nawaz amidst your cast and yet churn a flop, but the director does deserve some credit.
In my opinion, this is the second best film of the year after Madras Cafe. I haven't seen Bhaag Milkha Bhaag though, so that might change things for me. Either way, this is in no way a bore or a drag as the film keeps you hooked onto the amazing story line and individual performances.
Enjoy!
On the advice of her upstairs Auntie, Mrs. Deshpande (Bharati Achreka), Ila tries to have her husband notice her by putting more spice in the food. When it is wrongly delivered to Saajan (Irrfan Khan, Life of Pi), however, a series of unintended consequences unfold. What begins with a short note from Sajaan to Ila that "the food was salty today" develops into a series of exchanges passed back and forth in the lunchbox everyday in which the two open up to each other about their lives, memories, and their hopes and dreams for the future. A subplot involving Aslam Shaikh (Nawazuddin Siddiqui), an aggressively upbeat successor to Sajaan, adds a touch of humor to the proceedings but also serves to draw a contrast between himself and the grumpy Saajan.
Both Aslam and Sajaan become more endearing, however, as the film progresses. While the ending may thwart expectations if you are used to having all the pieces neatly fit together, The Lunchbox mixes food and romance in a very appealing combination, removing any doubt that Ila and Sajaan have moved to a new level. Impeccably acted and beautifully realized, the film provides an honest appreciation of what it is like to live in Mumbai without exploiting its poverty for Western audiences. Though the wrong train may indeed bring you to the right station, ultimately there is no wrong train and no right station. As The Lunchbox demonstrates, there is just the train and the journey, and it's all perfect.
I'm going with ten ratings for The Lunchbox. The greatest love stories are the ones that make you root for the protagonists to come together, despite their destinies. This film illustrates how love transforms the unlikeliest of people; it breaks down Saajan's walls and gives Ila the courage to fly. Treat yourself to The Lunchbox – it'll leave you with a craving to seek your own little happiness. Best film I've seen in a long time. Acting of Irfan 10/10 Film Rating - 10/10
I believe that this time LunchBox will surely make history in Oscars .
The beauty of the entire film lies in the subtlety, whether be it the story, the the actors, characters their mannerisms(when their lips quiver on getting excited, their long and deep searching eyes, the half smiles on the edges, when Ila first time presumes her husband to have an extra-marital affair). Again all of these things are very much there without they saying it explicitly so.
Very rarely you come across a movie that moves at a comfortable pace, not trying to either rush or stagnate itself at any point. The TG for this movie is definitely not people across all age groups as the producers claim, but it's specially for those who are happy or contented without searching for that something extra in their everyday lives. It doesn't talk about any extra ordinary accomplishments of individuals, nor does it talk about destiny, life or happiness. It just talks about very simple human behavior, when it comes to falling in love.
The end may or may not disappoint you...its very subjective(personally I was a lil), but yea you can tailor your apt end based on whether you are a optimist or a pessimist.
¿Sabías que...?
- CuriosidadesIn order to bring authenticity to the role and for knowing each other well enough to share the love and resentment among the couple as per the story in the film, Nimrat Kaur (Ila) and her onscreen husband Nakul Vaid (Rajeev) stayed at the same house as shown in the movie for weeks and spent days extensively rehearsing their part and adjusting to it prior to the other cast members even getting finalized.
- PifiasAfter his marriage, Shaikh tells Saajan that on their first train ride together he got into the first class compartment without a ticket. However, during their first ride the train seat seen is that of the second class.
- Citas
Saajan Fernandes: I think we forget things if there is nobody to tell them.
- ConexionesFeatured in 59th Idea Filmfare Awards (2014)
Selecciones populares
- How long is The Lunchbox?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 1.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 4.235.151 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 44.542 US$
- 2 mar 2014
- Recaudación en todo el mundo
- 11.621.785 US$
- Duración1 hora 44 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1