PUNTUACIÓN EN IMDb
7,6/10
36 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaKundan, the son of a Hindu pundit, discovers that his childhood sweetheart Zoya loves city-bred Akram and wants to marry him. However, he persistently seeks to win her heart.Kundan, the son of a Hindu pundit, discovers that his childhood sweetheart Zoya loves city-bred Akram and wants to marry him. However, he persistently seeks to win her heart.Kundan, the son of a Hindu pundit, discovers that his childhood sweetheart Zoya loves city-bred Akram and wants to marry him. However, he persistently seeks to win her heart.
- Dirección
- Guión
- Reparto principal
- Premios
- 8 premios y 36 nominaciones en total
Mohd. Zeeshan Ayyub
- Murari
- (as Mohammed Zeeshan Ayyub)
Swara Bhasker
- Bindiya
- (as Swara Bhaskar)
Suraj Singh Sinsinwar
- Anand
- (as Suraj Singh)
Reseñas destacadas
Lovely movie, it had a twist and a blend of action, drama, romance, a little bit fiction too. The movie is worth a watch. it displays the actuality of the people, their nature and all i loved the romantic part of the movie as well. it was fun, interesting and very very entertaining too. I seriously recommend it to be watched. it has a little bit abuses which aren't suitable for a child's attention. if you are looking for a movie to watch for fun, to cry, to feel love, experience pain,i am pretty astonished about "Dhanush" as this was his first movie in the Bollywood and he made his mark pretty high. People it must be watched at least once, and i am very sure about going to the cinemas to see it again Enjoy, It is not something either that will get you bored during the movie. The movie has brilliant direction, acting. For me its a 11/10
Raanjhanaa, what can I say about the film!! As an avid film buff I have compel to write this bollywood movie review. It's an unique movie, so bollywood but so unique and refreshing! It is a definitive multi-layered story woven beautifully with a great but complex script.
Script is complex, multi-layered but transparent to viewer. It starts from boy meets girl and narrates philosophy, dedication, progression of life with love. And how it turns to an unique love story that should not be missed.
The editing is very good at first half, but it should be more stringent in the second half. Cinematography is marvelous, Baranasi can be this beautiful? then you have to watch it.
Songs and lyrics woven beautifully in the story. You can not side-line the songs and watch the movie; it is practically lyrical story. AR Rehman creates a blend of true Indian flavored music here.
Dialogues are also playing a crucial part in the film. From witty to cliché, from orthodox to unorthodox, it varies and triumphs.
When you are seeing the acting of the film, Dhanush has really become Kundan. Dhanush never existed in this film, only Kundan has. That should sum up the acting depth infused in the film as Kundan. Welcome Dhanush to bollywood. Sonam is beautiful and well enacted the role. She is more compelling towards ending of the film.
Another advantage director uses in his film that is supporting actors. Special mention to Murari(Kundan's friend) and Bindiya. Both have the best one-liners of the film and their acting was just apt. Abhay Deol is also good.
Director Mr. Rai presents you a story with great attributes. Celebrate, cheers, empathizes and of course fall in love....with a bit of sacrifice.....Raanjhanaa !!!
Script is complex, multi-layered but transparent to viewer. It starts from boy meets girl and narrates philosophy, dedication, progression of life with love. And how it turns to an unique love story that should not be missed.
The editing is very good at first half, but it should be more stringent in the second half. Cinematography is marvelous, Baranasi can be this beautiful? then you have to watch it.
Songs and lyrics woven beautifully in the story. You can not side-line the songs and watch the movie; it is practically lyrical story. AR Rehman creates a blend of true Indian flavored music here.
Dialogues are also playing a crucial part in the film. From witty to cliché, from orthodox to unorthodox, it varies and triumphs.
When you are seeing the acting of the film, Dhanush has really become Kundan. Dhanush never existed in this film, only Kundan has. That should sum up the acting depth infused in the film as Kundan. Welcome Dhanush to bollywood. Sonam is beautiful and well enacted the role. She is more compelling towards ending of the film.
Another advantage director uses in his film that is supporting actors. Special mention to Murari(Kundan's friend) and Bindiya. Both have the best one-liners of the film and their acting was just apt. Abhay Deol is also good.
Director Mr. Rai presents you a story with great attributes. Celebrate, cheers, empathizes and of course fall in love....with a bit of sacrifice.....Raanjhanaa !!!
PROEM: It was an intensely hued picture which showed a young boy standing with a fascinated glance in his eyes & a pretty girl portraying the semblance of cheerfulness amidst the vibrant colors of pink, green, yellow & red; thereby recreating the festival of Holi in a rectangular first look poster of 'Raanjhanaa' !!
Colors always attract our eyes.Also I felt curious about the movie after knowing that it belongs to romantic genre.'Love' is probably the only word in a Dictionary which neither can be explained in a sentence nor has any perfect synonyms.Today while watching this love story, I could virtually visualize that thought of Rose Franken: "Anyone can be passionate, but it takes real lovers to be silly.." !! Let me illustrate this journey of 'Raanjhanaa' in the following paragraphs !!
MOVIE: Shot in Benaras & Delhi, 'Raanjhanaa' narrates a tale of love through Kundan (Dhanush), Zoya (Sonam Kapoor) & Akram/Jasjeet (Abhay Deol)..Kundan (a Brahmin boy) & Zoya (a Muslim girl) were brought up in Benaras, where Kundan expressed his love for Zoya during his teenage days.After growing up, Zoya took admission in Jawaharlal Nehru University where she fell in love with an university student cum socialist Akram..What happens next forms the crux of the story.
'LIKE's: 1) Cinematography by N. Subramanian and Vishal Sinha is astounding + Editing by H. Kothari & Choreography by Bosco-Caesar are impressive + Story/Screenplay by H. Sharma is a bit different than an usual romantic drama + Dialogues are extremely witty at many sequences + Acting by the leading & supporting casts are marvelous + Set design by T. U. Khan is befitting + Direction by Anand L. Rai is appreciable !!
2) MUSIC: A big applause to A.R.Rahman for such an wonderful soundtrack (well supported by Irshad Kamil's catchy lyrics) & appropriate background score..For example,
a) When Kundan showed his anger on Zoya for the first time, there the synthesizer chords fluctuated in a bizarre way to create the effect of displeasure & it was done repeatedly with different chords to break the harmony, so that audience could better relate to the scene.
b) In a gloomy conversation between Kundan & Zoya, where Kundan suddenly felt the ray of hope, he turned up his head towards Zoya..In that split second, Rahman used the rhythm of 'Tabla' in a tricky way to express Kundan's expectation which struck the heart of viewers too !!
3) A SPECIAL MENTION TO :
a) That scene where Zoya was about to leave Benaras by train with teary eyes & Kundan ran to meet her, multiple water patches were shown in the rail station, as if rain just happened, thereby subconsciously magnified the mood of separation since rains are often attributed to a heavy heart..
b) MakeUp Artists for giving Sonam the minimal touch up, which amplified the innocence of a face rather than glamour..Beauty can either flashes the eyes of a beholder like a mid-day sun or soothes the same like a morning dewdrop..Since the latter better suits the character of Zoya, so the lipstick/blusher/eye-shadow even eyeliners were absolutely unnecessary here apart from the marriage scene, where a loud make up was needed & make up experts also did the right job there by painting the line of eye-liner a bit above the corner of eyes + stark red lipstick..
'DISLIKE's: Very few are there, for example; 1) In the song 'Tum Tak', the lip movements of Dhanush were not synchronous with the voice of the playback singer..Looked like, the song was coming from a mike & the actor was just singing on his own..
2) First half was too romantic & at times, the efforts of Kundan to please Zoya looked silly..In Second half, the focus were more on politics, thereby concentration of romance got diluted by leadership activities..
3) Both Dhanush & Sonam looked misfit in the role of school going teenagers + Opening sequence was dull + Too much slapping on Kundan's face by Zoya ultimately invited humor rather than sympathy..That profound scene where Akram's mother was about to touch Kundan's cheek for greeting, I heard some boys laughing crazily behind my seat & saying, "Stop..Stop..No more slapping" !!
MESSAGE: There is a lyrics from the musical 'Cinderella' which says: "Do I love you because you're beautiful, Or, are you beautiful because I love you ?" !! One can easily relate this line to those love struck eyes of Kundan which glitter more than the pole star even in the shadow of Zoya..Of late, Zoya fell in love with Akram, because she considered 'Kundan part' as a childlike crush + Akram fitted the bill as per educational & social qualification..From here, the dilemma of selecting a lover/partner arrives, accompanied by a dialogue where Kundan's friend Murari (M. Z. Ayyub) told him that girls are more likely to marry Doctors/Engineers rather than ordinary boys of the same locality, since the question of love comes secondary to their mind..Obviously material satisfaction plays a vital role in such decisions..But, if an abstract force (love) plays a guest appearance in the same scenario & makes one cherish that pleasure somewhat like this: "To the world you might be one person, but to one person you might be the world", then should not one rise above the narrow parameters set by the society/religions ?
Once Tom Robbins said: "We waste time looking for the perfect lover, instead of creating the perfect love.." !! Life does not give us multiple chances..In this densely populated sphere of Earth, there is always a scarcity of those persons who can sacrifice his/her deepest desires to bring sunshine in the face of their loved ones..Don't let go that kind heart, if by chance you find him/her..
With the mellifluous touch of Shehnai, 'Raanjhanaa' sublimely delivered this tacit message in a pictorial way, making the film worth a watch !!
Absolutely Recommended !!
Colors always attract our eyes.Also I felt curious about the movie after knowing that it belongs to romantic genre.'Love' is probably the only word in a Dictionary which neither can be explained in a sentence nor has any perfect synonyms.Today while watching this love story, I could virtually visualize that thought of Rose Franken: "Anyone can be passionate, but it takes real lovers to be silly.." !! Let me illustrate this journey of 'Raanjhanaa' in the following paragraphs !!
MOVIE: Shot in Benaras & Delhi, 'Raanjhanaa' narrates a tale of love through Kundan (Dhanush), Zoya (Sonam Kapoor) & Akram/Jasjeet (Abhay Deol)..Kundan (a Brahmin boy) & Zoya (a Muslim girl) were brought up in Benaras, where Kundan expressed his love for Zoya during his teenage days.After growing up, Zoya took admission in Jawaharlal Nehru University where she fell in love with an university student cum socialist Akram..What happens next forms the crux of the story.
'LIKE's: 1) Cinematography by N. Subramanian and Vishal Sinha is astounding + Editing by H. Kothari & Choreography by Bosco-Caesar are impressive + Story/Screenplay by H. Sharma is a bit different than an usual romantic drama + Dialogues are extremely witty at many sequences + Acting by the leading & supporting casts are marvelous + Set design by T. U. Khan is befitting + Direction by Anand L. Rai is appreciable !!
2) MUSIC: A big applause to A.R.Rahman for such an wonderful soundtrack (well supported by Irshad Kamil's catchy lyrics) & appropriate background score..For example,
a) When Kundan showed his anger on Zoya for the first time, there the synthesizer chords fluctuated in a bizarre way to create the effect of displeasure & it was done repeatedly with different chords to break the harmony, so that audience could better relate to the scene.
b) In a gloomy conversation between Kundan & Zoya, where Kundan suddenly felt the ray of hope, he turned up his head towards Zoya..In that split second, Rahman used the rhythm of 'Tabla' in a tricky way to express Kundan's expectation which struck the heart of viewers too !!
3) A SPECIAL MENTION TO :
a) That scene where Zoya was about to leave Benaras by train with teary eyes & Kundan ran to meet her, multiple water patches were shown in the rail station, as if rain just happened, thereby subconsciously magnified the mood of separation since rains are often attributed to a heavy heart..
b) MakeUp Artists for giving Sonam the minimal touch up, which amplified the innocence of a face rather than glamour..Beauty can either flashes the eyes of a beholder like a mid-day sun or soothes the same like a morning dewdrop..Since the latter better suits the character of Zoya, so the lipstick/blusher/eye-shadow even eyeliners were absolutely unnecessary here apart from the marriage scene, where a loud make up was needed & make up experts also did the right job there by painting the line of eye-liner a bit above the corner of eyes + stark red lipstick..
'DISLIKE's: Very few are there, for example; 1) In the song 'Tum Tak', the lip movements of Dhanush were not synchronous with the voice of the playback singer..Looked like, the song was coming from a mike & the actor was just singing on his own..
2) First half was too romantic & at times, the efforts of Kundan to please Zoya looked silly..In Second half, the focus were more on politics, thereby concentration of romance got diluted by leadership activities..
3) Both Dhanush & Sonam looked misfit in the role of school going teenagers + Opening sequence was dull + Too much slapping on Kundan's face by Zoya ultimately invited humor rather than sympathy..That profound scene where Akram's mother was about to touch Kundan's cheek for greeting, I heard some boys laughing crazily behind my seat & saying, "Stop..Stop..No more slapping" !!
MESSAGE: There is a lyrics from the musical 'Cinderella' which says: "Do I love you because you're beautiful, Or, are you beautiful because I love you ?" !! One can easily relate this line to those love struck eyes of Kundan which glitter more than the pole star even in the shadow of Zoya..Of late, Zoya fell in love with Akram, because she considered 'Kundan part' as a childlike crush + Akram fitted the bill as per educational & social qualification..From here, the dilemma of selecting a lover/partner arrives, accompanied by a dialogue where Kundan's friend Murari (M. Z. Ayyub) told him that girls are more likely to marry Doctors/Engineers rather than ordinary boys of the same locality, since the question of love comes secondary to their mind..Obviously material satisfaction plays a vital role in such decisions..But, if an abstract force (love) plays a guest appearance in the same scenario & makes one cherish that pleasure somewhat like this: "To the world you might be one person, but to one person you might be the world", then should not one rise above the narrow parameters set by the society/religions ?
Once Tom Robbins said: "We waste time looking for the perfect lover, instead of creating the perfect love.." !! Life does not give us multiple chances..In this densely populated sphere of Earth, there is always a scarcity of those persons who can sacrifice his/her deepest desires to bring sunshine in the face of their loved ones..Don't let go that kind heart, if by chance you find him/her..
With the mellifluous touch of Shehnai, 'Raanjhanaa' sublimely delivered this tacit message in a pictorial way, making the film worth a watch !!
Absolutely Recommended !!
This is one of those rare breed of movies in Bollywood that dare to go beyond the commercial crowd pleasers. Fortunately we are seeing more of such kind each day. Having said that, this is a highly entertaining paisaa vasool venture with substance. Kudos to the writer and director who gave us the soulful Tanu weds Manu but this time he sets his mark higher.
The movie takes you on journey with Kundan who is brilliantly plated by Dhanush right from his school days in Banaras to his ultimate destiny. Its very hard not to feel for the guy and cheer him,laugh with him, feel with him and it definitely makes one nostalgic and teary eyed at the same time.
There are many amazing sequences in the film which are so realistic that you can really feel the main man crying,smiling,puking at various stages of the movie.His transformation from a school boy with a crush, through a youth with stubble and only one real goal in life, to an atonement seeking person is palpable.
Mind you though its made to be a love story it almost never gets into stereotypes or clichés and keeps us on the edge of the seat with its thrilling twists throughout the course.
Of course the main character is aided by a wonderful support cast from his friend Murari who gets the best one-liners, his childhood girlfriend, Abhay deol who plays his role with ease and surprisingly Sonam Kapoor who has dared to do something different & succeeded.
But the movies greatest strength is Dhanush who can make you cheer for him even when he's slashing his wrist, or riding is love into the river when he realizes she in love with somebody else.
On the flip side his role as a political leader seems over stretched after the racy 1st half and some of the actions of the lead female towards the end are not understandable.
All in all if you want to watch desi realistic love story with raw human emotions and unpolished drama here's your chance. Don't miss it!
The movie takes you on journey with Kundan who is brilliantly plated by Dhanush right from his school days in Banaras to his ultimate destiny. Its very hard not to feel for the guy and cheer him,laugh with him, feel with him and it definitely makes one nostalgic and teary eyed at the same time.
There are many amazing sequences in the film which are so realistic that you can really feel the main man crying,smiling,puking at various stages of the movie.His transformation from a school boy with a crush, through a youth with stubble and only one real goal in life, to an atonement seeking person is palpable.
Mind you though its made to be a love story it almost never gets into stereotypes or clichés and keeps us on the edge of the seat with its thrilling twists throughout the course.
Of course the main character is aided by a wonderful support cast from his friend Murari who gets the best one-liners, his childhood girlfriend, Abhay deol who plays his role with ease and surprisingly Sonam Kapoor who has dared to do something different & succeeded.
But the movies greatest strength is Dhanush who can make you cheer for him even when he's slashing his wrist, or riding is love into the river when he realizes she in love with somebody else.
On the flip side his role as a political leader seems over stretched after the racy 1st half and some of the actions of the lead female towards the end are not understandable.
All in all if you want to watch desi realistic love story with raw human emotions and unpolished drama here's your chance. Don't miss it!
What can I say? I went to watch this movie after reading all the reviews online - Therefore with high expectations. Well, I was still blown over by the movie or should I say DHANUSH! Ranjhanaa is based on a topic that is so far reaching and yet is that much more realistic! Every scene is delicately handled and the emotional parts were so subtle.Everyone in the screen just melted away and got hazy when Dhanush was in it. He makes you laugh, cry, hate him, and sympathize with him at the same time. AR Rahman's music was divine and seamlessly blended with the storyline. Excellent performances by the whole cast - But Dhanush owns the movie! A definite must watch!!!
¿Sabías que...?
- CuriosidadesIn a one of its kind first, A R Rahman gets first credits as composer, followed by the director's.
- PifiasWhen Kundan and Murari return from hospital to Kundan's wedding, they are on a 'Piaggio' scooter belonging to Murari. But in the previous traveling scene, both were on a 'Bajaj' scooter belonging to Kundan.
- Citas
Zoya Haider: Forget Me
Kundan Shankar: You Forget Me
Murari: Forget me means to erase someone from memory
- ConexionesFeatured in 59th Idea Filmfare Awards (2014)
- Banda sonoraRaanjhanaa
Produced by A.R. Rahman
Written by Irshad Kamil
Performed by Shiraz Uppal and Jaswinder Singh
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- How long is Raanjhanaa?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- 我是妳的羅密歐
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 350.000.000 INR (estimación)
- Recaudación en Estados Unidos y Canadá
- 903.232 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 414.211 US$
- 23 jun 2013
- Recaudación en todo el mundo
- 9.765.799 US$
- Duración2 horas 20 minutos
- Color
- Mezcla de sonido
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