Batman: El Regreso del Caballero Oscuro. Primera Parte

The Dark Knight Returns, is for me, the best Batman film of the year. The animation is superb, especially when the action kicks off. It sees Bruce Wayne return to crime fighting after a 10 year absence. Unlike his Nolan counterpart however, he was Batman for a damn sight longer than just a year. His return is depicted as an obsession that finally grabs control and pulls him in. He barely even notices it when he shaves off his mustache as it just becomes a natural part of the process. A new threat, called The Mutants, rises in Gotham, and Batman has to sort them out. His age becomes his weakness as he must go up against the leader of The Mutants. he film is littered with cuts to TV shows and newscasts discussing whether or not Batman is a help or a hindrance. Peter Weller does a great job as the voice of Batman, and it's nice to see a Batman with a dark and dangerous sense of humour. As an adaptation it remains fairly close to the source material, but manages to capture the ferocity of the violence without being too graphic. Gotham looked and felt exactly how I remember it when I was growing up. This is great stuff, and is a huge tease for Part 2, where we will see The Joker once again.

No one does it better than the Bat at any age he is still the same, too smart for those who what to get on his bad side.

This part1 is so good I can't wait to see the rest; I hope veterans like the joker will be there to make it all crazy like.

Batman: The Dark Knight Returns is a two-part animated superhero film, an adaptation of the four-issue story arc The Dark Knight Returns by Frank Miller, printed in 1986.

This animation is nowhere near the movies (i.e. story wise), and it focuses on the future, wrong choice of words it is about the future, Bruce Wayne is 55 and the bat has not been seen for 10 years.

The story arc curved around the bat after retirement. Gotham now seemed to be overrun by a group called Mutants. The Mutants weren't just any gang they were absolutely ruthless and in a way useless.

Also in this flick we get to see Harvey Dent/Two face after he has undergone plastic surgery to fix his face. Harvey now looked normal but he was so paranoid and out of it that he went back to his old ways.

Things weren't changing in Gotham and with the ongoing nightmares and Bruce sleep walking and sleep doing things in the night; it was obvious he could no longer cage the bat any more.

Bruce carved to the urges. In the dark is the "billionairelly" in sane Batman, is seen jumping over roof tops and doing things other billionaires could only dream that their bodyguards could do (because no sane billionaire jumps around in the dark. Imagine one day you look out the window only to see Bill Gates in his underwear and a cape on your roof…would you say Bill still got all his screws nicely tight?) I don't know what I liked better is it watching Bat being Bat again in his old age, or the bad guys not knowing in time to skip town when they found out he was out of retirement (you can't blame them though, some didn't know who he was).

Well, the directing of this wonderful flick was done by Jay Oliva, who worked as a storyboard artist on Man of Steel, Batman: Year One and Batman: Under the Red Hood.

The animation was well drawn, far better… sorry, far far far better than what we saw in Superman vs. the Elite.

The only downside to this wonderful movie is the news casting; it was boring and looked too much like child's play I hope you are not still reading this, because I expect by now that you have hit the stores to go grab your copy of The Dark Knight Returns Part 1.

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Few artists have ever captured the depth of character and dark soul of one of D.C's most popular characters like Frank Miller. Miller's version of Batman has always been strangely non-cannon, and using his unique style of storytelling to his advantage, he sets himself apart from the main events of the Dark Knight. He created his own world for these characters, and was given free reign to do so. So, for those of you who have never read 'The Dark Knight Returns' (ISBN 1-56389-342-8); please go out and read it before delving into this spectacular animation.

The Dark Knight shows us an aged and heavily alcoholic Bruce Wayne, some years after he has given up the mantle of the Batman. He's in his mid fifties, still a strongly driven man, but without any purpose. After rounding up and beating down on Gotham's criminals for nearly three decades, he had to give up the fight for unknown reasons. Perhaps to let the city decide its own fate and let the people choose what is to become of Gotham. Maybe because they simply wouldn't stand for him anymore, nor would they let the Batman reign terror down on city streets at night, above the law of everyone else. But the time between then and now has weighed down on Bruce Wayne's shoulders, and the city is rife with even more corruption, crime, and violence than ever before. At the same time, the emergence of a new gang of criminals that go by the moniker 'The Mutants' only aggravates a city on the brink. Specifically violent, and always willing to sacrifice their own lives in the process, the Mutant's crimes are particularly heinous. Kidnapping, assault, and murder are their way of life. They have taken up a particular grudge with the now 70 year old Commissioner Gordon, and only a few short weeks before his retirement. Bruce is compelled by the Batman to once again don the cape and cowl, and seek out vengeance against those who would do harm to the innocent.

This is no children's story... not by any means. It is dark, perhaps only less so than Miller's more famous works in his 'Sin City' series. But this animation is not Miller's original comic. This is an interesting, if slightly more tame version of the comic released in 1986. The art itself is a wonderful rendition meant to emulate Miller's more contrastive style of art. Fortunately it is not too heavily altered, despite such heavy use of digital design. They keep the dialogue true to the original, if only for some slight altercations (Gordon's smoking habit for one). But Jay Oliva does a great job of approaching the theme of the original, which was such a violent and heavy theme in itself. The corruption and abuse of the innocent, and how good men and women are willing to do nothing to stop it. This movie shows us Batman at his oldest, perhaps weakest moments, and questions if he still has the will to continue the fight.

This film is not without the typical problems associated with comic to film renditions. There is heavy use of digital filler here in the framework, which leads to some repetitious use of the same scenes over and over again. Peter Weller did a good job overall with expressing that effort and exhaustion of Bruce Wayne through his voice. Several of the dialogue scenes between the mutant's and their way of talking seemed strangely dated and fairly silly or out of place. They also never quite seemed threatening enough in this version, to warrant the kind of media coverage they get, rather they seemed like Saturday morning cartoon goons, who await orders from their big boss, and never really get anything done. The saving point of the film however is the phenomenal soundtrack, which is reminiscent of the famous Christopher Nolan 'Dark Knight' series in which Hans Zimmer created some fantastic orchestral works. It keeps the pace of the film, and has some absolutely fantastic moments throughout which lends to that feeling that you are watching something of epic proportions.

It is a fantastic effort by the D.C animation crew. Something you don't want to miss if you are a Batman fan. Most importantly it is an excellent retelling of one of the best stories ever written about the Bat.

7/10

After seeing Batman Year One, I was nervous about this one, but I was pleasantly surprised! The story is faithfully recreated here, with very little censorship of the violence, and most of the (included) dialogue straight from the pages of the comic, albeit with some forgivable changes. The pacing is excellent, and really captures that sense of "awesome" that the graphic novel had. The visual style is "close enough" to Millar's work to give you flashbacks, but of course it lacks the detailed nuances of the comic. And lastly, the music fits everything perfectly.

Some complaints, though. First and foremost, the acting lacks passion. Virtually all the main characters play "middle of the road" emotions well, but any extreme was unconvincing to me. It's almost like there was a "no shouting!" rule for the actors. Nobody gets really angry, or forceful, or upset. Even so, it's nowhere near as disappointing as the acting in Batman Year One.

Also missing is Batman's inner monologue- which I guess can be forgiven since movies are a visual medium, but ultimately we lose some of the comic's best lines because of it. Though they do try to force some of batman's narration into the movie as dialogue, it doesn't work that well at all.

One change I'm not sure about is the PG-13 censorship to the script. They maintain the political dichotomy that existed in the comics, but it's way toned down. They seem to want to avoid alienating people on either side of the political spectrum (perhaps wisely). Some of the humor is still there, but again, it's got kid gloves on.

In the end, though, this is a wonderful execution of a great story. I eagerly look forward to Part 2!!

An impressively loyal adaptation of one of comics' most important stories, complete with social commentary, nods at dark chapters of the character's history and a glut of wanton brutality. Despite being ripped violently into two pieces, the story still functions very well and reaches a natural climax in time for the credits to roll after a drawn-out 75 minutes. I fear the end result may be a less-dense arching plot line, especially as most of the political commentary was removed from this chapter (presumably as it won't be relevant until the second) but there's still more than enough pulp to go around. While the storyline is doggedly faithful (indeed, most of the dialog is copied verbatim from the source), the artwork is both influenced by and notably distanced from Frank Miller and Lynn Varley's amazing work on the printed page. And, while that does rob the story of some of its character, the result is suitable enough; fresh but also familiar. Peter Weller turns in some decent work as the voice of Bruce Wayne, but I couldn't help but daydream about how Kevin Conroy would have approached the material. Very good, if not perfect.