Gabbar Singh
- 2012
- 2h 33min
PUNTUACIÓN EN IMDb
7,1/10
7,6 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaInspired by a movie character in Sholay, Venkataratnam, a policeman, calls himself Gabbar Singh. He's postedin a village where an area thug wants to join politics and also lures his stepbrot... Leer todoInspired by a movie character in Sholay, Venkataratnam, a policeman, calls himself Gabbar Singh. He's postedin a village where an area thug wants to join politics and also lures his stepbrother to hitch him.Inspired by a movie character in Sholay, Venkataratnam, a policeman, calls himself Gabbar Singh. He's postedin a village where an area thug wants to join politics and also lures his stepbrother to hitch him.
- Dirección
- Guión
- Reparto principal
- Premios
- 15 premios y 8 nominaciones en total
Shruti Haasan
- Bhagya Laxmi
- (as Shruti K. Haasan)
Mohammad Ali
- Samba
- (as Ali)
Reseñas destacadas
After more than a decade, Pawan Kalyan is back!! After delivering one dud after another post Khushi, this is one film you can watch only for PK. I watched it in a single screen, and the effect was mind-blowing. This movie is a treat for PK fans!!
Overall, a decent film. If Salman Khan made Dabangg the third highest– grossing Bollywood film of all time, thanks to PK, Gabbar Singh has the potential to be the highest-grossing Tollywood film. Its boring at times, and makes you yawn. Nevertheless, its few amazing moments and what fans term as Pawanism make this film work.
Acting: 7.5/10 Story-Screenplay-Direction: 6.5/10 Technical Aspects: 7/10 Is it worth your time and money??: After a couple of disasters, a decent Telugu film. Give it a shot!! It's way better than any of the other crap playing in town!!
For a detailed review, please visit sasikanth.me :)
Overall, a decent film. If Salman Khan made Dabangg the third highest– grossing Bollywood film of all time, thanks to PK, Gabbar Singh has the potential to be the highest-grossing Tollywood film. Its boring at times, and makes you yawn. Nevertheless, its few amazing moments and what fans term as Pawanism make this film work.
Acting: 7.5/10 Story-Screenplay-Direction: 6.5/10 Technical Aspects: 7/10 Is it worth your time and money??: After a couple of disasters, a decent Telugu film. Give it a shot!! It's way better than any of the other crap playing in town!!
For a detailed review, please visit sasikanth.me :)
The film rarely bores you. Tightly packed screenplay. Pavan Kalyan carries the film on his shoulders with ease. His mannerisms are the same, his acting style is the same, but somehow it does not appear clichéd. He gives a nonchalant yet energetic performance. Devi Sri Prasad's songs are all good. From melodies to mass numbers, he did a very good job. The fanfare theme music that comes in the background every time Gabbar Singh appears on screen, is awesome; makes you hum and raises your spirits. Sruthi Hassan is a wasted talent. It could have been anyone else in the heroine's character - it does not make any difference. I enjoyed the film mainly because the whole theater was reverberating with the enthusiastic shouts of fans even during the second week after release. Pawan Kalyan gets the much needed hit after a long time. Like for any other mass hero's film, for Gabbar Singh too, just a positive talk is enough to create records.
Story
Gabbar Singh (Pawan Kalyan) runs away from home at an early age and become a police officer and gets transferred to his village. He likes his mother (Suhasini) and dislikes his foster father (Nagineedu). Siddhappa Naidu (Abhimanyu Singh) is the big rowdy of the village who has aspirations to become a politician. Gabbar Singh cuts Siddhappa to his size and Siddhappa wants to take revenge. The rest of the story is about how Gabbar Singh executes everything in his style.
Artists Performance
Pawan Kalyan: It took almost 12 years and a director called Harish Shankar to bring out the character in Pawan Kalyan onto the screen the way people want to see it. Pawan Kalyan scorches the screen with his performance. Pawan Kalyan's attitude, body language and josh (some may call it over-acting) is perfectly extracted by the director. Pawan Kalyan has shown it again how an actor can own and carry it on when the right character is offered.
Others: Shruti Hassan is adequate as lady love of Gabbar Singh. Abhimanyu Singh is fine. Ali is hilarious (or the way Pawan tells him 'samba raasuko'). Brahmanandam is okay in the first half and hilarious in Pawan Kalyan cutout scene in the second half. Suhasini and Nagineedu are good as parents. Tanikella Bharani has been properly utilized in this movie as the mentor of villain. Kota Srinivasa Rao has a short yet important role as heroine's father. Rao Ramesh played the role of a politician. Ajay is apt for the character of step brother. Gayatri Rao (Happy Days fame) has done the character of heroine's friend. The rowdy batch (headed by Fish Venkat) is hilarious in Antakshari scene in Police Station.
Technical departments
Story - screenplay - direction: The story of the film is an old-fashioned, but a workable one. What makes the difference to such an old-type story is the 'thikka' characterization by Harish Shankar. There are certain antics of Pawan Kalyan which appear like 'overr-acting' if not used well by the director. Harish Shankar has used them excellently to bring out hilariously entertaining episodes. His direction is good, but should have worked more on tight screenplay towards second half. The following scenes are true entertainers
1. When Gabbar Singh introduces himself to the village men after the intro fight. 2. 'Samba raasuko' episodes 3. 'Are Gabbar Singh Ka Fauzia' episodes 4. Episode before and after Pelli Choopulu failure 5. Antakshari Episode. This is probably the highlight of the film. 6. Brahmanandam cutout buildup episode 7. References episodes (Kushi, Muta Mesthri and Jalsa) 8. Kota Thagubothu song scene
Other departments: Dialogues are the second most important technical aspect of the movie after characterization. Harish Shankar has come up with entertaining dialogues that suit Pawan Kalyan to a T. Background music is good and songs scored by Devi Sri Prasad are excellent. Cinematography is neat, but properly care should have been taken white shooting the slow-motion shots of hero introduction scene. Editing is fine and production values are okay.
Analysis: First half of the film is highly entertaining. Second half has some story. Looks like this film is made with the sole purpose of entertainment with a workable script. Pawan Kalyan's inbuilt mannerism and attitude and merged perfectly by the character written for him. The film has 80% Pawan Kalyan and 20% rest of the cast. Plus points of the film are Pawan Kalyan's never-before entertainment, Harish Shankar's dialogues and characterization. The negative points are hurried climax and inadequate screenplay in the second half. The hero is more powerful than villain, hence the hero vs villain thread is weak. On a whole, Gabbar Singh is a good mass entertainer and will satisfy fans and general crowds alike who have been expecting a good entertainer from Pawan Kalyan over a decade.
Gabbar Singh (Pawan Kalyan) runs away from home at an early age and become a police officer and gets transferred to his village. He likes his mother (Suhasini) and dislikes his foster father (Nagineedu). Siddhappa Naidu (Abhimanyu Singh) is the big rowdy of the village who has aspirations to become a politician. Gabbar Singh cuts Siddhappa to his size and Siddhappa wants to take revenge. The rest of the story is about how Gabbar Singh executes everything in his style.
Artists Performance
Pawan Kalyan: It took almost 12 years and a director called Harish Shankar to bring out the character in Pawan Kalyan onto the screen the way people want to see it. Pawan Kalyan scorches the screen with his performance. Pawan Kalyan's attitude, body language and josh (some may call it over-acting) is perfectly extracted by the director. Pawan Kalyan has shown it again how an actor can own and carry it on when the right character is offered.
Others: Shruti Hassan is adequate as lady love of Gabbar Singh. Abhimanyu Singh is fine. Ali is hilarious (or the way Pawan tells him 'samba raasuko'). Brahmanandam is okay in the first half and hilarious in Pawan Kalyan cutout scene in the second half. Suhasini and Nagineedu are good as parents. Tanikella Bharani has been properly utilized in this movie as the mentor of villain. Kota Srinivasa Rao has a short yet important role as heroine's father. Rao Ramesh played the role of a politician. Ajay is apt for the character of step brother. Gayatri Rao (Happy Days fame) has done the character of heroine's friend. The rowdy batch (headed by Fish Venkat) is hilarious in Antakshari scene in Police Station.
Technical departments
Story - screenplay - direction: The story of the film is an old-fashioned, but a workable one. What makes the difference to such an old-type story is the 'thikka' characterization by Harish Shankar. There are certain antics of Pawan Kalyan which appear like 'overr-acting' if not used well by the director. Harish Shankar has used them excellently to bring out hilariously entertaining episodes. His direction is good, but should have worked more on tight screenplay towards second half. The following scenes are true entertainers
1. When Gabbar Singh introduces himself to the village men after the intro fight. 2. 'Samba raasuko' episodes 3. 'Are Gabbar Singh Ka Fauzia' episodes 4. Episode before and after Pelli Choopulu failure 5. Antakshari Episode. This is probably the highlight of the film. 6. Brahmanandam cutout buildup episode 7. References episodes (Kushi, Muta Mesthri and Jalsa) 8. Kota Thagubothu song scene
Other departments: Dialogues are the second most important technical aspect of the movie after characterization. Harish Shankar has come up with entertaining dialogues that suit Pawan Kalyan to a T. Background music is good and songs scored by Devi Sri Prasad are excellent. Cinematography is neat, but properly care should have been taken white shooting the slow-motion shots of hero introduction scene. Editing is fine and production values are okay.
Analysis: First half of the film is highly entertaining. Second half has some story. Looks like this film is made with the sole purpose of entertainment with a workable script. Pawan Kalyan's inbuilt mannerism and attitude and merged perfectly by the character written for him. The film has 80% Pawan Kalyan and 20% rest of the cast. Plus points of the film are Pawan Kalyan's never-before entertainment, Harish Shankar's dialogues and characterization. The negative points are hurried climax and inadequate screenplay in the second half. The hero is more powerful than villain, hence the hero vs villain thread is weak. On a whole, Gabbar Singh is a good mass entertainer and will satisfy fans and general crowds alike who have been expecting a good entertainer from Pawan Kalyan over a decade.
This film is extremely rewatchable due to the comedy scenes throughout the film. The actress is pretty useless in the story, but PK covers that up pretty well.
True to its description by Harish Shankar " Akali to Vachhina Vallu Buktha Ayasam to Ee Cinema to Bayatiki Vellataru" After Long Time folks of Andhra Pradesh have the opportunity to watch a Full Length Entertainer in the form of "GABBAR SINGH". Every aspect of the film is tantalizing.
Gabbar Singh teases Salman Khan's 'DABBANG" in every possible aspect in every possible way. Blockbuster of 2012 and will be the highest grossing of all the Telugu movies.
Audience is going gaga and dancing in theaters, movie is filled with full doses of comedy right from minute one to the last second. Pawan Kalyan's dances were mesmerizing and some chiranjeevi shades were seen in some of the steps. Compliments to the choreographer and Devi Sri Prasad's magic touch in the form of music for the songs and background music. Every song was well written in terms of lyrics, singers sang them perfect , it was a visual treat.
Songs are already Charbusting and Song Picturization complimented them and it was a visual treat to watch the songs . Not even a single scene could be written off every scene has the perfect mixture and blending of entertainment.
Pawan Kalyan Dances are Simply Superb, though he is not a Good dancer per popular opinion but his dance moves are really moving and will move your legs.. Amitabh Bachan is not a good dancer but with the little moves he does people go gaga over his dances..same magic by PowerStar.
Dialouges are a big boost to the movie and constantly add power and punches ..PowerStar's Comedy Timing is perfect, hats off to Harish Shankar for his dialogues and the Pawan Kalyans Powerful punches in them..
Gabbar Singh teases Salman Khan's 'DABBANG" in every possible aspect in every possible way. Blockbuster of 2012 and will be the highest grossing of all the Telugu movies.
Audience is going gaga and dancing in theaters, movie is filled with full doses of comedy right from minute one to the last second. Pawan Kalyan's dances were mesmerizing and some chiranjeevi shades were seen in some of the steps. Compliments to the choreographer and Devi Sri Prasad's magic touch in the form of music for the songs and background music. Every song was well written in terms of lyrics, singers sang them perfect , it was a visual treat.
Songs are already Charbusting and Song Picturization complimented them and it was a visual treat to watch the songs . Not even a single scene could be written off every scene has the perfect mixture and blending of entertainment.
Pawan Kalyan Dances are Simply Superb, though he is not a Good dancer per popular opinion but his dance moves are really moving and will move your legs.. Amitabh Bachan is not a good dancer but with the little moves he does people go gaga over his dances..same magic by PowerStar.
Dialouges are a big boost to the movie and constantly add power and punches ..PowerStar's Comedy Timing is perfect, hats off to Harish Shankar for his dialogues and the Pawan Kalyans Powerful punches in them..
¿Sabías que...?
- CuriosidadesPawan Kalyan actually brought the remake rights to Dabangg, but later permitted the producer Bandla Ganesh to make the movie so that the producer can recover from the loss he gained by making Theenmaar.
- Créditos adicionalesA voice-over is heard in the dubbed Hindi version during the intro credits by the title character's dubbing voice who describes his character.
- ConexionesFeatured in Naayak (2013)
- Banda sonoraDekho Dekho Gabbar Singh (Telugu)
Music by Devi Sri Prasad
Lyrics by Ramajogayya Sastry
Performed by Baba Sehgal, Naveen Madhav
Selecciones populares
Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
- How long is Gabbar Singh?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 300.000.000 INR (estimación)
- Duración2 horas 33 minutos
- Color
Contribuir a esta página
Sugerir un cambio o añadir el contenido que falta
Principal laguna de datos
By what name was Gabbar Singh (2012) officially released in Canada in English?
Responde