Hell House LLC Origins: The Carmichael Manor
- 2023
- 1h 38min
PUNTUACIÓN EN IMDb
6,2/10
10 mil
TU PUNTUACIÓN
Un grupo de investigadores de casos sin resolver se hospeda en la mansión Carmichael. Después de 4 noches, nunca más se supo del grupo. Lo que se descubre en sus imágenes es aún más inquieta... Leer todoUn grupo de investigadores de casos sin resolver se hospeda en la mansión Carmichael. Después de 4 noches, nunca más se supo del grupo. Lo que se descubre en sus imágenes es aún más inquietante.Un grupo de investigadores de casos sin resolver se hospeda en la mansión Carmichael. Después de 4 noches, nunca más se supo del grupo. Lo que se descubre en sus imágenes es aún más inquietante.
- Dirección
- Guión
- Reparto principal
Cameron Munson
- Snack bar clerk
- (sin acreditar)
Reseñas destacadas
A lesbian couple and one of their siblings spend a few days in a mansion where a family was murdered right after the mass suicide at The Abaddon Hotel.
The original "Hell House LLC" is literally the only found-footage movie that I've ever liked. It felt realistic, the characters were compelling, and there were a few great scares. The first sequel made the mistake of trying to explain the history of the hotel, which the second pursued further (and with some of the most amateurish acting I've ever seen outside of '90s porn!).
Thankfully, this movie sort of went back to basics. The acting is generally natural, there are some decent creep-outs, and we're not bogged down with ridiculous details.
There are a couple of things that keep it from being truly great though. The first film, which centered on the opening of a house-of-horrors, had plenty of behind-the-scenes dramas among the characters. It felt like there was a full story there, where this feels like more of a Ghost Hunters sketch of a story. My other big problem is the clowns (and no, I don't have coulrophobia!). It made sense that the clowns were seen in a Halloween attraction, but the excuse for their appearance in this mansion seems pretty flimsy -- just like all of the other ties to The Abaddon Hotel.
Those gripes aside, it's well-made, a good popcorn flick, and recommended to anyone who liked the original. Also worth noting: a brief scene after the end credits teases another sequel.
The original "Hell House LLC" is literally the only found-footage movie that I've ever liked. It felt realistic, the characters were compelling, and there were a few great scares. The first sequel made the mistake of trying to explain the history of the hotel, which the second pursued further (and with some of the most amateurish acting I've ever seen outside of '90s porn!).
Thankfully, this movie sort of went back to basics. The acting is generally natural, there are some decent creep-outs, and we're not bogged down with ridiculous details.
There are a couple of things that keep it from being truly great though. The first film, which centered on the opening of a house-of-horrors, had plenty of behind-the-scenes dramas among the characters. It felt like there was a full story there, where this feels like more of a Ghost Hunters sketch of a story. My other big problem is the clowns (and no, I don't have coulrophobia!). It made sense that the clowns were seen in a Halloween attraction, but the excuse for their appearance in this mansion seems pretty flimsy -- just like all of the other ties to The Abaddon Hotel.
Those gripes aside, it's well-made, a good popcorn flick, and recommended to anyone who liked the original. Also worth noting: a brief scene after the end credits teases another sequel.
I loved the original Hell House: great scares, reasonable characters, great premise. The other sequels lacked all of that.
This one delivers on the great scares. Great tension, effective use of jumpscares. The premise and characters are okay here. Not great but not egregious. There's a couple eye-roll moments where they try too hard to tie it into the original (the music now has lyrics? What?).
It sounds like I'm really down on it when all I have good to say about it is the scares, but really, the directing is great at ratcheting up the tension and then hitting you with a solid moment of horror.
I'm knocking a half point off though for the very last scene before the credits, which felt like a weird retcon that didn't need to be in the movie at all.
This one delivers on the great scares. Great tension, effective use of jumpscares. The premise and characters are okay here. Not great but not egregious. There's a couple eye-roll moments where they try too hard to tie it into the original (the music now has lyrics? What?).
It sounds like I'm really down on it when all I have good to say about it is the scares, but really, the directing is great at ratcheting up the tension and then hitting you with a solid moment of horror.
I'm knocking a half point off though for the very last scene before the credits, which felt like a weird retcon that didn't need to be in the movie at all.
Let me start off by saying this was a very scary movie. I've been a big fan of the Hell House franchise for a while especially the first movie, so I had to watch this. This movie does the Hell House LLC IP justice in terms of scares, but unfortunately falls flat in almost all other regards of an interesting and well rounded film.
The acting is bad. It is very very bad. At no point does it seem like the characters believe or feel what they are saying. Their facial expressions are exaggerated and their mannerisms/speech are simply not convincing. It feels less like the actors are trapped inside an evil, haunted mansion, and more like they are reading lines off a teleprompter. It Is so so so bad. The choices they make are also ridiculous, to the point where it completely detracts from the realism.
Now that that is out of the way... this is in fact a very scary movie. It does rely heavily on jump scares which is slightly disappointing, but they are done very well and the tension building is top notch. The atmosphere is super creepy and the camera work, lighting, music/sound, all contributes to the super eerie vibe of the film.
This easily could have been an 8/10 if the acting and writing had been on par with the first Hell House. Overall I would still suggest giving it a watch just because how creepy it is.
The acting is bad. It is very very bad. At no point does it seem like the characters believe or feel what they are saying. Their facial expressions are exaggerated and their mannerisms/speech are simply not convincing. It feels less like the actors are trapped inside an evil, haunted mansion, and more like they are reading lines off a teleprompter. It Is so so so bad. The choices they make are also ridiculous, to the point where it completely detracts from the realism.
Now that that is out of the way... this is in fact a very scary movie. It does rely heavily on jump scares which is slightly disappointing, but they are done very well and the tension building is top notch. The atmosphere is super creepy and the camera work, lighting, music/sound, all contributes to the super eerie vibe of the film.
This easily could have been an 8/10 if the acting and writing had been on par with the first Hell House. Overall I would still suggest giving it a watch just because how creepy it is.
When an internet sleuth drags her girlfriend along to investigate the scene of a grisly massacre at a deserted mansion in the woods, they get more than they bargained for.
Over-produced found-footage that still manages to be effective. The ideal for this genre is to wind up the story like clockwork in the first ten minutes, then let it unwind through intelligent editing of the footage, allowing the audience to fill in the gaps. Instead this production gives us masses of exposition through the framing device of a mockumentary, with explanatory flashbacks, and inserts foreboding music where appropriate.
So the story has trouble standing on its own feet, with ho-hum plotting and characterisation, and in the end has to fall back into classic Blair Witch mode to reach its climax.
And despite the fussy direction, the in-scene motivations are poorly handled. You know you can run away, right, instead of shuffling? So that the audience might satisfy itself that every means of escape was tried, before this unstoppable evil had its way? Perhaps bolting and chaining the bedroom door might be in order - especially since the chain is hanging limp, in plain sight, in scene after scene? It won't do any good, but y'know ... And if a character is in terror of her life, the best thing to do is put the camera down while still trained on the action, so the audience doesn't have to wonder why she's still filming. If she needs the camera light to flee through the darkness, then that's OK. And of course: don't split up, and don't go toward the threat that just scared the bejebus out of you, etc. And it's not necessary to give a final homily on the nature of evil: we know what we just saw.
As for the figures of evil, I know many are creeped out just by the sight of clowns, but my first thought was, 'Oh, they hired some specialist mime artists for this bit - that's why they're so still. Do their noses get itchy?'
Yet the atmosphere is genuinely creepy, and I was mostly engaged throughout. Plus there is an original and excellent video conference weird-out at 45 mins that got my adrenaline buzzing. For that, and the mounting hysteria (a la BW, including a distant cry for help that sounds like the first victim) I rate it above average.
Over-produced found-footage that still manages to be effective. The ideal for this genre is to wind up the story like clockwork in the first ten minutes, then let it unwind through intelligent editing of the footage, allowing the audience to fill in the gaps. Instead this production gives us masses of exposition through the framing device of a mockumentary, with explanatory flashbacks, and inserts foreboding music where appropriate.
So the story has trouble standing on its own feet, with ho-hum plotting and characterisation, and in the end has to fall back into classic Blair Witch mode to reach its climax.
And despite the fussy direction, the in-scene motivations are poorly handled. You know you can run away, right, instead of shuffling? So that the audience might satisfy itself that every means of escape was tried, before this unstoppable evil had its way? Perhaps bolting and chaining the bedroom door might be in order - especially since the chain is hanging limp, in plain sight, in scene after scene? It won't do any good, but y'know ... And if a character is in terror of her life, the best thing to do is put the camera down while still trained on the action, so the audience doesn't have to wonder why she's still filming. If she needs the camera light to flee through the darkness, then that's OK. And of course: don't split up, and don't go toward the threat that just scared the bejebus out of you, etc. And it's not necessary to give a final homily on the nature of evil: we know what we just saw.
As for the figures of evil, I know many are creeped out just by the sight of clowns, but my first thought was, 'Oh, they hired some specialist mime artists for this bit - that's why they're so still. Do their noses get itchy?'
Yet the atmosphere is genuinely creepy, and I was mostly engaged throughout. Plus there is an original and excellent video conference weird-out at 45 mins that got my adrenaline buzzing. For that, and the mounting hysteria (a la BW, including a distant cry for help that sounds like the first victim) I rate it above average.
Its a decent horror movie but really the lead actress killed the whole experience for me , the way she acted the dialogues .. and the choices they make ..! I mean why wont they just leave !!!
Red flags all over the place .., and yet margo insist on staying there . And the funny part is shes just scared as they are .. bad writing terrible acting Really ruined this movie I really wanted margo to die .. and thats a bad factor in horror movie that you want the main character to die Hope the director learned his lesson never to work with this writer and actress again A lot of money wasted on this movie ...
Red flags all over the place .., and yet margo insist on staying there . And the funny part is shes just scared as they are .. bad writing terrible acting Really ruined this movie I really wanted margo to die .. and thats a bad factor in horror movie that you want the main character to die Hope the director learned his lesson never to work with this writer and actress again A lot of money wasted on this movie ...
¿Sabías que...?
- CuriosidadesThe origin of the piano music, primarily heard in the first two Hell House LLC movies, is explained.
- Créditos adicionalesThere is a short scene after the final credits end.
- ConexionesFollowed by Hell House LLC: Lineage (2025)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Дом ада. Исследователи потустороннего
- Localizaciones del rodaje
- Empresas productoras
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Taquilla
- Recaudación en todo el mundo
- 20.762 US$
- Duración1 hora 38 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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