PUNTUACIÓN EN IMDb
5,7/10
2,3 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA Muslim ex-con forms a friendship with his parole officer.A Muslim ex-con forms a friendship with his parole officer.A Muslim ex-con forms a friendship with his parole officer.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
Maher M. Hathout
- Imam
- (as Maher Hathout)
Augusta Allen-Jones
- Bartender
- (as Augusta Allen Jones)
Mona Malec
- Border Patrol
- (as Mona Lisa Malec)
Reseñas destacadas
Though the script is somewhat plodding, the film has a genuine quality to it. Forest Whitaker is good as the tormented parolee. Harvey Keitel plays the revenge seeking sheriff. It is Brenda Blethyn however who steals every scene she is in, as Whitaker's parole officer. I would agree that not much happens in this film, yet it is it's low key performances that keep the viewer intrigued. The cast is first rate. In addition to Whitaker, Keitel, and Blethyn, Luis Guzman and Ellen Burstyn also are quite good. If there is a problem, it is with the ending, which is somewhat unresolved, and hangs uncomfortably. I should also mention that the extra on the DVD titled Fences", is very interesting and timely. The interviews with border residents, for and against the border wall, are very informative. - MERK
Greetings again from the darkness. Director Rachid Bouchareb, a long time festival favorite, has taken the general story of writer/director Jose Giovanni's 1973 film of the same title and relocated it from France to a New Mexico border town. It touches on many elements such as rehabilitation of criminals, small town justice, human personality traits, freedom and justice, and conversion to Islam.
Opening with the silhouette of a brutal murder against the sunset in a New Mexico desert, the film has a western feel replete with the sense of doom and impending showdown. Forest Whitaker stars as Garnett, a paroled man who has just been released after serving 18 years for killing a deputy. Despite a life of crime that began when he was 11 years old, Garnett was a model prisoner who obtained his GED and mentored others while becoming a converted Muslim. His words make it clear he wants to put his old life behind and start fresh – however, his actions show he still struggles with explosive anger issues.
In a move that seems counterintuitive, Garnett is confined while on parole to the county in which he killed the deputy. The local sheriff (Harvey Keitel who else would it be?) sets about making things difficult for Garnett, and expresses anger at his release while the "deputy is still dead". The idealistic parole officer is played by Brenda Blethyn, so the stage is set for the clash of philosophies: trust and rehabilitation vs historical behavior and justice. Adding one more challenge to Garnett's new world is the presence of his old crime boss played by Luis Guzman, who of course, wants him back in the business.
While many folks all over the globe struggle endlessly to find love; Garnett is 2 days out of prison when he falls for the local banker played by Delores Heredia. Herein lies the problems with the movie. The love connection just happens too quickly. Guzman is never the ominous presence of a truly bad guy. Keitel only gets to offer glimpses of his disgust at Garnett's freedom. These three characters are all severely underwritten despite the efforts of three fine actors.
If not for the terrific performance of Forest Whitaker, the film would fall totally flat. It's his screen presence that keeps us watching, hoping against all odds that he will find the peace he so desperately seeks. There is a wonderful scene with Whitaker and Ellen Burstyn, and a couple of the scenes with Whitaker and Blethyn are powerful, but the other pieces just never pack the punch necessary for this one to fully click.
Opening with the silhouette of a brutal murder against the sunset in a New Mexico desert, the film has a western feel replete with the sense of doom and impending showdown. Forest Whitaker stars as Garnett, a paroled man who has just been released after serving 18 years for killing a deputy. Despite a life of crime that began when he was 11 years old, Garnett was a model prisoner who obtained his GED and mentored others while becoming a converted Muslim. His words make it clear he wants to put his old life behind and start fresh – however, his actions show he still struggles with explosive anger issues.
In a move that seems counterintuitive, Garnett is confined while on parole to the county in which he killed the deputy. The local sheriff (Harvey Keitel who else would it be?) sets about making things difficult for Garnett, and expresses anger at his release while the "deputy is still dead". The idealistic parole officer is played by Brenda Blethyn, so the stage is set for the clash of philosophies: trust and rehabilitation vs historical behavior and justice. Adding one more challenge to Garnett's new world is the presence of his old crime boss played by Luis Guzman, who of course, wants him back in the business.
While many folks all over the globe struggle endlessly to find love; Garnett is 2 days out of prison when he falls for the local banker played by Delores Heredia. Herein lies the problems with the movie. The love connection just happens too quickly. Guzman is never the ominous presence of a truly bad guy. Keitel only gets to offer glimpses of his disgust at Garnett's freedom. These three characters are all severely underwritten despite the efforts of three fine actors.
If not for the terrific performance of Forest Whitaker, the film would fall totally flat. It's his screen presence that keeps us watching, hoping against all odds that he will find the peace he so desperately seeks. There is a wonderful scene with Whitaker and Ellen Burstyn, and a couple of the scenes with Whitaker and Blethyn are powerful, but the other pieces just never pack the punch necessary for this one to fully click.
First time to see it tonight . Of course Forest Whitaker performance is excellent , movie as a whole is average . Have one or two remarks . Why a black man ? it could have been a white man and the same events would have happened with him too !!! or was that to reflect a raciest problem ? that wasn't clear too .
Why make him a " Muslim " who converted to Islam during his 18 years prison time ? what really reflected that ? from my view as a Muslim ...nothing but view shots but not a behavior , he drinks , living with a woman without marriage ...which would have been more normal behavior for a regular Muslim not a converted , practicing ones ,who prays at Mosque , ones whom usually have stronger faith .
Why make him a " Muslim " who converted to Islam during his 18 years prison time ? what really reflected that ? from my view as a Muslim ...nothing but view shots but not a behavior , he drinks , living with a woman without marriage ...which would have been more normal behavior for a regular Muslim not a converted , practicing ones ,who prays at Mosque , ones whom usually have stronger faith .
For those of you who are fans of Oscar winner Forest Whitaker, than I recommended you check this one out.
Whitaker plays a man on parole after 18 years of prison, and with the help of Allah, who he finds inside, he makes a great attempt to follow the path and get his life right, but too many things are pulling him down, especially the town sheriff that can't forgive him for killing his partner.
Harvey Kitel plays the Sheriff, adding a little more star power to this small picture. Luis Guzman plays the role of Whitaker's ex-partner who wants to repay him for his loyalty by getting him back in the life.
Kitel and Guzman are fine actors but their purpose is truly just to support Whitaker who barely needs it. It's the type of realness that you would expect from a academy award winning actor, who convinces you of being a man on the verge of redemption without hitting you over the head with a needless moral campus.
The movie itself is not put together as well as Whitaker's award winning turn in The Last King of Scottland. It's all about pointing the camera at this man and watching him go. That's what you want to see and he gives it 100 percent.
Whitaker plays a man on parole after 18 years of prison, and with the help of Allah, who he finds inside, he makes a great attempt to follow the path and get his life right, but too many things are pulling him down, especially the town sheriff that can't forgive him for killing his partner.
Harvey Kitel plays the Sheriff, adding a little more star power to this small picture. Luis Guzman plays the role of Whitaker's ex-partner who wants to repay him for his loyalty by getting him back in the life.
Kitel and Guzman are fine actors but their purpose is truly just to support Whitaker who barely needs it. It's the type of realness that you would expect from a academy award winning actor, who convinces you of being a man on the verge of redemption without hitting you over the head with a needless moral campus.
The movie itself is not put together as well as Whitaker's award winning turn in The Last King of Scottland. It's all about pointing the camera at this man and watching him go. That's what you want to see and he gives it 100 percent.
A big disappointment for me. Brenda Blethyn totally miscast with her fake accent, Keitel way past his best and Whitaker did his best with a very weak story and dialogue.
It's just a rather tragic film with really little merit imo.
It's just a rather tragic film with really little merit imo.
¿Sabías que...?
- CuriosidadesThe film cast includes two Oscar winners: Forest Whitaker and Ellen Burstyn; and two Oscar nominees: Harvey Keitel and Brenda Blethyn.
- Citas
Bill Agati: You can't break the law to enforce the law.
- ConexionesReferences El mago de Oz (1939)
- Banda sonoraL'Absinthe
Music by Barbara
Lyrics by Barbara and Frédéric Botton
Performed by Barbara
© 1970 - Editions Raoul Breton
(p) 1972 - Mercury (France)
Courtesy of Universal Music Vision
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Detalles
Taquilla
- Recaudación en todo el mundo
- 213.204 US$
- Duración
- 1h 57min(117 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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