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There are typically different people making different parts of a game, so if one part seems to outclass the rest, it should not seem to be a mystery. The writer of this title did a damn good job, creating an interesting tug-of-war that we rarely see in games. The narrative will have you questioning the choices you've made; wondering if you should have picked differently. Like I've heard elsewhere, Bioshock may have been the last game I've played that has these types of interesting thematic elements.

So the story side is great; graphically and gameplay-wise is it also great? Mostly.

While you won't be blown away by the uniqueness of the gameplay, you will find that the graphics are a beauty. There are times when I just pause to look at the scenery. The gameplay I'd say is comfortable. Much like playing BF3, Gears of War, or COD feels familiar every time you play it, in that "comfortable" way. Similarly Spec Ops is pleasant, you can dive right into the narrative without fumbling with controls for the first couple of hours.

The music and score throughout the game are pretty nice as well, however the sound effects feel lackluster. Bullets and weapons just don't have the audio impact that they should. Having been in the army, I can tell you that when you fire a weapon, it's a powerful thing, but in Spec Ops (as with many games), these sounds are glaring because of their lack of impact.

Overall though, this is a fun to play, harsh to consume game. And its great.

8/10

I have played video games for ages and played lots of them. I like games a lot but every time someone claims that video games and movies are kindred spirits I laugh. To compare games and movies are, in my humble opinion, to give games way too much credit. The story lines are always juvenile at best, boasting scripts that wouldn't even fit the worst b-movies. Characters are usually shallow if not nonexistent. In order for games to elevate themselves, the developers really really need to dare write mature stories and present plots that engage us on a deeper level.

And along came Spec ops: the line, a seemingly run off the mill shooter with nothing new. The setting was somewhat original though, A recon mission into a Dubai, laid to waste by sandstorms. But I was still expecting the usual macho-soldier patriotism, thinking with your trigger finger-stuff. Boy was I wrong.

Someone at Yager has made some truly bold decisions, slowly, the story turns from the standard crap to a story that haunted me. Some of the visuals seriously shocked me and I both wanted to and did not want to find out what would happen at the end. The story is one of the best i have ever experienced in any video game. Ever.

The voice work is excellent, and does not get worse by the fact that Bruce Boxleitner plays the colonel. I still have a soft spot for him since Babylon 5.

I will not comment on the visuals, except to say that they have used it do present some of the most horrendous scenes i have seen in video gaming. The game play is OK, but seems like an afterthought when compared to the story. The game play mostly serves as a method to get us under captain walker's skin, to connect with him, only to make the second half of the game so much more powerful.

Play this. Its good. Really good.

Greetings from Lithuania.

So i have recently invested 8-10 hours of my lifetime into "Spec Ops: The Line" (2012). It was worth every minute of it.

This is a 3rd person shooter with an amazing story (Seriously. In a Shooter!), gorgeous graphics (played for the first time in the end of 2015), very solid game-play and mechanics. The highlight of the game and the actual reason why i have played in the first place 3 years after it's release (haven' t got a chance at the moment of it's release) was a story that i read was great. It is great, based on a "The Heart of The Darkness", on which material the masterpiece "Appocalyose Now" was made - it takes you to the deeps of modern warfare and place you in a shoes of "Captain Willard" who has to go trough hell to kill "Kurtz". Although the ending left me a bit confused, i loved the whole experience nevertheless.

Overall, "Spec Ops: The Line" is a highly enjoyable game (still) in regards to 3 main factors: amazing story and mood, great game-play and superb visuals. Maybe it's not as polished as "Gears Of War", but it is a rare gem - shooter that actually makes you FEEL.

Spec Ops: The Line is a third-person military shooter that, despite its appearance, is a game that has never been done in the video game medium, or at least to this affect.

You become Captain Martin Walker. That's right, you don't just play as him, you become him. The game is so well done in the way it makes you and Walker merge into one figure. His problems become your problems, which isn't the best thing since the troubles he faces are quite heartbreaking.

The game focuses on Walker as he and two of his men are sent to Dubai, six months after a deadly sandstorm practically crushed the city. Dubai was thought to be dead until a message was picked up two weeks prior to Walker's mission. It was from Colonel John Konrad, presumed K.I.A after risking his life to save the citizens of Dubai. The transmission, short but distressing, was as follows:

"This is Colonel John Konrad, United States Army. Attempted evacuation of Dubai ended in complete failure. Death toll...too many."

Walker and his team have orders to find civilian life and call it in, then they get to go home. But as the game so accurately states "You can leave Dubai, but Dubai can't leave you."

Once you and your comrades reach the border of the city, it becomes quite clear that something has gone horribly wrong. And one gunfight leads to another and now your main mission has gone way of course, all thanks to Captain Walker.

Now, to be blunt, this is one of the best stories to be put in the video game medium and one of my favorite stories ever. It's based on the book 'hearts of Darkness' by John Conrad and the argument could be made that this game is superior to both that book and Apocalypse Now, since for those two you were just a witness, but in this game, it is very much all your fault.

The story is a very, very affecting wake up call. It has moments that have not been matched and I doubt they will for a while. The journey you take is so unique that nothing has been made that's close to it. Think of the most disturbing movie you've seen I almost guarantee this game will be even more so. But, even though this game is the fuel for night terrors, it is so, so well written, directed, acted and told that it's an experience I'll guarantee you'll keep and want to keep forever. I cannot put into words my feelings for this story, I guess it is just too good for words.

Now from the strongest part of the game to the weakest: the movement and combat system. It is basically frustrating as hell. We've seen all these mechanics before in such games as COD and Gears of War, but here it isn't as smooth. It's horrible when you want to advance in the story as quickly as possible but you can't since the controls are so clumsy. But, this game isn't about the guns or the controls, so that is a small problem (unless you play on hard, then you'll be throwing any objects at your TV).

The visuals of the game are stunning. I won't say beautiful since there are lot of disturbing sights in this game, but it is certainly stunning.

The voice acting is something that has never been matched. I might be exaggerating a bit (I don't think so though) but I think Nolan North's (the voice of Captain Walker) voice acting is some of the best vocal work I've heard. An important thing to point out is the progression of the player. He starts with the proper war talk "Enemy down" or "target is neutralized." But as the game goes on and you and your character get more devastated and broken, Walker's dialogue turns to "Kill is f***ing confirmed!" and "Got the f***er!." But alongside North are his two comrades, Lugo and Adams, both voiced brilliantly from Omid Abtahi and Christopher Reid respectively. Jake Busey is another voice that is brilliantly used as the character called 'the radioman.' This character along with Konrad has some of the best lines. Besides North and Busey, I think the standout in the cast would be Bruce Boxleitner who voices Konrad. Konrad is given so many excellent lines and Boxleitner delivers them perfectly. It's rare to find a game with this caliber of voice acting.

The soundtrack is one that really makes you feel like a hero, which you'll find, is something very important to the story. Old classics are mixed with new songs to create a perfect and thumping soundtrack. A couple of standout moments where the soundtrack adds another layer of greatness is when you're talking to a guy called 'the radioman' who's got you trapped. He then plays "Nowhere to run" over the speakers. Another standout is when you're racing to a convoy of trucks and you're fighting your way to the middle of a stadium. You can use stealth to get in there, but if that fails, then the enemy will turn on the radio with the song "Gladgow Mega Snake" by Mongwai (To alert other troops). With the inclusion of the song blaring around the stadium and enemies trying to viscously kill you, it make for one of the most tense moments I've witnessed in recent memory.

If only Spec Ops had an at least solid control system, then the game would have been absolutely flawless, but still, Spec Ops: The Line has one of the best stories in video games and it is one one of my favorite stories ever. It shoves so many disturbing things in you face and is saying "Do you feel like a hero yet? I hope you're proud of your work."

Spec Ops: The Line is quite possibly the most mature and definitely my favorite game of all time, never has a game hit me and blew me away as strong as this. I even knew about the 'expectation' side of the game. Imagine if I didn't now about it's true identity! (By the way this review is going to be a bit short, due to its 'surprise'. I feel like the game should be experienced with the right expectation. But since I have already mentioned it, you can guess what the surprise is! Is it trippy? Does it have good gameplay? Is it so bad it's good by intention? Is it Funny? Is it so original that people love it? Is it as polished as the great salt lakes? You decide, Either way it's pretty emotional. The ending can also leave people satisfied, because it's ambiguity is intentional!

By this point of the review, you might be wondering 'What aboot the gameplay?!' It's nothing special. But that's intentional! You know what everything in this game is intentional. That was all I needed to say to avoid your suspicion. Anyway this game is so damn fantastic. When you beat it, if you buy this game PLEASE play it in FUBAR! It is way more metaphorical in it's message. So that's it, tenoutaten.

While most war games out there tend to glorify the violence, this game (it's hard to call it a game when it isn't exactly fun and it's so narrative-focused) shows the player the reality of war in all of its horror. In fact, it may even be safe to say that this could be considered a horror game by definition. After going through the campaign on this game, I found myself more appreciative of what our men and women on the frontlines go through every day, because this game, as I said, shows you the reality of war and not its glorified state like in so many others such as Call of Duty and Battlefield. How? It removes the "hero" aspect. This time you're not killing Nazis, Al-Qaeda, or aliens; you're going into the beautiful Middle- Eastern city of Dubai to help evacuate its refugees from the worst sandstorm in recorded history. I won't spoil who the enemy turns out to be. While that does sound well-intentioned, the way the plot unfolds takes Captain Walker and crew into an extremely brutal fight for survival. Unique to video games, there's also non-linear storytelling in the game as well when the player is forced to make some remarkably unpleasant decisions. One may even argue that some of these said decisions are things that real soldiers must make from time to time, just to be called war criminals for doing what they HAD TO DO. There needs to be more (not games) interactive experiences like this. the game is a masterpiece

Speaking freely, this is the only game that has ever made me feel truly uncomfortable while playing it. I've played hundreds of games and have laughed, cried, felt guilty or even despressed while playing but with this... I felt like throwing up. I felt like crap. I felt like a monster - I even felt a bit like blowing my brains out (but in a good way).

Bottom line, the jokingly dubbed "PTSD" Simulator lived up to what everyone said it would, surprisingly.

9/10. Only misses the 10 due to weak gameplay mechanics and laggy controls.

My only regret is not playing this sooner.

While most war games out there tend to glorify the violence, this game (it's hard to call it a game when it isn't exactly fun and it's so narrative-focused) shows the player the reality of war in all of its horror. In fact, it may even be safe to say that this could be considered a horror game by definition. After going through the campaign on this game, I found myself more appreciative of what our men and women on the frontlines go through every day, because this game, as I said, shows you the reality of war and not its glorified state like in so many others such as Call of Duty and Battlefield. How? It removes the "hero" aspect. This time you're not killing Nazis, Al-Qaeda, or aliens; you're going into the beautiful Middle-Eastern city of Dubai to help evacuate its refugees from the worst sandstorm in recorded history. I won't spoil who the enemy turns out to be. While that does sound well-intentioned, the way the plot unfolds takes Captain Walker and crew into an extremely brutal fight for survival. Unique to video games, there's also non-linear storytelling in the game as well when the player is forced to make some remarkably unpleasant decisions. One may even argue that some of these said decisions are things that real soldiers must make from time to time, just to be called war criminals for doing what they HAD TO DO. There needs to be more (not games) interactive experiences like this.

This game is /intentionally/ marketed as a generic arcade shooter, but will in fact take you through an emotional and psychological horror experience.

DO NOT play this game like you play any other arcade shooter, pay attention to the characters' mental state, the details in the environment around them, the dialogue, all that. This game will deliver a different message to everyone, depending on one's personal philosophy, what details one picks up and how one perceives the game's story.

Gameplay-wise, cover system is clunky and gunplay is too arcadey for my taste but it isn't worse enough to affect how you experience the game.

Very, very, very underrated. Hope there would be more similar games in the future.

Spec ops the line isn't you'r typical cod experience, an underrated masterpiece that faded between all these shiny war marked i.p s.

Tho the game contains a massive amount of violence and disturbing scenes, unlike other third person action shooters out there, they have a target: to show you the real face of war.

The story of the game is colored in gray, you may find yourself as the savior for the first few hours of the game and willing to even kill your fellow comrades in pursuit of that goal but it costs, not only for them, and not only in the physical world, it will slowly break down your mental health and before you even realize it you're lost. But that's not it, this is the real world and soon you'll find out trying to be the hero only made you the main villain. A lone man will never be able to decide for the lives of others, no matter how good your intentions are, your ignorance will take you down as you are nothing but one human in billions.

With all that is said the story progression is just too perfect that its hard to close the game even after finishing it. 10 out of 10

the graphics and arts are both realistic as they should be and good enough to score 8 out of 10.

Unlike other parts of the game, its gameplay doesn't offer anything new, a well made cover system game with its own little innovations. Generally 8/10.

And at last but not the least the music, there is not much to say except that nothing can express the game more than its track album. If you're asking me check out the glasgow track from mogwai, 10/10.

In overall spec ops the line is a fine 9/10. Once you've played the game you will never forget it. Its not a game to play in you're free time to waste time, its the type that will come to you before sleep time which proves how well made it is.

I completed the game on "Suicide Mission" and yeah... it was. I don't want to say much about the game other that it's a masterpiece and everyone should play it. It's one of those stories that is elevated by the medium of videogames.

No pun intended - do you ever wonder what your choices will affect? Especially when it comes to games and being able to play through the same game again and be able to see what would happen if you went a ... different way? Well while I really liked the game let's get this straight out of the way: your choices do not matter that much. So while it may say something about you (or the fact you hunt for trophies/achievemens), the game does not change much no matter what you do.

That said, the story is tight and it is quite exhilarating ... it will rattle you ... will you find if enticing, will it make you think about stuff? War ... what is it good for? Would be another good summary line - and another pun related thing I could have done. I am not sure about the graphics .. but I know this is a gem many have missed ...

When I first laid eyes on the trailers for Spec Ops: The Line, I pegged it as just another standard cover shooter, akin to heavyweights like Rainbow Six, Ghost Recon, or Gears of War. And while it presents itself as a shooter on the surface, this game is an unmatched exploration of the human psyche amidst the chaos of war, and it leaves a lingering impact that few games can achieve.

The narrative unfolds in a devastated Dubai, ravaged by a brutal sandstorm that has left a military operation in disarray. As you embark on your mission to investigate the situation, things quickly spiral out of control, thrusting you and your teammates into a harrowing fight for survival against enemy combatants. The levels guide you along a relatively linear path, with a few branching choices rooted in moral dilemmas rather than tactical strategy.

Visually, Spec Ops: The Line is impressive, particularly for its release year. The contemporary weaponry feels solid and impactful, with weighty sounds that add to the immersive experience. Though the enemy AI moves with a level of tactical awareness-taking cover and coordinating their attacks-you'll find that the game's strength lies beyond mere gunplay.

What truly sets Spec Ops: The Line apart is its gripping narrative. This game is a shockingly poignant take on warfare, steering clear of the usual romanticism often depicted in video games. Instead, it presents a grim reality that toes the line between courage and madness. The story is nothing short of cinematic-a gripping tale that ventures far beyond what you might expect from a shooter. You'll find found yourself entrenched in a narrative that grips you so tightly, it could seamlessly translate into a critically acclaimed film.

Nolan North, renowned for his charismatic roles in the Uncharted series, delivers what I believe to be the finest performance of his career. His portrayal of the protagonist is raw and emotionally charged, tapping into a depth of character that many games fall short of achieving. The voice acting is top-notch, with exceptional facial animations complementing the weight of his performance.

Throughout the game, hidden meanings dapple the levels and story arcs, leaving players with layers to peel back and interpret for themselves. Unfortunately, this gem of a game flew under the radar, likely due to inadequate marketing-a fate far too common for titles that push boundaries.

At the end of the day, I wholeheartedly recommend Spec Ops: The Line. Without its compelling story and remarkable voice acting, it would have hovered around an 8/10. Yet, the depth of its narrative and performance elevate it to a resounding 10/10. This is an experience I doubt we'll see replicated anytime soon, or perhaps ever again.

It's very unfortunate that this game has been delisted on most systems, because it's hands down the best war game ever made. It doesn't make any effort to make you feel like the "good guy" going after "boogeymen."

It paint an accurate, as accurate as a digital experience can be, picture of what war is, and how it effects the participants. It was truly a game ahead of its time. So much so that I STILL have not seen another one like it.

It's definitely the best war game ever made, and one of the most memorable games I have ever played. If you never got the chance to play this game, you missed out on a real jewel.

You MIGHT get a pirated copy of it off of a friend, but good luck picking it up in any online store... You can't hardly find it anywhere.