Jaya Jaya Jaya Jaya Hey

This satire on the familiar theme, highlighting a very important issue stands out for incredible writing. Kudos to the team for using humor the best way possible without taking away the seriousness of the core issue. Jayabharathi (Darshana Rajendran) hailing from a patriarchal family, is raised without any freedom, sacrificing her choices at each phase of her life. Even her marriage to Rajesh (Basil Joseph) is not her decision. All her life, she only had the men to decide for her, never asking for her opinion. When her husband pushes her to the extreme, her retaliation is what sets this movie apart big time.

As serious the main plot is, the screenplay constantly throws stand out scenes that are high on entertainment. The humor works like a gem and in my show itself, we just kept clapping and hooting non-stop. The pace does get slow in the third act but the climax is rewarding. Both Darshana & Basil Joseph come out with laudable performances, firmly aided by the supporting cast. I wouldn't say it went over the top because those scenes alone were an asset.

After watching several Malayalam movies and "Palthu Janwar" (translated hindi name). I an fan of Malayalam cinema... Now about Jaya Jaya Jaya Hey.. I didn't want the movie to end what a nice story line ..kept me captured the whole time .. every men and women should watch this.

Showing the harsh reality with the tadka of humor which made the movie quite fanatic to think upon .

It showed the real faces whether it was the husband or the family of the bride. Sweet and tangy slap to the male dominating society we are living in.

The funniest part was the wresting commentary which was hilarious. On the contrary the emotional part was the duration protagonist aka antagonist trying to be sweeter to his wife and she came to know his plan.

The trailer for this film reminded me of The Great Indian Kitchen (a brilliant film about women's empowerment that you SHOULD watch) from the same industry. I thought, "Interesting. Curious to see HOW you're gonna tell this story, since it's already been told."

Fam, this was very different from TGIK. Jaya Hey takes a comedic approach to the storytelling and it really worked. I was afraid how they were gonna tackle a serious topic with a serious message, but just as it is the case with almost every Malayalam film, they've pulled it off.

The plot is simple, Jaya has aspirations in life. Wants to go to college, and do her own thing. The society has other plans for her. Married life is not what she thought it would be. Things fall apart and you can guess what the rest of the film is about.

The lead actors - great acting!! Story - kept it simple, life of an avg Indian housewife kinda plot - stuff that you'd have seen/heard of/watched in daily life. Writing - great!! There are two twists in the film that you won't see coming.

If TGIK was too serious of a film and too hard hitting for your liking, this is brilliant and you'll enjoy this, and I don't think that the comedic take takes away anything from the serious message at all. You'll enjoy this one.

JJJJH starring Darshana Rajendran in the lead and directed by Vipin Das is a clever laugh riot that looks like a spiced up and more cinematic version of "The Great Indian Kitchen" and deals with a highly pertinent and disgusting problem in our society. Special mention to the maker for choosing to stand with the protagonist all along instead of whitewashing the toxicity and two-faced behavior of her parents and in-laws. A group of fresh faces give hilarious performances along with the ever-reliable Basil, Asees Nedumangadu, Manju Pillai, Noby and Aju Varghese. DOP Bablu gives some fresh coloring to the outskirts of Kollam. Ankit Menon's music is fine even if the songs are unnecessary.

Must watch!

Movie is quite precise because situations of women in our country is abnormal that how they are treated from birth to death . If you've seen the movie, you must've known, that women face a lot of traumatize situations from her childhood like her education, marriage conflicts, low attaintion of her own family, after marriage situations and also her fighting spirit for emerging from traumas .

Director's vision was completely based on substantial reality of a woman's life .

Director have shown a criticized shame for those who thinks that woman is a Borden for her family . A scene where some relatives are crying at marriage fairwell .( A sympathetical situation with a unsympathetic manner)