Adagio

I was warned when I read one of the reviews here. But I cannot understand how I can enjoy every second of this sleeper. First, it didn't explain why there was a murdered person and why the young boy is chased. Second, why so slow paced? There was only one positive point that at least I was ready to go to bed and sleep.

The actors did a good job no doubt. The filming locations were well chosen but the atmosphere was in my opinion too reconstructed. If you want see a real thriller then I highly recommend to see the Italian Netflix series Gomorrah and Suburraeterna.

For all these reasons it deserves not more than 2/10.

This is not a real review, it should be understood more as a collection of impressions on the film.

Big film full of Italian actors which, as the title says, is extremely slow and also quite complex. Obviously we start by saying that the acting performances are truly magnificent and that the plot is interesting and very nice even if let's say that you can guess more or less where it's going from the beginning and you can also understand the ending. Then there are two environmental things, one very nice and particular and the other without particular sense, the nice and particular one is the fact that Rome burns in the background because the enormous fire gives a truly beautiful setting to the film, but the fact that every The lights go out anyway, in my opinion it doesn't make sense and even if the reason for this is explained, it still doesn't add anything to the film.

Stefano Sollima returns to delight viewers with his latest masterpiece, "Adagio," relying on the extraordinary performances of Toni Servillo, Pierfrancesco Favino, and Valerio Mastandrea. The film attracts, strikes, and entertains, immersing the audience in a decadent and mournful Rome, where the apocalyptic atmosphere is palpable in every scene. The plot revolves around Manuel, a sixteen-year-old boy entangled in a dangerous blackmail scheme orchestrated by a gang of corrupt carabinieri. In this story, we follow the lives of three former criminals who find themselves involved in one last adventure, facing their old demons. With mastery, director Stefano Sollima explores the dark side of human nature, showing desperation, corruption, and the path to redemption. Through a precise portrayal of the city, Sollima creates an intense and relentless atmosphere that envelops the characters in a whirlwind of violence and redemption. However, despite the undeniable visual appeal and the power of the performances, "Adagio" suffers from an incomplete screenplay, with characters not fully developed and some narrative twists that are not entirely plausible, compromising the coherence and completeness of the story. The climax and resolution are rushed and unsatisfying, leaving some questions open without a convincing conclusion. Nevertheless, the film still manages to capture the viewer's attention, immersing them in a dark and surreal universe where the boundary between good and evil becomes increasingly blurred. A metropolitan noir burning with passion and desire, ready to conquer the heart of anyone who loves art-house cinema. Highly recommended for those who love intense and engaging narratives.

Adagio is a story that deserves to be watched every minute despite its slow tempo. The director skillfully incorporates many details into the narrative that you might think unnecessary, but their presence significantly enhances the quality of the film. The performances and casting are exceptional. The cinematic aesthetic is highly convincing, and the geography of the setting is portrayed extraordinarily. Get ready to watch a top-notch production for Italian cinema.

Adagio has a satisfying finale in terms of storytelling. There are no jarring characters. At times, the directorial craftsmanship reaches the level reminiscent of Luc Besson's Leon, deserving of praise. Lastly, you can't help but anticipate Stefano's new project.

What a crime movie, what an atmosphere, from the SUBURRA, ROMANZO CRIMINALLE and GOMORRA series maker.... I did not expect less anyway, and I was not deceived. This is long, slow, but so atmospheric, it is dark, gloommy, gritty and, I repeat, the directing is purely mindblowing. I hope Sollima's son - because Stefano is the son of the late Sergio - will this time stay in Italy instead of emigrating to the Hollywood crap industry and being a "gentle" yes man for the stock holders producers. SOLDADO - SICARIO 2 -was OK though but not the Tom Clancy's adaptation. So, this new film from Stefano Sollima is really worth the catch.