Asylum of Darkness

Watching Asylum of Darkness... it's a weird, but intriguing movie... its weirdness is actually what keeps me interested... it reminds me of the feel of Necronomicon (1993) or other Lovecraft-influenced stories, tales from the crypt, creepshow... it's pretty insane, with a lot of gory alien-ness and old B movie sci fi actors from the '70s and '80s... I have to say it's a lot better than I thought it would be... totally crazy movie...

Richard Hatch (Battlestar Galactica) is great, and apparently this is the second film in a trilogy... Season of Darkness (2012) is part 1, this is part 2, and Heartland of Darkness which I'm not sure if it ever came out...

This is considered the "lost" film of Scream Queen Linnea Quigley (Silent Night, Deadly Night, The Return of the Living Dead, A Nightmare on Elm Street 4: The Dream Master). Director Eric Swelstad abandoned the project before finding a distributor and the title has yet to be released to a mass market audience. Over the years various producers including Jim Wynorski, Rob Spera and Jody Savin have expressed an interest in putting the finishing touches on the film, with the intention of finally releasing it.

Showing a poor 3.3/10 rating on IMDb, to me is so undeserved and likely from people who aren't embracing of low budget weird horror... but I think they're treating it unfairly... my rating: 7/10

Dwight Stroud (Nick Baldasare) is a dangerous psychiatric prisoner who breaks out of the asylum and assumes another man's life, but he's tortured and haunted by crazy visions that may or may not be delusions.

Writer/director Jay Woelfel has never gotten the budget or recognition of Croenenberg or Lynch, but like those filmmakers, he's got a unique style all his own. Most of his films are slowly paced, hallucinogenic, psychological mindforks with very low budgets, some amateur Ohio actors, and a Lovecraftian creature. If you're down with that, Asylum of Darkness is an enjoyable ride, but if you want a more "Hollywood" movie, look elsewhere for your entertainment.

Up front, I gotta say, the film's title and poster are misleading. Only a tiny fraction of the film takes place in an asylum, and the poster makes it look like some fast-paced monster movie. That's bad marketing, hence the low IMDb rating from folks who expected something very different.

The story and tone zigzag in a way that's engaging if you can roll with it. Every time it seems like the plot's settling into normality, something really weird happens -- but it feels a little long and could stand to be tightened by 15 minutes. The practical FX are generally very good, and the ones that aren't are serviceable.

Nick Baldasare has grown as an actor since "Beyond Dream's Door" and "Heartland of Darkness" (both shot in 1989), and he does a fine job in the lead. Amanda Howell is genuinely charming as his love interest, Richard Hatch camps it up as a crazed doctor, Tim Thomerson is Tim Thomerson, and likewise, you get what you'd expect from Tiffany Shepis.

All in all, I enjoyed it and don't feel like it was a waste of 2 hours, but I knew what I was getting into with this director.

I decided to watch this because it stars Tim Thomerson and the late Richard Hatch, both sci-fi stars of yesteryear (Trancers and Battlestar Galactica respectively). The six reviews as of this writing were also above average, praising the twisty, innovative, and unpredictable plot. Well, apparently I watched a different film. This thing is a boring unfocused mess. It jumps from scene to scene with no discernible pattern or purpose, let alone character development. People are slashed, tentacled monsters crawl into orifices, and all to absolutely zero purpose. The excuse (as stated in the IMDb summary) is that the main character is committed to an asylum and therefore insane. But this proves nothing and is no reason to abandon screenplay logic. It is also childishly easy to predict which episodes aren't real. If the six critics listed call this stew "unpredictable", then I recommend viewing 1990's "Brain Dead", starring Bill Pullman and Bill Paxton. Now THAT is a disorienting and effective asylum chiller. Or if it's inspired gore you're after, try the blood-spattered "Insanitarium" from 2008 instead. Either one is preferable to "AOD".

Now for the acting. As I said above, it was Thomerson and Hatch that initially drew me in. Somehow I think both of them knew exactly what they were signing up for, and totally mailed it in. I've seen boards that are less wooden. As for the main star (Nick Baldasare), the less said about his sleepy zombie-like acting, the better.

Were I forced to praise something (anything?) about this film, it would be the gore and monster effects, which are fine. Blood is blood, and a gouged eyeball is a gouged eyeball. But there are far better asylum films to choose from. I strongly suggest you do so.

Production quality is not great, but give it a chance. It's very odd, a bit twisted, but worth the watch.

After awakening in a mental asylum, a patient plans his escape to freedom and manages to successfully enter modern society only for his constant visions and psychological problems to continually manifest themselves in order to drag him back to the asylum and forces him to find out why.

For the most part, this one wasn't all that bad of an effort. One of the strongest aspects here is the fact that this one generates a really impressive and somewhat disorienting atmosphere that's really engaging and appealing. The fact that majority of the first half concerns the ability to make it nearly impossible to tell what's going on here, as the atmosphere found within this section of whether or not he's really going through the insanity of the situation with his weird visions of people with distorted faces following his dreams gives the film quite an odd start. As well, the rather odd manner in which this is jokingly referred to as a normal situation by the staff despite the obvious discomfort of the visions makes for a chilling setup here. The way in which he continually experiences the strange faceless beings and creatures coming after him, from the hallucinatory chase in the house, his encounter in the cemetery or the continued visions he has with the strange creatures while being around his wife which gives this some solid work to build off of. The second half gets the creatures to interact with him a little more vigorously, letting the hospital encounter, a stellar hallucination sequence where he cuts up the members of a boardroom meeting as well as the finale in the underground bunker that resolves this nicely all giving it a solid amount of gore and solid creature make-up for the different demonic creatures here. However, none of these factors can overcome the fact that there's just no reason for anything that happens here. It just goes from one seemingly unconnected sequence to another that all supposedly feature his deteriorating mental state yet nothing is really done about making sure it all relates to anything. The fact that he's insane and supposedly living a different person's life is no excuse for why nothing here makes sense, why it goes from him in the asylum to suddenly now a husband and living with the wife despite being two different people as none of this is explained. The chance to explain it all never comes as to why they believe he's the dead person and is able to suddenly become a different person as the flimsy nature it occurs here is begging for more of an explanation yet it never occurs. Likewise, the fact that the film is so bland and lifeless doesn't really do it many favors either, taking far too long to get the switch going and featuring way too much downtime to really be of much interest. The endless scenes of him at the book-signing, trying to appeal to his wife's good side to get her to trust him following the behavior switch and in general just going around trying to uncover his true identity make this one so dreary and dull that it sloughs along at a bland clip, and with a nearly two-hour running time it really could've been put to far better use moving the pace of this one along. These two issues here are in fact so crippling that they manage to overcome much of what good this film accomplishes.

Rated Unrated/R: Graphic Violence and Graphic Language.