Atrapados de Nuevo

"Trapped" season one was fantastic. It wasn't just the novelty of a crime drama taking place in Iceland, it was also the setting, the atmosphere, and especially the characters principally the chief of a small town police force Andri Olafsson.

Unfortunately, season 2 was much weaker and less interesting. And now "Entrapped," which is basically season 3, sadly continues the decline of the entire series from its excellent and hopeful first season. And I think I know why.

For season 1, if you remove Iceland, with its harsh and stark environment and nearly perpetual darkness, as the drop, the story would still stand up. The characters were well-designed and the protagonist and his small team quite interesting.

Season 2 didn't make such good use of the environment, and there were really no good character developments among the main ones who we follow. Also, the story was too far-fetched and thus not very engaging.

Come to season 3, what made the original so engrossing has completely disappeared. The series has become just another run-of-the-mill police and drama drama. The story could have taken place anywhere, and that's the shame of it.

A missed opportunity to showcase Iceland and its people.

"Trapped" was a pleasant surprise: A taut, emotionally-driven series with tight plots and engrossing environments. Sure, it was slow in parts but still amazing that a country of 400K residents can come up with something that blows much of Netflix programming away.

Saying that, this series lacks some of the tight scripting of "Trapped." Too often my mind wandered when it should have been glued to the TV. There just too much superfluous stuff, too many soap opera moments that the previous series avoided.

Still, it's an admirable show. I stayed with it and felt fully engaged with the characters. Perhaps a little too much at times as I would lose my place in the story. Thankfully, the ending neither disappoints nor insults the audience. Respect.

This Icelandic detective series marks the mind thanks to different components. The first component is the geographical background of Iceland with its scenery, its landscapes, its deserts, its rhythms and the travel by car or motorcycle or helicopter. The other component is its police team, which is a trio, with a laid-off inspector, a policewoman and an investigator: they are not super-cops. They don't have a technological arsenal to carry out their investigations; and in the course of the different episodes, elements about their personal lives are given, and moreover they make mistakes. And the last one is the plot, a murder, a multitude of stakeholders who could have committed the murder, and we will learn the name of the culprit at the end of the last episode, having suspected many of the characters met during the dramatic progression.

All this is well done and gives a rather slow pace, but which suits well the still inertial movements on the island. And the various stakeholders in this story allow for a variety of social engineering: a cult of enlightened people, bikers, grieving families, a previous unsolved murder perhaps related, the police team. All this gives a whole that has its own rhythm and its own aesthetic.

A series that meets its specifications: keep the viewer captive until the last minute of its last episode.

Summary:

Entrapped (it is actually season 3 of Trapped) continues to expose the foreign as a threat to island peace and family conflicts as axes of the behavior of its characters, although without the almost Bergmanian depth of season 2. A more conventional crime series , but with all the ingredients to retain the viewer and always with the spectacular and decisive setting of the Icelandic landscape.

Review:

The murder of a young member of a neopagan sect coincides with the arrival in the Icelandic town of Siglufiörður of a gang of bikers willing to dispute the lands occupied by the sect.

The series (effectively a season 3 of Trapped, renamed Entrapped) finds Hinrika (Ilmur Kristjánsdóttir) as the new police chief of the northern Icelandic town and Andri (Ólafur Darri Ólafsson) and Trausti (Björn Hlynur Haraldsson) serving as in Reykjavik. The murder case will intersect with others, one of them related to the suspected bikers, which will generate tensions, interference and dilemmas in the respective investigations.

Entrapped recovers in this season a narrative that is generally simpler (although sometimes it is a bit difficult to retain the names of the characters), mostly linear, far from the almost Bergmanian depth and complexity of season 2, but mostly effective. Family conflicts always appear as underlying and in general determinants of the plot and foreign characters as disturbing elements of the island's peace. Although the series (quite short and with chapters of around 40 minutes) continues to take its time, the story knows how to change the rhythm with several scenes of suspense and action, always with the wonderful Icelandic landscape as the determining setting.

I expected something as fine as "Trapped" but was disappointed, as it seems as are others.

The basic fault is a script that can't seem to raise above grade B theatrics. The cops continue to act stupidly. The bad guys are "Sons Of Anarchy" on Ritalin. The main character bumbles around like Gentle Ben. No-one comes across as real, merely caricatures, and the dialog is stilted.

It's all been done before but with a hackneyed plot line it helps to have a better script, and character development.

It all shows in the acting, which simply follows the dialog faithfully rather than striking out and creating some risk.

We do not need another sequel. Let this one lie.