I Will Follow You Into the Dark

A beautiful story that will touch every soul that sees it! Shot in a mixed genre of supernatural and romance (Ghosts meets Sixth Sense) the film dwells on the undeniable and universal theme of love where that starts and ends and the Afterlife. It's a brave film that takes big chances with enormous topics and it's meant to evoke a response and conversation-which it certainly did for me and my friend- we talked about the film for two hours afterward. It's a film you have to see more than once and highly recommend it to you.

Hollywood has narrowed it view of films to be within a politically, ideologically and New Age correctness and those films outside its parameters are ostracized. This film will touch you. Kudos!

In the last moments of this movie i was thinking: "the only thing that could save this film is if it was a troll, a huge joke..."

but it wasn't. Someone seriously thought that this would sell. I don't know if the budget for this film was spent on Barton (the Only recognizable name on the credits) or if this was a troll, and the "Gotch-a" is at the end of the credits and i left too early. either way, whether or not the movie was a joke- it was bad... ...now, One could rant on and on about what was wrong with this movie, but i'll summarize; -It was too dark, you could not see anything but a beam of light coming from a flashlight 30% of the movie. -the acting was horrible. acting is easier said than done, i realize that, but if you aren't good at acting, then why are you in the film? and such... save some money, skip this film, see The Fog....or better yet. save some sanity...don't see either...

I can honestly say my expectations were set too high for this film. I was expecting a supernatural love story and instead I got a big mess of a film, with a plot so vague I hardly know what to make of it.

The film starts off promising with a present to past reflection leading up to the current events. No doubt this tactic was to keep the audiences' attention to the end of this film. I feel without it all interest would have been lost, because there is nothing within the first 20 minutes to indicate anything supernatural about this film otherwise. That said, there isn't too much of anything ghostly until the last 40 minutes or so of this film.

The love story isn't strong enough either to make an impact on the viewer. The love story never really develops and the main story focuses more on the main protagonist dealing with some eerie events which begin to plague this young woman following a eulogy challenging anything supernatural to prove to her there is something beyond death. These events are what lead her to find refuge and love with a man she basically just bumped in to.

Into the Dark has a few things going for it, a talented cast, and a successful atmospheric tone. The only weakness is the screenplay itself; it is much too ambiguous for my liking and there is never a clear explanation for anything. Excluding our lead, all of the other characters are underdeveloped and certain events occur to all of them that just leave you scratching your head asking "what was the point of that? ".

I recommend this film only to those who are willing to ignore a weak screenplay, and are looking for a mindless supernatural romance film. Into the Dark runs roughly 110 minutes, and does have a bit of everything, but the film just can't seem to keep it's focus on any one thing.

Mischa Barton plays a young woman whose parents both die. Aggrieved, she renounces God's existence and challenges him to prove there's something more to life than what we know and see. I guess he does. He seems to send legions of things that bump around her flat to haunt her. Then he gets these goolies to kidnap her new - unbelievable perfect - boyfriend. The moral: never mess with God.

So, poor newly-atheist Mischa must look for her stolen bloke in a haunted apartment block where she reckons he's been imprisoned. Now, most horror films like this are about ninety minutes. This one runs at nearly two hours. And here lies the first problem. Namely, that much of the film is either pretty establishing shots/montages, or Mischa walking slowly around one empty hallway or another - sometimes something jumps out at her, sometimes not.

This film is slow. And how you perceive it will depend on how much you like it. It's the very definition of a 'slow burner.' If you're desperate for something to happen, it may well drive you mad and you'll find that absolutely nothing happens for long periods of the film. However, if you like your horror slow, creepy and tension-building, then you'll probably enjoy this.

Just don't go expecting a roller-coaster of a ride style horror film. Unfortunately, although I like to think I can appreciate a slow-burner or two, I found there was nothing new enough here to warrant watching it again. It falls into that 'seen in all before' category.

http://thewrongtreemoviereviews.blogspot.co.uk/

It's one thing to judge this just by the message it is transporting or by the way the movie realized that same idea. I think the idea behind the movie is really good. And while this is one of the better efforts the former OC girl is involved with, this still lacks a lot of things great horror movies have.

Mischa Barton and the other actors in this look good, the framing and shooting of the movie does not need to enhance anything there. Some scenes could do with some enhancing in the acting area though. The dialog could be a bit better too. If you can overlook all those things, you may be able to see this in a better light than it actually represents though ...