The Veil: red de mentiras

Moss's English accent is a little dubious. But I'm warming to her characters charm. The scenery, so far, is beautiful. The story is very well put together. The acting is flawless.

So far, by episode two, it is turning into a game of multilayer chess. Between 2 women on a road trip. Both trying to discover each others roles and motives on this journey. And between two different countries US and France, attempting to establish control over the "mission".

As spy thrillers go, this one is one of the most interesting that I have seen in a long time. No Hollywood BS. Well worth the time, energy and focus.

"The Veil," the latest offering from Steven Knight, creator of "Peaky Blinders," presents a mixed bag of espionage intrigue and melodrama. The series, starring Elisabeth Moss as MI6 agent Imogen Salter, delves into the shadowy world of international spies with a strong initial concept that occasionally gets bogged down by excessive emotional weight and melodramatic elements.

Elisabeth Moss, known for her intense and complex performances, delivers another strong portrayal as Imogen. Her character's adeptness at adopting various identities and unearthing secrets is compelling, particularly in the dynamic exchanges with Yumna Marwan's Adilah, a woman of mysterious motives. The chemistry between Moss and Marwan is one of the show's highlights, bringing depth to their complex relationship as they navigate a deadly game of truth and lies from Istanbul to Paris.

Supporting performances by Josh Charles and Dali Benssalah add layers to the international spy network, with Charles playing the brash American agent Max, whose interactions with the more reserved French agent Malik (Benssalah) provide unexpected moments of humor amidst the tension.

Despite these strengths, "The Veil" struggles under the weight of its own ambitions. While Knight's writing excels in creating a rich dialogue and intriguing plot twists, the series often veers into overwrought territory, detracting from the tight, suspenseful narrative that the genre demands. The heavy backstories and psychological trauma experienced by the characters, particularly Imogen, sometimes feel overplayed, risking the loss of the show's core espionage appeal.

In summary, "The Veil" is a visually captivating and well-acted series that will appeal to fans of spy thrillers, especially those who appreciate Moss's nuanced performances. However, it occasionally falters under the strain of its melodramatic elements, making it a series that, while engaging, could benefit from a more streamlined approach to its storytelling.

By focusing on its strengths-smart dialogue, strong performances, and intricate spy games-"The Veil" manages to entertain, even if it doesn't always hit the high notes it aspires to achieve.

A lot of money went into producing this series. Great locations and scenery, decent plot, good supporting cast. What's wrong you ask? It's Elisabeth Moss trying to play a seductive, athletic, super spy. She is not capable. Her action scenes: ridiculous. Her emotions: phony. Her seductiveness: zero. Her acting: forced. She just isn't cut out for a role like this and I think she knows it. At times, she actually appears embarrassed by herself. There's a scene in episode 3 where she's following her suspected terrorist onto a plane. Her facial expressions look like someone whose feet are on fire. There's a second scene where she has to lie her way out of a situation which, of course, she does. The problem is, no one in the world would have believed what she said and how she said it. It was bad script, poorly adapted. In conclusion, if you thought George Lazenby was the worst 007, try watching The Veil for comparison. He won't seem so bad. I still enjoyed watching but cringed whenever she was on camera. Watching her is painful.

So much promise, so little delivered. It goes from difficult to follow to incomprehensible. If you are following it, then prepare to be disappointed because nothing much gets resolved. So you'll be left wishing for a slightly more conventional conclusion instead of one that makes you wish you hadn't spent 6 episodes getting to the messy end. It's ok not to resolve every thread and to not neatly wrap things up but we are after a story and entertainment so when you leave dissatisfied the work has failed. I don't want another season despite the fact that the main character was a good one. Complex and competent. That wasn't enough.

I'll start by saying I think the majority of actors did the best with what they had, especially the guy who played the American CIA agent. His delivery was pretty good.

Elizabeth Moss was miscast though. The accent. Stupid almost manic grins and cheesy one liners and quips just felt cringe and awkward.

The story is just unbelievable and pointless. The 'terrorist plot' is brain dead and I struggle to believe they needed to get the 'Djinn' to devise it. It's not clever, complicated or intelligent.

The twist is not a twist thanks to the worst foreshadowing ever. The story just plays out by numbers.

The CIA and French intelligence being fooled not once but twice with a switch was ridiculous. Absolutely unbelievable. It really ruined the story... Although I don't think omitting those parts would have saved it either.

Also it dragged out for its 6 episodes. Could have been done in 4. The last episode is basically done at the halfway mark.

Direction was actually good. Locations and filming good. Acting mostly good (except for Moss) but man... The story is just rubbish. It's like it was generated by an AI.