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IMDbPro

Guerra contra las drogas

Título original: The House I Live In
  • 2012
  • Not Rated
  • 1h 38min
PUNTUACIÓN EN IMDb
7,9/10
5,4 mil
TU PUNTUACIÓN
Guerra contra las drogas (2012)
An investigative look at America's war on drugs and its impact on the criminal justice system, with a focus on the experiences of Nannie Jeter, a former employee of filmmaker Eugene Jarecki's family.
Reproducir trailer2:19
3 vídeos
11 imágenes
¿CrimenDelitos relacionados con drogasDocumental

Añade un argumento en tu idiomaFrom the dealer to the narcotics officer, the inmate to the federal judge, a penetrating look inside America's criminal justice system, revealing the profound human rights implications of U.... Leer todoFrom the dealer to the narcotics officer, the inmate to the federal judge, a penetrating look inside America's criminal justice system, revealing the profound human rights implications of U.S. drug policy.From the dealer to the narcotics officer, the inmate to the federal judge, a penetrating look inside America's criminal justice system, revealing the profound human rights implications of U.S. drug policy.

  • Dirección
    • Eugene Jarecki
  • Guión
    • Eugene Jarecki
    • Christopher St. John
  • Reparto principal
    • Eugene Jarecki
    • David Simon
    • Shanequa Benitez
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,9/10
    5,4 mil
    TU PUNTUACIÓN
    • Dirección
      • Eugene Jarecki
    • Guión
      • Eugene Jarecki
      • Christopher St. John
    • Reparto principal
      • Eugene Jarecki
      • David Simon
      • Shanequa Benitez
    • 30Reseñas de usuarios
    • 48Reseñas de críticos
    • 77Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 4 premios y 3 nominaciones en total

    Vídeos3

    Theatrical Version
    Trailer 2:19
    Theatrical Version
    The House I Live In
    Trailer 1:25
    The House I Live In
    The House I Live In
    Trailer 1:25
    The House I Live In
    The House I Live In
    Promo 2:18
    The House I Live In

    Imágenes10

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    Reparto principal61

    Editar
    Eugene Jarecki
    Eugene Jarecki
    • Self - Narrator…
    David Simon
    David Simon
    • Self - Creator, The Wire
    Shanequa Benitez
    • Self
    William Julius Wilson
    • Self - Harvard University
    • (as Prof. William Julius Wilson)
    Glendon Goldsboro
    • Self - Providence Police
    • (as Lt. Glendon Goldsboro)
    Fabio Zuena
    • Self - Providence Narcotics
    David Kennedy
    • Self - John Jay College of Criminal Justice
    Michael Correia
    • Self - Commanding Officer, Narcotics
    • (as Lt. Michael Correia)
    Charles Bowden
    Charles Bowden
    • Self - Investigative Reporter
    Gabor Maté
    Gabor Maté
    • Self - Physician, Addiction Expert
    • (as Dr. Gabor Maté)
    Mark W. Bennett
    • Self - U.S. Federal Judge
    • (as Hon. Mark Bennett)
    Maurice Haltiwanger
    • Self - ID# 03678-029
    Jim K. McGough
    • Self - Maurice's Lawyer
    • (as Jim McGough)
    Eric Franklin
    • Self - Lexington Corrections Center
    • (as Warden Eric Franklin)
    Mike Carpenter
    • Self - Chief of Security, Lexington Corrections
    Michelle Alexander
    Michelle Alexander
    • Self - Author, The New Jim Crow
    Charles Ogletree
    Charles Ogletree
    • Self - Harvard University
    • (as Prof. Charles J. Ogletree)
    Anthony Johnson
    • Self - ID# 06263-082
    • Dirección
      • Eugene Jarecki
    • Guión
      • Eugene Jarecki
      • Christopher St. John
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios30

    7,95.4K
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    Reseñas destacadas

    10zippyflynn2

    "Free" Enterprise at It's Finest

    What's really fueling this law and order hysteria and the draconian prison sentences for relatively minor, innocuous and even non-existent "crimes" is the extraordinarily profitable Prison for Profit system. What's interesting and extremely frightening is most Americans are oblivious to it. Combine this with a large number of the public being largely uneducated and on a continual sadistic hunt for scapegoats, those who profiteer on the modern day slave trade have a willing public as unwitting accomplices.

    It's interesting the director, Eugene Jarecki, also did "Why We Fight", one of the best documentaries to expose the crimes being committed by the blood money Military Industrial Complex. The public is also largely oblivious to that evil profiteering monster and also happily supports it to the point it thinks murdering and dying for it is a good thing. Jarecki makes some of the most important and enlightening documentaries of today. It's an alarming shame and tragedy that the predominately ignorant and not very mentally healthy general public aren't watching them, let alone able to comprehend how it hurts everyone except the bank accounts of sociopathic "business" men and women.

    Perhaps the common denominator is the same fuel that's driving half of the present day voters in the Presidential election: hatred and the eternal search for scapegoats. It would make an excellent documentary to tie these core driving forces together, a task I think Mr. Jarecki is capable of doing well. It probably won't make much of an impact beyond preaching to the choir but then again none of his other fine offerings have fared much better and those are still greatly appreciated by thoughtful and humane audiences.
    10kmartin108

    The House I Live In

    This is a compelling documentary. Please see it. The drug war that results in mass incarceration is probably the most critical emerging issue of our time. If you care about humanity, and if you care about the economics of our country, then go see this film.

    The filmmakers seamlessly describe the complexities that underly the drug war and mass incarceration. Then they show the devastating unintended consequences of this misguided policy approach. Finally, they raise important questions that will help to craft a new way forward.

    I am going to do my part to get as many people that I can to see this film. I'm posting it on Facebook, I'm writing reviews, and I'm telling people about it in my capacity as a trainer in child welfare.

    The filmmakers deserve a huge thank you for calling out the ugly truth of the drug war in a way that we can understand it, and do something about it.
    10winston9109

    The Slow-Motion Holocaust

    If you've been a student of most public schools you've learned about slavery.

    There's a lyric I remember that says "I hate it when they tell us how far we came to be - as if our peoples' history started with slavery." Well, the history of subjugating minorities has not ENDED with slavery either, and retrospective condemnation of racism serves the purpose to perpetuate the racism embedded and invested in our country today.

    The most important mistake is to confuse failure with success in regards to the apparent shortcomings of our establishment. I again use the example of public schools because the recent documentary "Waiting for Superman" did a fantastic job in addressing the "failures" of schools to educate children. It takes a book like James Lowen's Lies My Teacher Told Me to recognize the grand success of our school's indoctrination process: to teach obedience, not intelligence. It takes a documentary like The House I Live In to vocalize the airtight success of our administration in conducting the 41 years' drug war.

    Logic should compute. If more money has been spent (a trillion dollars since the '70s,) the prison population has skyrocketed (2.4 million people incarcerated) and no progress has been made in keeping drugs off the streets, (similarly with our schools, with reform after reform we continue to perform beneath the feet of most industrialized countries,) you have to start looking at things a little differently. It is hard to see the exit of the maze when walking within its walls. This documentary helps to see things from the outside.

    This film brings to light a lot of revealing facts that have been swept under the rug, like how opium wasn't an issue until Chinese started climbing the success latter in San Francisco, or how the police in border states can directly siphon the money from drug busts to reward their outfit. Mostly, it encourages a comparison between the way minorities have been apprehended with drug abuse and the apprehension of whites (who hold equal if not higher drug abuse statistics but make up a minority of the prison population.) And it encourages comparison between past, mass scale subjugation (often with eventual extermination) and, to quote the film, the slow-motion holocaust happening in our own country.

    It recognizes the drug epidemic as an economic issue and a medical issue, not a racial issue. It recognizes the drug WAR as the glaring rash of vibrant racism, and the brutal front of a class war in a society where profits come first, human beings second. More to this point, it eludes to the country's prime motivation, net gain and increased GDP, and the plethora of companies from Sprint Mobile to GM to privatized prisons such as CCA, all of whom depend on the drug war to maintain stock value.

    To quote ousted investigative journalist and ex-LAPD narcotics officer Michael Ruppert, "A snake eating its own tail is not nutritious."

    Though it is outside the periphery of the film's focus and beyond the pale even for a documentary of this substance, the issue of international drug trafficking, and facilitation it has received, at times, from both the financial sector and intelligence agency of our country, was never brought to light in this film. Despite whether this topic is to be written off as conspiracy theory or submitted for further analysis, a film that introduces our economy's dependence on drug dependence and the targeting of minorities in an everlasting drug war, has a duty to at least address the controversy. I suggest raising the question on discussion boards and at Q&As, as my screening was lucky enough to have.

    We live in a country that is infested with racism, now as much as any other time. Our economy depends on it, and the drug war has fertilized it. It is time to end it.
    8imdb-480-136149

    Well-crafted advocacy piece with a few distracting flaws.

    The House I Live In is a very informative work of advocacy that's only thinly masquerading as a documentary. It's a more reformed, nuanced version of a Michael Moore piece that has a clear point of advocacy aimed squarely at whatever practical center still exists. It doesn't hit you over the head with a message or misleading facts but squarely lets you arrive at the conclusion that the drug war has failed.

    It's not an anti-corporate rant with a clear villain to rally against. I left thinking that there was enough material and story there to easily fill a mini-series or a Ken Burns style documentary without getting preachy or creating fatigue.

    It has enlightening and entertaining moments, but there are many flaws in the storytelling. Many characters are introduced, many of which with too much or not enough background, and seem to float around their promised purpose without really landing at a point or purpose. (Given the ending theme of the work, perhaps this is intentional.)

    David Simon's incredibly powerful monologues bring a saving grace to moments in the film that tend to struggle, especially moments where the director awkwardly inserts himself into the film.

    Unlike a lot of similar works, you could probably take your Republican parents to see it without the evening being automatically ruined.

    Unlike almost every other advocacy piece I've seen, it achieves its goal of starting a conversation, rather than ending one.
    8peacecreep

    Our deadening country.

    Eugene Jarecki's frightening and important film is a thorough investigation of the prison industrial complex and the "war on drugs" i.e. the war on poor people. It's a fair and balanced look at how it subsidizes thousands of jobs and locks up millions of innocent people. Unfortunately he misses a key argument against this war: adults should have the right to sovereignty over their consciousness. Drugs are slightly demonized throughout- the fact that the drugs themselves are inherently good- its people with no self control that give them a bad name- is never explored. Regardless, this is a fascinating look into a sick society in a dead and deadening country. Recommended.

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    Argumento

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    • Citas

      Herself - Author, The New Jim Crow: You know, in any war, you've got to have an enemy, and when you think about impact, particularly on poor people of color, there are more African-Americans under correctional control today in prison or jail, on probation or parole, than were enslaved in 1850, a decade before the Civil War began. And that's something we haven't been willing to look in the mirror and ask ourselves, "what's really going on?"

    • Conexiones
      Edited into Independent Lens: The House I Live In (2013)
    • Banda sonora
      Grandma's Hands
      Written by Bill Withers

      Published by Songs of Universal, Inc. on behalf of Interior Music Corp.

      Performed by Bill Withers

      Courtesy of Columbia Records

      By arrangement with Sony Music Licensing

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    Preguntas frecuentes

    • How long is The House I Live In?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 5 de octubre de 2012 (Estados Unidos)
    • Países de origen
      • Países Bajos
      • Reino Unido
      • Alemania
      • Japón
      • Australia
      • Estados Unidos
    • Sitios oficiales
      • BBC (United Kingdom)
      • ITVS (United States)
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • The House I Live In
    • Localizaciones del rodaje
      • New Haven, Connecticut, Estados Unidos(Interview)
    • Empresas productoras
      • Al Jazeera Documentary Channel
      • British Broadcasting Corporation (BBC)
      • Charlotte Street Films
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 210.752 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 16.453 US$
      • 7 oct 2012
    • Recaudación en todo el mundo
      • 219.159 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 38 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Stereo
    • Relación de aspecto
      • 1.78 : 1

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