V/H/S

What we have in V/H/S are a bunch of prolonged horror moments that in usual cases would be the climax to any average horror movie. The movie manages to throw 5 of these 'money shots' at the viewer without the need to tell any real story, build any of the characters or introduce their personality's to the audience. Whether this is a stroke of genius originality or just laziness is the question. You'd be forgiven for thinking that V/H/S is the result a brain storming session where five writers pitched five stories, with one 'Eureka' moment of making a movie of the ending of all five. What they seemingly failed to spend any real time on though was the glue to bind the five stories together. It is completely irrelevant, in fact I would go as far as to say the movie would be better without it, a "Here are five tapes that were found, now watch them" instead. I have to say I am a fan of 'found footage movies'. To me they achieve the desired effect and can, at times, create some truly chilling moments. This movie does have it's moments but after a while it all gets too much, the 'found footage' angle is somehow lost with the constant change of story. You are never really allowed to reach the same level of suspense as with other films in this genre. 6/10. It passed the time but I eventually found myself wanting it to end and asking myself "How many stories to go?"

VHS is bad... plain and simple. Where is the plot? Where is the story? Where is anything? In VHS you just watch four different VHS tapes, while you're supposed to watch the main "found-footage" tape...confusing? Yeah, but that's it... VHS doesn't have any plot, any back-story, closer, nothing... I was very disappointed, because I have read some good reviews about it. It was boring, and, with the exception of the first tape, it was not at all entertaining... If you want to watch a good movie, VHS isn't your choice. You'll only see a random selection of stories that seem to drag for 2 hours...awful. I recommend you avoid this one, unless you're a fan of "found-footage" material movies, and even so...

I just finished watching V/H/S, and it did surprise me.

The movie tells a story about a bunch of guys, going into a creepy house, looking for a special VHS. In the meantime, the movie shows you a couple of independent, short stories, recorded with a handy cam. If movies like Paranormal Activity, REC, etc. are really scary to you, then VHS will really scare you. Otherwise, don't watch it... Don't get me wrong, some of the short stories were a bit frightening, but personally I don't like movies that are filmed like this. Also, some of the characters were VERY annoying. At a certain point, I really wanted some of them to die, because of the bad acting.

So like I said, if you liked REC and PA, you are going to love this one. It was enjoyable, but I certainly will not watch this a second time.

6/10.

I'm a big fan of anthology horror movies, and horror in general and I'm willing to accept found footage movies if they're done well enough. That being said this is not done well at all. They use every found footage cliché except night vision. Constant "glitch cuts", people carrying the camera around while in danger for no reason, disoriented confusing action sequences. The found footage aspects are the main weakness in this movie, but I'll put that aside for now and review this movie on its other aspects.

First of all every character in this movie is terrible. They're either perverted frat boy assholes or completely void of personality. They're not the kind of characters you can't wait to be killed, they're the kind of characters you can't wait to stop listening to. I know there's no time to really flesh out any characters in an anthology, but you can at least give them a personality, these guys are just boring, boring, boring.

The plot of most of these shorts are only possible through monumentally stupid decisions from the characters. They never call the call the cops, are constantly tripping while running away (maybe if you dropped the camera...), and the overarching plot characters are the stupidest of them all.

There's no bow-tie at the end connecting all these stories, and therefore no need for the very bland overarching story itself. However in a few of the tapes the mystery is strong enough to keep you interested and some of the tension is pretty thrilling, although it never really pays off.

I would be more forgiving of the cliché story and characters if it was easier to watch, and I'd be more forgiving of the found footage faux-pas if it had better stories. But this is the worst of both worlds, I would give this a 4/10 but I'm bumping it up 1 for the tits.

The horror anthology has a chequered history, some are bad but saved by one great segment, others boast a couple of genuine creepers but are undone by one instalment so bad it tarnishes the film forever. And on it goes. V/H/S brings the format into the new age by unfolding its tales by wrapping around the latest craze of found footage.

Six indie directors have produced a picture that was well received at Sundance but has proved to be most divisive with critics and horror fans on internet forums. This will come as no surprise to anyone who knows their horror anthology onions. The usual problems are evident here, a couple of great stories are surrounded by mediocre ones, but at least there is something for everyone, with most bases covered, but that in itself is a problem, all horror fans have preferences, it's a big ask to expect a fan of stalk and slash to love a story about a winged harpy!

Then there is the issue of the found footage format, here recorded on actual VHS. Not everyone is a fan (myself for instance), and much of V/H/S is dizzying and often hard to follow, especially as regards the Tape 56/frame narrative story that cloaks the other five stories as a bunch of no-mark young crims burgle a grotty house and sift through the tapes. It's a format loved by many for its supposed realism factors, I don't get that myself, but for those people this really is up their trees!

Amateur Night (David Bruckner) and The Sick Thing That Happened to Emily When She Was Younger (Joe Swanberg) are the standouts. The former is a cautionary tale of frat boys out for sex who get more than they bargained for when they take home the mysterious Lily, the latter an eerie tale unfolded via Skype communication as Emily appears to be a victim of a haunting whilst chatting to her doctor boyfriend.

However, if you ask another fan of the film what stories they feel standout, you may just get two different answers. So as with any other anthology horror, you roll the dice and take your chance, just don't expect genius in every story, for that is purely folly of expectation. 7/10