Azul y no tan rosa

The director managed to use the camera to capture a true picture of the current venezuelan society discrimination to minorities, not exclusively sexual.

Being a movie that depicts the medium class in the venezuelan country, also imprints the idiosyncratic attitude: excess, lack of responsibility, the need for a better future and the absence of opportunities in the country, the violence and the impotence against the injustice, the love and the prejudice, the blood ties that grows stronger no matter the distances.

It's a film that has both a marvelous artistic touch and a protest underlying in the plot, that thickens as unravel while the movie goes on. By the end of the film, you'll find yourself attached to the characters stories: feeling them as your friends, suffering their tragedy and rejoicing in their destiny.

Elegant, made with care to the detail and inspiring.

I'm not very fan of Venezuelan movies, basically because most of them are about the same people and have the same plot: Crime in Caracas' poor zones(barrios).

This one, is one of the few jewels of Venezuelan cinema that shows another face of the life in this country. Miguel Ferrari takes a risk in writing and directing a movie about gay love (as his first movie) in a country which is divided in its opinions about the whole "gay" subject and which is pretty more traditionalist and conservative than other Latin countries, like Mexico or Argentina, where they actually debate the topic of gay marriage. Venezuela is pretty years away from having a serious discussion of the "gay rights" topic on a governmental level. At street level it's the same: Hate crimes against gay or transsexual people are quite common and other types of discriminations are always present in every level of life. Miguel Ferrari writes and directs a story about just that subject: Gay love, discrimination and hate crimes, even knowing that it would shorten its public, but he does it in such a way that achieves to get the topic in everybody's mouth.

The art direction is great. So is the music score. As soon a the very first scene hits the screen you realize you are about to see quality material where the sound, music and photography is taken care of. The characters are well drawed and believable in every possible way. The tone of the movie is very challenging for viewers used to fast-action films, but the director achieves in creating slow moments that can get to your heart and avoids the "boring effect" that slowly-pased movies tend to cause.

The secondary topics of the movie (Transgender, domestic violence, anorexic people and people not pleased with their bodies) are also well portrayed with humor, drama and a message to the audience. But as one chartacter of the movie points out by saying "I'm going to talk about diversity" This movie is actually about diversity, and the different types of love one feels in one's life: The love to your friends, the love to the family, romantic love, love for your job and the love to yourself.

Bravo. Meaningful, heartwarming, real, hopeful, perseverance and full of love. We need more of such nurturing stories to embrace what true humanity is all about. Enough said. Gracias!

PS: Death to Putin death to bullies!

Spoiler: It made me cry (in a good way). A lovely movie with an important message about love and acceptance.

It was well acted and some of the scenery was spectacular.

This was quite a good film.

Some very nice writing, acting, and filming. There are some violent, disturbing scenes in the film, but they are integral to the story. Some parts are sad, some are very funny, and others are very touching.

The characters, and their relationships to one another are very well developed through the story, and quite well acted. Nothing boring or slow about this film.

It's a touching story about identity, diversity and acceptance. There are some very touching scenes and the movie comes together beautifully.

This is a serious film, with serious themes. I don't think the title does it justice.