Steve Jobs nos lleva entre bastidores de la revolución digital, trazando un retrato del hombre que está en su epicentro. La historia se desarrolla con tres lanzamientos de productos emblemát... Leer todoSteve Jobs nos lleva entre bastidores de la revolución digital, trazando un retrato del hombre que está en su epicentro. La historia se desarrolla con tres lanzamientos de productos emblemáticos, que terminan con la presentación del iMac.Steve Jobs nos lleva entre bastidores de la revolución digital, trazando un retrato del hombre que está en su epicentro. La historia se desarrolla con tres lanzamientos de productos emblemáticos, que terminan con la presentación del iMac.
- Dirección
- Guión
- Reparto principal
- Nominado para 2 premios Óscar
- 28 premios y 117 nominaciones en total
- Jandali
- (as Mihran Shlougian)
Reseñas destacadas
The film zeroes in on some specific snapshots of Jobs's career, all centred around his famously theatrical product launches. During the course of three acts we see the preparations leading up to his launch of the original Mackintosh, his Next educational 'cube' and the gloriously different iMac.
As these acts span 14 years, we see the ongoing battle between Jobs and the flaky mother of his daughter (Katherine Waterston). We also see the often despicable way in which he treats his staff, including disparaging his closest colleague and co-founder Steve Wozniak (Seth Rogen). In fact the only person he shows much respect for – at least for a while – is his boss and CEO John Sculley (Jeff Daniels).
During these exchanges, it is difficult to find Jobs remotely likable. He is portrayed – probably very accurately – as a man with fixated views, unable and unwilling to bend at all. In this capacity Fassbender turns in a predictably classy performance.
Trying to pour oil on continually troubled waters is Jobs's PA Joanna Hoffman (Kate Winslet), looking less like Kate Winslet than she has for a while. Winslet is the best thing in the film.
The script is by "West Wing" writer Aaron Sorkin, and it is extremely dense: I pity the poor couriers who had to deliver the screenplay to Fassbender and Winslet, and can only imagine the look on their faces when they realised they had to learn it all! And it is the script that is frustrating. I found the historical aspects of the roller-coaster ride of Jobs's career, supported by some great inserts of historical snippets by Arthur C Clarke and Bill Gates, fascinating. But the continual refocusing on the relationship with the daughter (Lisa) I found less compelling. And some of the right-angles taken by the dialogue strain credibility: when Sculley suddenly branches off into deep psychological counselling with Jobs on his childhood, minutes before a major presentation, it just doesn't ring true.
Above all, it was extremely frustrating that the story took you to the point in each act of an announcer saying "And now let's welcome to the stage STEVE JOBS " and then the action cut away to the next scene. You never got to see Fassbender let rip at channelling the famous Jobs charisma to his assembly of baying geek disciples.
While there are occasional snatches of Danny Boyle's usual flair, it views as a fairly atypical Boyle film: just getting all the dialogue in leaves little time for much stylised delivery.
So in summary its a workmanlike film but, for me, unfortunately one of the disappointments of the film year to date.
(Please visit bob-the-movie-man.com for the graphical version of this review. Thanks.)
On the film's highlights - Fassbender leaps off the screen in the first two minutes and never lets go. He looks nothing like Jobs himself did but he perfectly captures the frustrating ego that everyone loathed and matches it with high spirit and a bit of humour. His condescension is so real that we snarl at it. Winslett also makes her mark very early on, nailing an accent and vanishing into the part of Johanna. Her chemistry with Fassbender is palpable. Seth Rogen crushes the role of Steve Wozniak, a casting choice I've been thrilled about since 2014, nailing the low self-esteem and nervous ticks of the nerdy genius. Watching Rogen perform we can see his anger but also the slight plea for their friendship to endure. We all know that one friend who feels like they're doing us a favour by being friends with us, and watching Fassbender and Rogen banter back and forth we can see it in real time. Jeff Daniels rounds out the four-person highlight as Apple's CEO, and truly stands out as a great supporting player.
Probably the most talked about feature of Steve Jobs is the three-act narrative filmed in different styles. Its been reported on a million times and all I'll say is I loved it. The transition between the three events are also clever, montages of real media reports and pictures. There's even a very cleverly used Simpsons gag that helps inform the audience. I also loved the playful score and the cinematography that emulates the walk and talk of the West Wing.
The screenplay is Steve Jobs' greatest aider and abetter. The film's best scenes are written masterpieces - two fights between Jobs and Wozniak in particular take your breath away, a harsh comment where Jobs cuts down his 5 year old girl's beliefs are harsh, the recurring references to Jobs' adoption are clever and the two Andys joke is a nice funny recurring gag. However, Sorkin's screenplay at times feels like a textbook, and with so many words floating around its easy to lose track of what's happening. Some of the lines of dialogue are so pretentious its easy to get taken out of the film. It's also annoying to see Sorkin recycle his classic Sorkinisms "Don't talk to me like I'm other people" and "well one day you'll have to tell us how you did it". When you've seen them a couple of times, they lost impact right where they're needed most. Sadly, Sorkin starts to get too smart for his own good.
I didn't care much for the story arc Jobs went on. He is vehemently opposed to being Lisa's father and hurts the little girl by saying the computer was not named after her. Then all of a sudden he's a caring father and the girl's mother (played wonderfully by Katharine Waterston) is portrayed as the film's villain. In the final act, Jobs has a very clunky reconciliation on the rooftop and says things that simply don't fit right with the story.
There's a lot of talent involved in this movie that I really wanted to love. Fassbender and his co-stars all do exceptional work and Sorkin delivers a number of wonderful scenes, but at the end of the day I can't help but walk away feeling like Jeff Daniels' character, mourning for the things that could've been achieved.
Yet I can also see why it was not so commercially successful. It's weird format of taking place before three computer unveilings and the film essentially consisting of conversations with limited action between them. It is by no means a biography of the man's entire life but it does paint a portrait which, like any picture, only reveals some aspects of the person.
The film has a great cast who give solid performances. Michael Fassbender creates a character whose tyrannical and devilish behaviour you want to keep watching while longing for a glimpse of the human side.
Overall Steve Jobs is a very watchable and engaging film, provided you are already into end of the year Oscar bait drama films.
Round-Up: Although Fassbender didn't look anything like Steve Jobs, over the 14 year period that the movie portrays, he still brought enormous intensity to the character, who seemed quite scary to be around. The music throughout the movie, suited the mood that was set by the director, Danny Boyle, 59 but I didn't quite understand why the whole film is based backstage, before Jobs is going to release a new computer. You can tell that Boyle has taken the events from a book, because it seemed more like a play than a movie. What's quite fascinating about the film, is that it proves that Jobs actually wasn't the engineer behind the many devices that was released under the Apple name but it was his unique vision and determination to get what he wanted, which has proved to be EXTREMELY successful. I was hoping to get more from the movie but I personally think that I need to watch the many documentaries to find out more about the mind behind the Apple brand.
Budget: $30million Worldwide Gross: $35million
I recommend this movie to people who are into their biography/dramas starring Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels, Michael Stuhlbarg and Katherine Waterston. 6/10
*** (out of 4)
Excellent performances highlight this wonderfully written and masterfully directed bio of Steve Jobs (Michael Fassbender), a genius who changed the world even though he was unable to see what damage he was doing to those closest to him.
Danny Boyle's direction is spot-on in regards to being able to bring Aaron Sorkin's words to life. As I said, on a technical level the film is a marvel and you're also going to witness one of the greatest performances of the year but at the same time there was just something that didn't sit right. I'm honestly not sure what it was but there was something here that prevented the movie from being what I'd consider great.
I really loved Sorkin's screenplay and especially the dialogue. There's a lot of "intelligent" stuff being talked about and I liked the fact that they really didn't dumb anything down or try to make the film appeal to more mainstream crowds. I really thought the film broke down into four thirty-minute short films with each of them based around a various launch. Each launch also deals with the same thing and that's to show that Jobs really wasn't a very likable guy. Whether it was not being a good father or not being good to the mother of his child, the film doesn't hold back any punches. In fact, STEVE JOBS main goal appears to show how flawed the man was.
The greatest thing about the film is without question the performance from Fassbender. This role was rumored to be with many different actors but Fassbender certainly makes it his own and there's not a single second where you're seeing an actor doing a performance. Even though he doesn't look like Jobs the actor certainly becomes the character and makes you believe everything you're seeing. Kate Winslet is also wonderful in her head-to-head battles with Jobs and I thought her and Fassbender were excellent playing off one another. Seth Rogan and Jeff Daniels are both good in their supporting roles as well.
The film has a terrific, fast-paced style that director Boyle perfectly nails and I thought his directing skills were perfect for the screenplay. As I said, there's a lot of great stuff in this movie but it still fell a bit short of actually being a great movie.
Danny Boyle's Movies Ranked by IMDb Rating
Danny Boyle's Movies Ranked by IMDb Rating
¿Sabías que...?
- CuriosidadesThe three sequences in the film were filmed on 16mm, 35mm, and digital to illustrate the advancement in Apple's technology across the sixteen years of Jobs' life depicted.
- PifiasIn the first act, Steve Jobs talks about the issue of Time Magazine naming "The Computer" as Person of the Year, instead of him and the Macintosh. Despite the scene taking place on Jan 24th, 1984, that issue came out in December of 1982 and the Time's Person of the Year from 1983 was Ronald Reagan and Yuri Andropov.
- Citas
Andy Hertzfeld: We're not a pit crew at Daytona. This can't be fixed in seconds.
Steve Jobs: You didn't have seconds, you had three weeks. The universe was created in a third of that time.
Andy Hertzfeld: Well, someday you'll have to tell us how you did it.
- Créditos adicionalesThe film's title is never shown in the opening or closing credits.
- Banda sonoraTimes They Are a-Changin'
Written by Bob Dylan
Selecciones populares
- How long is Steve Jobs?Con tecnología de Alexa
- What is 'Steve Jobs' about?
- Is 'Steve Jobs' based on a book?
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- Cuộc Đời Steve Jobs
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 30.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 17.766.658 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 521.522 US$
- 11 oct 2015
- Recaudación en todo el mundo
- 34.441.873 US$
- Duración2 horas 2 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39:1