La ciudad de los guerreros

I went in to this with much hope after seeing the dark looking trailer with its ominous audio score.

It looked like it might be gritty and fast-paced much like The Raid, yet set in the legendary city of darkness that is Kowloon Walled City.

At first it seemed like I'd get what I was hoping for as the movie quickly introduces the main characters through a no-nonsense and brutal storyline that brings them together.

Then... It all just falls apart from there.

The Kowloon walled city set is amazing, yet overly bright and well lit for a place renowned for its darkness.

The fight scenes are well executed but poorly shot where you can rarely see moves clearly.

And, after this - it just gets absurd.

There are characters upon characters introduced, storyline after storyline, and every time I thought it was approaching a final fight, the film would introduce ANOTHER way to extend the story and ANOTHER reason there needed to be another fight.

But that's not the worst part, because only 30mins into the film it just starts to become absurd!

What could have been a straight-forward, no-holes barred, fast paced fight film with a simple story and an epic location, ends up being a long, overly complicated, fanciful, bore that has ridiculous moments and bizarre storyline additions that made me regret spending money to see it in the cinema.

This could have been an absolute classic had it been dark and simple, yet will quickly be forgotten as it's just not good, and utterly disappointing.

"Walled In" is adapted from a comic book, and it shows at times with its larger-than-life characters, setting, and seemingly superhuman feats during battle scenes. The Walled City of Kowloon was a real place, running with little government intervention, which adds an aura of mystique and allows for creative liberties.

Stuck in development hell since the 2000s, the studios saw huge potential in this film and bet big on it. They assembled some of Hong Kong's finest crew and production team, even creating a replica of the Walled City for shooting.

The action sequences are fine but not groundbreaking. There are too many quick cuts intended to show the hectic and intense nature of the fights, but this detracts from clarity, unlike the more appreciable choreography seen in "Ip Man."

Louis Koo and Raymond Lam, both veterans of the trade, successfully helm the film. Koo brings an enigmatic and benevolent image, while Lam offers an effortless everyman appeal. The supporting cast does their part well, with Philip Ng being particularly lauded for his rare villainous turn as the nearly unbeatable big bad.

The film seems to suffer from catering to too many characters and their different motivations, resulting in a predictable storyline. However, for kung fu fanatics like myself who enjoy the action as much as the Hong Kong brand of drama that comes with it, this is a long overdue and very welcome dose of ass-kicking goodness. Hopefully, it starts a new wave in the years to come.

Finally I can see silver lining in HK movie after all these ten years. This is what a signature movie of HK style should be like. I'm delighted to see a movie that is so "Hong Kong". Old plot is never outdated, it is about how to present in a modern way. The brotherhood of the gangsters were so touching. No MSGs, no grandstanding, no too much focus on the old movie stars - this is just what we, the audience, want.

The Kowloon Walled City is always a mysterious legend to me, I must give credits to the production team for building such a beautiful replica of the city. No matter you like the plot or not, I suggest everyone who like HK culture or miss the old HK to watch this in the theatre.

I didn't make it to Hong Kong til 1994 so this famous Kowloon walled city had already gone but it's legend hadn't. It was the equivalent of a large block of properties, within properties - a mass of alleys, corridors and tunnels in which the law was enforced in a very different way from the outside. This story starts with a battle that sees control pass from "Jim" to "Cyclone" (Louis Koo). There's now a truce of sorts that exists between the bosses and the outside world, but that's about to be thrown into turmoil by the arrival of "Lok" (Raymond Lam). He works hard to get an official ID card but is fleeced by "Mr. Big" (Sammo Hung) and escapes with a bag of his cocaine into the walled city. That's where he encounters it's ruler and his sidekick "Shin" (Terrence Lau) and where his willingness to work and his fortitude ingratiates him with the boss. On the outside, "Cyclone" has a business relationship with "Chau" (Richie Jen) who has really only one purpose left in life. That's to avenge the murder of his family by the now dead "Jim". The focus of his revenge is that man's own son - but nobody nows what happened to him. Well, swiftly you can add two and two and get "Lok". Loyalties are now tested, friendships challenged and forged whilst the fragile peace is soon in tatters. With battle lines drawn and ambitions clear, it's all out war and the action mounts up. This is a sold end-to-end martial arts film with plenty of nimble and lithe combat; acrobatics and bodies that must be made of skin-clad tungsten steel. It's got a little bit of mysticism and embodies human nature, whether benign or not, quite entertainingly and by not just throwing itself about, but by at least trying to create and develop the characters. The denouement takes it's time and does become a bit repetitive, but as a quickly paced drama it really does fly by for two hours. Honour amongst thieves - but always sleep with your back to the wall.

The sets look absolutely stunning and elaborate, very vivid and rich in detail and you can tell a lot of love and care and nostalgia went into the recreations of Kowloon Walled City. Also a lot of extras. And for sure a lot of money.

This is Jackie Chan on steroids. Kind of. I mean I can see it as the result of decades of evolution of martial arts movies and a deserving heir of that tradition. However I am not necessarily a fan of the genre and my experience with it is extremely limited. Still, the action scenes and the choreographies are excellent, creative and breathtaking even. With the caveat that of course in real life these people would be dead ten times over from the many blows and injuries they sustain. And they keep coming back for more, only to defeat the adversary at the very last minute, when all looked lost. Yes, it's a trope. I suppose fans love it, but it bothers me each time. It bothered me here a lot because the rest of it looked so gritty and raw that I expected some anchor to reality. But no. It only amplifies as the movie unfolds. Up to large old men fighting as if they were in their prime and the absolute offender - spirit power. Yes, that's right. They incorporated some fantasy martial arts/cultivation movies motifs - the most annoying and evil guy in the whole movie, who also sports a mullet and lets out a hysterical laugh way too often, possesses spirit power, meaning that nothing blunt can penetrate his skin. Could be a trick to keep him alive for as long as possible to give the good guys something to do, but was it really necessary? Couldn't they just make him very, very good and very lucky?

The poster could have been sexier. Those four last standing deserved that. Maybe they banked on the star power of the veterans. Again, I am not the target audience for this.