PUNTUACIÓN EN IMDb
6,4/10
47 mil
TU PUNTUACIÓN
En medio de una crisis Megan entra en pánico cuando su novio le propone matrimonio, luego, aprovechando la oportunidad para escapar durante una semana, se esconde en la casa de su nueva amig... Leer todoEn medio de una crisis Megan entra en pánico cuando su novio le propone matrimonio, luego, aprovechando la oportunidad para escapar durante una semana, se esconde en la casa de su nueva amiga, Annika, de 16 años, que vive con su mundo.En medio de una crisis Megan entra en pánico cuando su novio le propone matrimonio, luego, aprovechando la oportunidad para escapar durante una semana, se esconde en la casa de su nueva amiga, Annika, de 16 años, que vive con su mundo.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 1 nominación en total
Sara Lynne Wright
- Teen Allison
- (as Sarah Lynne-Wright)
Reseñas destacadas
A quirky, charming study of arrested development that suffers from the very syndrome it's exploring.
Just what does it mean to really 'grow up'? As kids, many of us no doubt assumed that maturity and independence would naturally follow once we hit a certain age. But, as most of us have since discovered, that isn't necessarily true: people can easily be adults in age but children in attitude. Laggies, an affable film with quirky indie sensibilities and a great cast, explores these issues with quite a lot of charm and genuine humour, although its odd plotting fails to live up to its characters in the end.
Megan (Keira Knightley) is stuck. Ten years after graduating from high school, her friends have all moved on with their lives and accumulated the accoutrements of adulthood: jobs, husbands, babies. Only Megan remains stalled in permanent adolescence, temping for her dad and living with her doting high-school boyfriend Anthony (Mark Webber). When Anthony's proposal of marriage forces her to contemplate leaving her commitment-free comfort zone, Megan takes refuge in the home of Annika (Chloe Moretz), a high-school girl who begs Megan for help in buying alcohol. In the course of a week, Megan discovers that there's more to life than idling in first gear, and draws closer to Annika and her dad, lawyer Craig (Sam Rockwell).
There's actually quite a lot to enjoy in Laggies, even if its ending is a foregone conclusion. Andrea Seigel's screenplay is sharp and smart, developing her characters into something more than stereotypes. There's a gentle, deep undertow of understanding in Megan's budding friendship with Annika - one which brings them both to a bittersweet meeting with Bethany (Gretchen Mol), the mom who abandoned Annika for a new career as a lingerie model. As played tenderly by Knightley and Rockwell, the way in which Megan is drawn towards Craig also makes sense, even if their connection feels a little forced.
The performances are also top-notch. Knightley delivers one of her most fascinating creations yet: a woman who has drifted through rather than lived her life for years, not daring to sever ties to her past but afraid to forge into the future. Her Megan is spiky and sweet, appealing even when the character's flaws threaten to overwhelm. Rockwell's part is a bit undercooked, but he's such a great actor that he lends Craig's attraction to Megan all the credibility denied it by the script. Moretz, too, is great as always, slipping into the troubled skin of Annika and creating another lost girl with plenty of spunk.
Where Laggies falters is in its final act. The last third of the film has a few great moments, including a heartrending encounter between Megan and Anthony that shouldn't work as well as it does. But it also degenerates steadily into cliché, abandoning much of its offbeat humour and complex characters for twists both odd (Megan's reaction to a car accident begs the question: is that really how a grown-up should respond to the situation?) and predictable (Megan's epiphany is a textbook rom-com moment).
In effect, Laggies stops growing, just as Megan did for ten years of her life. At the end, it provides easy answers for its characters after spending most of its running time suggesting that there are no such things: that the real world is complicated and people aren't perfect, that growing up takes effort and doesn't happen by default. This doesn't mean that the film isn't watchable - it very much is, and will reward viewers with some truly lovely moments of wry humour and quirky characterisation along the way. But its undeniable charm is also what makes Laggies' ending all the more disappointing.
Megan (Keira Knightley) is stuck. Ten years after graduating from high school, her friends have all moved on with their lives and accumulated the accoutrements of adulthood: jobs, husbands, babies. Only Megan remains stalled in permanent adolescence, temping for her dad and living with her doting high-school boyfriend Anthony (Mark Webber). When Anthony's proposal of marriage forces her to contemplate leaving her commitment-free comfort zone, Megan takes refuge in the home of Annika (Chloe Moretz), a high-school girl who begs Megan for help in buying alcohol. In the course of a week, Megan discovers that there's more to life than idling in first gear, and draws closer to Annika and her dad, lawyer Craig (Sam Rockwell).
There's actually quite a lot to enjoy in Laggies, even if its ending is a foregone conclusion. Andrea Seigel's screenplay is sharp and smart, developing her characters into something more than stereotypes. There's a gentle, deep undertow of understanding in Megan's budding friendship with Annika - one which brings them both to a bittersweet meeting with Bethany (Gretchen Mol), the mom who abandoned Annika for a new career as a lingerie model. As played tenderly by Knightley and Rockwell, the way in which Megan is drawn towards Craig also makes sense, even if their connection feels a little forced.
The performances are also top-notch. Knightley delivers one of her most fascinating creations yet: a woman who has drifted through rather than lived her life for years, not daring to sever ties to her past but afraid to forge into the future. Her Megan is spiky and sweet, appealing even when the character's flaws threaten to overwhelm. Rockwell's part is a bit undercooked, but he's such a great actor that he lends Craig's attraction to Megan all the credibility denied it by the script. Moretz, too, is great as always, slipping into the troubled skin of Annika and creating another lost girl with plenty of spunk.
Where Laggies falters is in its final act. The last third of the film has a few great moments, including a heartrending encounter between Megan and Anthony that shouldn't work as well as it does. But it also degenerates steadily into cliché, abandoning much of its offbeat humour and complex characters for twists both odd (Megan's reaction to a car accident begs the question: is that really how a grown-up should respond to the situation?) and predictable (Megan's epiphany is a textbook rom-com moment).
In effect, Laggies stops growing, just as Megan did for ten years of her life. At the end, it provides easy answers for its characters after spending most of its running time suggesting that there are no such things: that the real world is complicated and people aren't perfect, that growing up takes effort and doesn't happen by default. This doesn't mean that the film isn't watchable - it very much is, and will reward viewers with some truly lovely moments of wry humour and quirky characterisation along the way. But its undeniable charm is also what makes Laggies' ending all the more disappointing.
Keira Knightley's character was hard to like at times. It may be that she closely resembled my ex in how poorly she made decisions, never considering the effects her choices had on anyone else. But that's pretty real, I guess. And her character develops well over the course of the film. I think she finally gets it, but I would have a hard time ever trusting someone like her (again).
It's not that I don't like a mixed protagonist. It's just that I wanted to shake her at different moments, and yell, "What are you doing?! Are you even thinking at all?!" But one would probably think that of me, watching my life from the outside. It's convicting, considering that we're all mixed protagonists in our own lives.
Sam Rockwell is consistently supreme in his ability to deliver performances that produce audible laughter from me. I'll pretty much watch anything he does, and though sometimes the film is mediocre, he is always exceptional—I never regret the decision to watch.
If you're looking for some great Sam Rockwell movies, check out "The Way Way Back" and "Confessions of a Dangerous Mind". He's great in everything I've seen him in, though.
It's not that I don't like a mixed protagonist. It's just that I wanted to shake her at different moments, and yell, "What are you doing?! Are you even thinking at all?!" But one would probably think that of me, watching my life from the outside. It's convicting, considering that we're all mixed protagonists in our own lives.
Sam Rockwell is consistently supreme in his ability to deliver performances that produce audible laughter from me. I'll pretty much watch anything he does, and though sometimes the film is mediocre, he is always exceptional—I never regret the decision to watch.
If you're looking for some great Sam Rockwell movies, check out "The Way Way Back" and "Confessions of a Dangerous Mind". He's great in everything I've seen him in, though.
There is a winning quality to this romantic comedy about a girl in her 20s (Knightley) in a bit of a mid 20s crisis after being proposed to by her boyfriend. She befriends a teenage girl (Moretz) and her divorced father (Rockwell). It starts off a bit slow but then you realize gradually the characters are all quite likable even when they are doing something wrong. This understated treatment of the more serious moments makes it more effective especially the visit to the mother (Mol). Avoids melodrama which would have spoilt the tone of the movie.
Keira Knightley makes her 20s finding herself girl surprisingly sympathetic and identifiable. Throughout her mistakes you still root for her. Chloe Grace Moretz is a standout as always. She gives a sensitive performance and doesn't overact. Amidst all the recent movies a likable teenager character on film is kind of rare. Sam Rockwell plays the father quite charmingly.
Overall one the better indie rom coms of late and worth a watch.
Keira Knightley makes her 20s finding herself girl surprisingly sympathetic and identifiable. Throughout her mistakes you still root for her. Chloe Grace Moretz is a standout as always. She gives a sensitive performance and doesn't overact. Amidst all the recent movies a likable teenager character on film is kind of rare. Sam Rockwell plays the father quite charmingly.
Overall one the better indie rom coms of late and worth a watch.
Laggies would have been too big a mirror put up to my twenty-something crises-ed life were it not for the comedic value of the whole she-bang.
That's mildly dramatic but really Laggies is a very original take on the quarter-life crises beseeching the Millennial generation.
Megan (Keira Knightley) is an underachieving twenty-something resigned to an underwhelming existence of still dating her high school boyfriend and working for her father. Her friends are all doing the things you're supposed to be doing when you are in your mid-to-late twenties: getting married, having babies, buying a house, etcetera etctera. With a quarter-life crisis imminently on the horizon, Megan retreats to the home of new found friend Annika (Chloe Grace Moretz), a sixteen year old high school student.
The term Laggies comes from Megan's profoundly underwhelming inferior performance in life below her potential. She is in this debilitatingly immobilizing limbo of the mid-twenties when, having done what you thought you were supposed to do and following the path you thought you were supposed to follow, you find yourself 'here' but 'here' isn't where you want to be. Andrea Seigel's screenplay does a good job of satirically making fun of the trends Milennials are doing nowadays as they 'play' house – like first dances and potential baby names.
A good movie will have characters and themes you can identify with, that will help put a mirror to life and help you engage with the narrative. For some 20-somethings most of the film and Keira Knightley's portrayal of an existential crisis may be a bit too close for comfort. Thankfully Chloe Grace Moretz's character has a dad played by Sam Rockwell. Rockwell is the shining light of a comic savior within the film and lifts up the depressing moments of story to a entertainingly watchable movie.
Laggies is a fun one-time watch for 20-somethings to realize they could be more messed up and to find the humor within the perplexities of burgeoning adulthood.
Please check out our website for all the recent releases reviewed in full.
That's mildly dramatic but really Laggies is a very original take on the quarter-life crises beseeching the Millennial generation.
Megan (Keira Knightley) is an underachieving twenty-something resigned to an underwhelming existence of still dating her high school boyfriend and working for her father. Her friends are all doing the things you're supposed to be doing when you are in your mid-to-late twenties: getting married, having babies, buying a house, etcetera etctera. With a quarter-life crisis imminently on the horizon, Megan retreats to the home of new found friend Annika (Chloe Grace Moretz), a sixteen year old high school student.
The term Laggies comes from Megan's profoundly underwhelming inferior performance in life below her potential. She is in this debilitatingly immobilizing limbo of the mid-twenties when, having done what you thought you were supposed to do and following the path you thought you were supposed to follow, you find yourself 'here' but 'here' isn't where you want to be. Andrea Seigel's screenplay does a good job of satirically making fun of the trends Milennials are doing nowadays as they 'play' house – like first dances and potential baby names.
A good movie will have characters and themes you can identify with, that will help put a mirror to life and help you engage with the narrative. For some 20-somethings most of the film and Keira Knightley's portrayal of an existential crisis may be a bit too close for comfort. Thankfully Chloe Grace Moretz's character has a dad played by Sam Rockwell. Rockwell is the shining light of a comic savior within the film and lifts up the depressing moments of story to a entertainingly watchable movie.
Laggies is a fun one-time watch for 20-somethings to realize they could be more messed up and to find the humor within the perplexities of burgeoning adulthood.
Please check out our website for all the recent releases reviewed in full.
Wasn't expecting to like this film as much as I did.
First, Sam Rockwell has got to be one of the best actors to work with. He is naturally so cool and his confidence on screen must be contagious. I have never seen him put up anything but an A-Game level performance.
Second, no one plays the girl we all want to fall in love with (who is sincere, cool, fun, and romantic) than Kiera Knightley. Kiera and Sam? Would never see it working on paper. Totally worked on the screen.
Third, Chloe Grace Moretz is one talented and poised young actress whose resume is amazing at such a young age. I anticipate Chloe will take home a lot of hardware in her career.
Finally, Lynn Shelton paces this film perfectly. Her best effort to date.
I love this movie. I just saw it for the 3rd time (May 2020)... Trust me, and see this movie. Let the story develop and unfold ("wait for it"), and I bet you say the same thing by the end.
Nicely done to all involved! 👏👏👏
First, Sam Rockwell has got to be one of the best actors to work with. He is naturally so cool and his confidence on screen must be contagious. I have never seen him put up anything but an A-Game level performance.
Second, no one plays the girl we all want to fall in love with (who is sincere, cool, fun, and romantic) than Kiera Knightley. Kiera and Sam? Would never see it working on paper. Totally worked on the screen.
Third, Chloe Grace Moretz is one talented and poised young actress whose resume is amazing at such a young age. I anticipate Chloe will take home a lot of hardware in her career.
Finally, Lynn Shelton paces this film perfectly. Her best effort to date.
I love this movie. I just saw it for the 3rd time (May 2020)... Trust me, and see this movie. Let the story develop and unfold ("wait for it"), and I bet you say the same thing by the end.
Nicely done to all involved! 👏👏👏
¿Sabías que...?
- CuriosidadesAnne Hathaway was cast in the lead role but dropped out due to scheduling conflicts with the movies La vida en una canción (2014) and Interstellar (2014). She was replaced by Keira Knightley.
- PifiasThe check note on the wine box is picked up by Sam Rockwell and he re-enters the house. In the next shot the note is attached to the wine box.
- Versiones alternativasItalian DVD is about 2 minutes longer. The scene that starts during the opening titles goes on and then cuts to where the US version starts showing a "10 Years Later" sign. Another brief conversation scene is from a different take and has a different, longer dialogue. Running time of Italian DVD, which is PAL, is 1:37:02. In NTSC that translates to 1:41:10. US edition is 1:39.13.
- ConexionesFeatured in Film '72: Episodio fechado 5 noviembre 2014 (2014)
- Banda sonoraSuch Great Heights
Written by Benjamin Gibbard and James Tamborello (as Jimmy Tamborello)
Performed by The Postal Service
Published by Where I'm Calling From Music (BMI) and Dying Songs (BMI)
Courtesy of Sub Pop Records
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- How long is Laggies?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 5.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 1.066.981 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 74.139 US$
- 26 oct 2014
- Recaudación en todo el mundo
- 2.379.154 US$
- Duración
- 1h 39min(99 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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