La espuma de los días

When I decided to go see that movie, I was really scared. Scared that, somehow, this movie might be bad, whereas the book of Boris Vian is one of my favorite. But when I got out, I was really amazed. I felt almost depressed, exactly the same way when I finished reading the book. For the whole night long, I couldn't keep my mind of the movie, and I was barely able to sleep.

Gondry actually made me open my eyes about some things, that I couldn't imagine or figure out. But when I think about it, it just make sense. Like the fact that Alise is black woman. I don't know why, I've always imagined her as a white and blonde woman. But it's only natural that she is in fact black.

I can understand the fact that some people would not like the movie, being very weird, and being in it's own universe. But I really think this movie deserves a way better grade. Maybe one of the greatest adaptations that I have seen, yet. I gladly recommend to see this movie.

It's been a long time since I've been acquainted with Michel Gondry. Eternal Sunshine of the Spotless Mind and The Science of Sleep are two of my all-time favourite films. Be Kind Rewind was an unfortunate misfire but I already warmly welcome his style. However, I've never seen him quite so unrestrained like this. Mood Indigo is a truly fantasy world. No dream, no drugs, and nothing is how you'd expect. Not even dancing, not even a handshake. To say the world of Mood Indigo is surreal and absurd is an understatement and no words can quite grasp the chaos on screen. It's like an R-rated Dr. Seuss. Like Gilliam's Brazil. But, it's an absolute delight. Things may not make sense at any point, but it's not about symbolism, it's about expressionism. The characters are deeply human, and that's what counts. All these inventions, twists, obscurities all about emotion. And Mood Indigo constantly had me bellying with laughter or sinking an anchor in my stomach when tragedy strikes even when I wasn't sure what was happening.

That's the spirit of filmmaking really, to feel how the characters are feeling, and this film achieves it admirably. But at times it is so dense that its hard to keep up. The special effects and production design are wonderful, but the way it's shot in HD does sometimes nullify its effects and brings us back to reality in a way it doesn't want (I would've preferred Gondry to not have his cameo). Sometimes the cast can't even keep up with it. I really wasn't sure about the cast at first. They're familiar faces, but they didn't seem to suit the tone, plus they felt too old. However, with the film's dark twist in the second half, so dark the film turns black and white, it did become apparent that these cast members fit this melancholic side of the world. I wish it wasn't so bloated in characters and was more restrained like The Science of Sleep. The great soundtrack definitely adds to its rich atmosphere too. I do hope this film will stick with me like his two best films. It may be manic, but it's thoroughly charming. Not Gondry's best but his best in a long while.

8/10

To me, this movie does what movies are for: activate the imagination. In this case, touching a theme not as alien as one might wish it to be in a fantastic setting. The 'fantastic' way in which people and institutions appear is far from random; it feels to me like a hyperdream of familiar entities and sensations, their logical extreme. Rich, vivid imagination which enters your brain and puts hooks in it. Loved the book and Gondry made it even more alive for me. Quite a feat. If you do like the movie, please check out the book (and also other titles by Vian). Don't want to generalize too much but if you like movies by Terry Gilliams you will probably like this a lot, too. Rats, writing reviews is hard and I'm not very good at it; but i so disagree with the IMDb-grade for this film (currently 5.8) and the general reviews I've read so far that I had to create an account just to weigh in. So please go see this film and find out for yourself!

Did I mention already that it is beautifully made, and at times very funny?

Mood Indigo is an interesting film based off the novel by French author, Boris Vian. With Michel Gondry's sharp direction, a tone of satire and some funny moments, Mood Indigo should really work. However, watching the film all the way through, I can't help but wonder if the movie would have been better had it not featured so many random and nonsensical scenes that overall didn't do anything for the picture. Mood Indigo is an unusual movie that fits Gondry's style (eg. Eternal Sunshine of the Spotless Mind), and from a filmmaking standpoint, it is fascinating to watch.

The film is set in a surreal Paris, and tells the story of a wealthy bachelor named Colin (played by Romain Duris), who spends his time developing a cocktail-making piano known as a pianocktail (not the most subtle of names), and devouring strange moving dishes prepared by his chef, Nicolas (played by Omar Sy). Colin learns that his best friend, Chick (Gad Elmaleh), who is a fellow assistant of philosopher, Jean-Sol Partre (played by Philippe Torreton), has a new American girlfriend (played by Aissa Maiga, who is actually a Senegal born French actress doing an admirable job pretending that her French accent is low), and so he decides to attend a party in hopes that he may find someone for himself. There he meets Chloe (played by Audrey Tautou) and the two fall in love. Eventually an illness comes over Chloe, one very strange illness, as a flower begins to grow in her lungs. The only way Colin can save her, is to supply her with an endless amount of fresh flowers.

The opening of Mood Indigo introduces us to what most of the film's tone will be as we are treated to a variety of things happening: people using typewriters in a room; then we cut to a man getting out of a bathtub; we see a rat, who is just a small guy in a rat suit etc. Every single thing we see in the introduction relates in some way to some form of technology. The film seems to have a fascination with using technology in weird and unusual ways. I haven't read the book it's based off of, but from what I've heard, it also conveys unusual and bizarre things in it. This makes it interesting to watch, but I couldn't possibly imagine few directors, other than Gondry, making this film work in any way, even if it ultimately makes little sense. Among the things that I find fascinating and weird at the same time in the film include: throughout the film when objects are thrown and touched, multiple versions of them appear suddenly out of the blue; during the dance, the entire background of the area is blue; the ringer in Colin's room is treated like a bug, and falls apart into little tiny robotic bugs anytime it makes a sound; the two couples, Chick and Alise, and Colin and Chloe (who are getting married), ride in small cars throughout the building in order to get to the wedding; and a man gets in a rocket suit with wings of sorts and goes into the sky, only for him to eventually fall back into the sky, among others.

Much like most of Gondry's films including The Silence of The Sleep and Eternal Spotlight of The Sunshine Mind, this film is more about the fantastical elements, than it is about the actual performances. That said, this film features a fine cast, and most of the actors, including Romain Duris, Audrey Tautou, and Omar Sy, are giving good performances. There are many things in this film that are honestly not needed, such as the small man in the rat suit, and the bird human lady at the ice rink. Some of these elements serve the story no purpose and are just there to give the film an even weirder feeling.

About an hour within the film, it takes a tonal shift and becomes more depressing as the wife become sick. This shift comes out of the nowhere, but given the story, it actually works. The lack of technology makes this apparent, as Gondry makes the film's tone bleaker and depressing, with Chloe just about dying. By the end of the film, everything is in black and white, which is done to represent Colin's loss of faith and feelings. One scene in particular, features a nice dangerous bit of music, as Colin chases his shadow down the road back home.

Aside from a few scenes, this film is never really boring. I can't really recommend this film for the average moviegoer, but any film geek, like myself, would probably find it fascinating, even if the film inconsistent in some regards.

I read the book many years ago and barely remembered it, but I still felt that magic of the absurd or weird that had impressed me so much. The film indeed manages to translate this feeling into visual images, but I felt that it was too much, and while with the book I never felt it tried to be funny, the film did. At least it was my impression that it was a bit slapstick in part, and through some parts I did get bored. However, it did become strong towards the end, in the tragic part. Suddenly the absurdity and weirdness became a proper language for the tragic development, it became a mirror of the protagonists inner world and feelings. It really impressed me there.