¡Llama a la comadrona!

As I was a student nurse in the East End of London during the mid fifties,(now an ex-pat living in Mexico) this series brings back many memories. I'm glad that some episodes include general nursing and even male patients as well as midwifery. Perhaps doctors were not always as good as the nurses in those days.I even remember an anaesthetist who sat doing his crossword puzzles during operations and no one dared utter a word of reproach.

Now that the East End is suddenly fashionable, even Shoreditch and Brick Lane, what has happened to Wapping where I trained and which used to be so scruffy?

One thing has changed for the better. In those far off days when a woman was admitted with an attempted abortion, euphemistically called "incomplete abortion", the police had to be notified and a policewoman would sit by the bed (drinking tea with the night nurse) until the unfortunate patient (who probably already had half a dozen children at least) was well enough to be arrested.

The first three seasons, based on the books by. Jennifer Worth, were among my favorites of all time. It had sentiment but not sentimentality, and dealt with the real problems of people in the East End of London and the women who provided them the service they needed. A lot of the cast changed over the years, but generally kept up the quality, and some characters who were rather stereotypical in the first couple years were allowed to mature, but the show continued to deal with real problems, such as, birth control, the strengths and weaknesses of the National Health service, the effect of certain drugs on pregnancy, etc. The Christmas shows are particularly wonderful. The past couple of years, however, have started to get away from the original idea of dealing with health and societal issues into more of a soap opera. Season 13 was a disappointment, and hope the writers either get back to the issue oriented approach or recognize it is time to wrap it up.

Whether or not this series' depiction of the East End in the 50's is completely accurate or not seems of little relevance to me. The characters are very likable and the acting, even by the guest actors, is brilliant. However, the main reason I love and wholeheartedly recommend Call the Midwife is because it is so well written, without avoiding the harsh realities of life yet filled with hope and incredible human connection. Miraculously, it manages this without ever becoming cheesy. Every episode leaves me feeling proud to be a human being. I don't think many TV series are able or even try to achieve this and it feels especially important in our times when faith in humanity seems to be in decline.

This is one of the most beautiful shows I've ever watched. The writing and acting are both superb, and the incredible stories take us on a journey to show us the true meaning LOVE. Do people with this much compassion actually exist? They do, and Call the Midwife reminds us of that.

This show epitomizes acceptance, patience, and perspective. It's the unconditional love and nonjudgemental views of the characters that make your heart swell while you watch.

I'm rewatching and this time with my 13 year old daughter. I recommend the show to all my friends and get excited when they tell me they've started.

It's hard to believe that anyone could be as compassionate and tender as the midwives in Call the Midwife, compassion and tenderness being rare qualities in the increasingly disconnected world of the 21st century. I suspect those qualities are a real incentive for even the casual viewer of this series, which depicts the lives of midwives toiling in the east London of the late 50s- early 1960s. The world of almost 60 years ago was a very different one from today, both from a social and technological standpoint. I'm impressed by the attention to detail in the series, which allows viewers to immerse themselves in the stories, which touch upon issues such as abortion and incest, as well as the then real threats of polio and tuberculosis. More recent stories have even addressed the thalidomide tragedy. The acting is, without exception, top notch, especially that of Judy Parfitt as Sister Monica Joan. I tend to be especially critical of shows that rely on lachrymose sentimentality to further the story. Call the Midwife is at times tender, sweet tempered and, well, nice, but never false as it displays the panorama of the human condition.