PUNTUACIÓN EN IMDb
6,4/10
22 mil
TU PUNTUACIÓN
Un joven prisionero de un asesino en serie que conduce un taxi debe elegir entre seguir los pasos de su captor o liberarse.Un joven prisionero de un asesino en serie que conduce un taxi debe elegir entre seguir los pasos de su captor o liberarse.Un joven prisionero de un asesino en serie que conduce un taxi debe elegir entre seguir los pasos de su captor o liberarse.
- Dirección
- Guión
- Reparto principal
- Premios
- 3 premios y 3 nominaciones en total
Alexander Doerksen
- Colin
- (as Alex Doerksen)
Reseñas destacadas
Bob (Vincent D'Onofrio), a cab-driving serial killer who stalks his prey on the city streets alongside his reluctant protégé Tim, who must make a life or death choice between following in Bob's footsteps or breaking free from his captor.
In the short time that Jennifer Lynch has been making her mark on cinema, I have grown to enjoy her style of film. At least, based on this one and her last effort, "Surveillance". I confess I am not familiar with "Boxing Helena". Her latest films are odd, but not absurd -- just odd enough to be unique and really draw people in by their novelty (a great quality to have). Here we have the serial killer story, but told in a very different way: through the eyes of a captive held for nine years. (Critics have said this idea was already presented in "Bereavement", but I would argue this is the better film.)
D'Onofrio gives a solid performance, one that may be among the best of his recent career. Trying to gauge his character is tough -- smart, stupid, slow? He is clearly clever enough to do what he does and get away with it, but his way of speaking clearly implies some sort of mental issues beyond the murderous intentions.
One could psychologically analyze Rabbit all day. He is the poster child for "learned helplessness", accepting defeat after years of beatings. Yet, he does not fit with the classic idea of Stockholm Syndrome -- he accepts Bob as his master, but only grudgingly so. And there could also be talk of nature versus nurture. Certainly, Bob is "nurturing" Rabbit to become a killer -- but will he accept it?
My friend and horror adviser, Aaron Christensen, had what he calls a violent, visceral reaction to this film and even had the urge to punch director Lynch in the face (particularly after she explained that the film was intended as a message against child abuse). For him, there is too much of a need for suspension of disbelief and this story could only exist in a "fairy tale" world. We are in disagreement. I have no opinion on the child abuse claim (though it seems rather strange), but I approach all horror films from the point of view of a fairy tale, more or less. Sure, this film was presented as more real than, say, "Nightmare on Elm Street", but I saw little need to pick out the plot holes -- some being so obvious that pointing them out is hardly a mental challenge (such as why Rabbit never escapes).
You may agree or disagree on the greatness of this film, or even have no strong reaction at all. I would be curious to hear more thoughts from people... I did not realize this film would be a conversation piece, but apparently it is.
In the short time that Jennifer Lynch has been making her mark on cinema, I have grown to enjoy her style of film. At least, based on this one and her last effort, "Surveillance". I confess I am not familiar with "Boxing Helena". Her latest films are odd, but not absurd -- just odd enough to be unique and really draw people in by their novelty (a great quality to have). Here we have the serial killer story, but told in a very different way: through the eyes of a captive held for nine years. (Critics have said this idea was already presented in "Bereavement", but I would argue this is the better film.)
D'Onofrio gives a solid performance, one that may be among the best of his recent career. Trying to gauge his character is tough -- smart, stupid, slow? He is clearly clever enough to do what he does and get away with it, but his way of speaking clearly implies some sort of mental issues beyond the murderous intentions.
One could psychologically analyze Rabbit all day. He is the poster child for "learned helplessness", accepting defeat after years of beatings. Yet, he does not fit with the classic idea of Stockholm Syndrome -- he accepts Bob as his master, but only grudgingly so. And there could also be talk of nature versus nurture. Certainly, Bob is "nurturing" Rabbit to become a killer -- but will he accept it?
My friend and horror adviser, Aaron Christensen, had what he calls a violent, visceral reaction to this film and even had the urge to punch director Lynch in the face (particularly after she explained that the film was intended as a message against child abuse). For him, there is too much of a need for suspension of disbelief and this story could only exist in a "fairy tale" world. We are in disagreement. I have no opinion on the child abuse claim (though it seems rather strange), but I approach all horror films from the point of view of a fairy tale, more or less. Sure, this film was presented as more real than, say, "Nightmare on Elm Street", but I saw little need to pick out the plot holes -- some being so obvious that pointing them out is hardly a mental challenge (such as why Rabbit never escapes).
You may agree or disagree on the greatness of this film, or even have no strong reaction at all. I would be curious to hear more thoughts from people... I did not realize this film would be a conversation piece, but apparently it is.
This is a really excellent film, a real psychological horror, no gore but you get the idea and have to use your imagination, and the performances are superb...the twist is brilliant, totally caught me off guard, jaw to the floor! But then again, I have watched Surveillance so should have expected something...if you haven't do!
Jennifer Lynch has created something here that is nothing short of breath taking. From the tone and mood to the color and performances, this film is a must for any fan of dark reality. This film could happen.
Vincent D'Onfrio gives a brilliant performance as a serial killer with a chance to be a mentor to his captive. I loved this film, it is just so sad that Hollywood does not recognize films like this when awards come around. This film is honest, unrelenting and touching. This is how horror films should be made. Horror, not gore, not slasher. This film kept me glued to my seat on pins and needles wondering how everything was gonna play out. I was not let down. Jennifer, thank you so much.
Vincent D'Onfrio gives a brilliant performance as a serial killer with a chance to be a mentor to his captive. I loved this film, it is just so sad that Hollywood does not recognize films like this when awards come around. This film is honest, unrelenting and touching. This is how horror films should be made. Horror, not gore, not slasher. This film kept me glued to my seat on pins and needles wondering how everything was gonna play out. I was not let down. Jennifer, thank you so much.
This is the most unpredictable horror thriller I have ever seen. I don't know a similar movie.
Though I was skeptical about Vincent D'Onofrio. I know him well from Full Metal Jacket and many episodes of Criminal Intent in the role of the investigating detective. How can I buy that he is a psychopath and a serial killer? But a few minutes later, I forgot that it's him, because of the shocking scenes. He plays a man-made psychopath without empathy and without compassion. Not a glimpse of compassion. The unpredictability of him generates horror since anything could happen at any time. The story reveals what has made such a monster out of him, but also shows, that not everyone becomes a psychopath.
The other main actor, Eamon Farren also plays brilliantly.
There is not a ton of action but it's not boring, trust me. It is frightening but also a sad story. You will see.
Though I was skeptical about Vincent D'Onofrio. I know him well from Full Metal Jacket and many episodes of Criminal Intent in the role of the investigating detective. How can I buy that he is a psychopath and a serial killer? But a few minutes later, I forgot that it's him, because of the shocking scenes. He plays a man-made psychopath without empathy and without compassion. Not a glimpse of compassion. The unpredictability of him generates horror since anything could happen at any time. The story reveals what has made such a monster out of him, but also shows, that not everyone becomes a psychopath.
The other main actor, Eamon Farren also plays brilliantly.
There is not a ton of action but it's not boring, trust me. It is frightening but also a sad story. You will see.
CHAINED starts off giving you the impression that this could be just another torture fest where a young boy and his mother get kidnapped by a taxi driver who is really a serial killer and taken to his home. There the boy's mother is murdered and he is made to live with the killer and do whatever he says.
After all that the plot actually becomes more intriguing with superb character development and it is very disturbing and comes up with some very unexpected moments and the final half is what raises this film above many others in the same genre.
The performances are excellent, Jennifer Lynch certainly found the ideal actor to play the serial killer in Vincent D'Onofrio and even the actors with the smallest roles manage to shine.
Overall, CHAINED is a very impressive film although not for everyone but the final half is sure to impress anyone who sees it.
After all that the plot actually becomes more intriguing with superb character development and it is very disturbing and comes up with some very unexpected moments and the final half is what raises this film above many others in the same genre.
The performances are excellent, Jennifer Lynch certainly found the ideal actor to play the serial killer in Vincent D'Onofrio and even the actors with the smallest roles manage to shine.
Overall, CHAINED is a very impressive film although not for everyone but the final half is sure to impress anyone who sees it.
¿Sabías que...?
- CuriosidadesBoth Jennifer Lynch and Vincent D'Onofrio have stated they would have preferred that the title of this film be "Rabbit".
- PifiasWhen Bob freaks out in his garage after having flashbacks, you can see a male crew member wearing a baseball cap in the side mirror of the taxi.
- Citas
Bob: Without education, you're fucked. I mean, you've seen some things. I've showed you some things for sure, but you haven't understood them. You ever do a puzzle? You know the kind of puzzle that has the picture on the outside of the box? That's what people are. Pictures on the outside, pieces inside.
- Créditos adicionalesThe credits play over sounds of Rabbit in the house. There is no music. Among the sounds are what appear to be Rabbit cutting out an article for the scrapbook, exiting the garage, and leaving in the taxi cab.
- Versiones alternativasThe throat slitting scene was originally more graphic, but was cut to avoid an NC-17 rating. It can be seen in the bonus features of the DVD and Blu-Ray release.
- ConexionesFeatured in Film '72: Episodio fechado 16 enero 2013 (2013)
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- How long is Chained?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en todo el mundo
- 77.839 US$
- Duración1 hora 34 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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