Serie antológica presentada por la enigmática Lilith. Cada historia era un encantador thriller policíaco contemporáneo en la tradición de las películas clásicas y las series de televisión má... Leer todoSerie antológica presentada por la enigmática Lilith. Cada historia era un encantador thriller policíaco contemporáneo en la tradición de las películas clásicas y las series de televisión más queridas.Serie antológica presentada por la enigmática Lilith. Cada historia era un encantador thriller policíaco contemporáneo en la tradición de las películas clásicas y las series de televisión más queridas.
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It's always nice to see more anthology shows on TV. Femme Fatales is probably the first erotica/crime anthology show since The Hitchhiker.
Femme Fatales shares The Hitchhiker's wildly uneven nature, as it luxuriates in gunplay, murder, and exploitation of women, all while trying to give lectures on violence and the exploitation of women (see the "Girls Gone Dead" slam with Charlie O'Connell pitch-perfect as the sleazy producer). The main difference between the two shows is the adrenaline jolts of humor and pure insanity which kept The Hitchhiker going. Femme Fatales usually takes itself very seriously, and often seems very flat, in everything from lighting to acting. It's half-baked noir. Worst of all is they continue to have a host who can barely read her lines and who was presumably hired solely for a British accent and for her large breasts. Imagine Alfred Hitchcock Presents hosted by the local sweater girl.
When you watch old Hitchhiker episodes, you can ogle the absurd fashions, hairstyles, pulsing synthesizers, and general paranoid cocaine blindness which makes up so much of 1980's TV. You get an extra kick from nostalgia. You don't get that with Femme Fatales. The show represents the directionless blandness of so much of today's pop culture.
Femme Fatales shares The Hitchhiker's wildly uneven nature, as it luxuriates in gunplay, murder, and exploitation of women, all while trying to give lectures on violence and the exploitation of women (see the "Girls Gone Dead" slam with Charlie O'Connell pitch-perfect as the sleazy producer). The main difference between the two shows is the adrenaline jolts of humor and pure insanity which kept The Hitchhiker going. Femme Fatales usually takes itself very seriously, and often seems very flat, in everything from lighting to acting. It's half-baked noir. Worst of all is they continue to have a host who can barely read her lines and who was presumably hired solely for a British accent and for her large breasts. Imagine Alfred Hitchcock Presents hosted by the local sweater girl.
When you watch old Hitchhiker episodes, you can ogle the absurd fashions, hairstyles, pulsing synthesizers, and general paranoid cocaine blindness which makes up so much of 1980's TV. You get an extra kick from nostalgia. You don't get that with Femme Fatales. The show represents the directionless blandness of so much of today's pop culture.
I sometimes here the proverb that "this film is so bad that's good," and I never believed it. But then "Femme Fatales" assaulted my senses. "Femme Fatales" is such a hilariously stupid porno series that it's surprisingly good. Most of the dialogue was so incredibly ridiculous that it could not possibly be taken seriously and probably was not even meant to be. Yet at the same time, my reaction to the stupid lines was not boredom or disgust, but amusement, because the screen writers miraculously gave this idiotic dialogue an originality and a quirky black humour that I frankly have never seen before in any porno. The plot lines were preposterous, but they were so fast-paced, so difficult to predict (there is nothing worse than a movie or series that you can predict), so breathtakingly violent and savage and so unusual that I did not even care that much about the flaws. Finally the acting may not be the best in the world, but for a porno series it is pretty exceptional. I challenge anyone to prove that Hanna Harper, Bree Olson or Steven St. Croix can act better than cast for the Femme Fatales series.
Owing to the bold and breathtaking approach "Femme Fatales" takes to its own subject matter, I suspect that this series is going to be very controversial. Yet if you like porn and are open to something radically different, then you may want to give this series a try.
6.7/10
Owing to the bold and breathtaking approach "Femme Fatales" takes to its own subject matter, I suspect that this series is going to be very controversial. Yet if you like porn and are open to something radically different, then you may want to give this series a try.
6.7/10
I've watched three episodes of this so far and have become a fan.
As someone who is tired of reality crap and the same stale, safe plot formulas playing out on network and cable (please kill me before I watch yet another cop/CSI show), "FF" takes a collection of familiar elements and tosses them in a pop culture mix master set to high. Yeah, it's corny at times, but it's also alternately funny, suspenseful, sexy, smart and scary — all depending on the episode.
There are a lot of "grindhouse" elements here but without the gore or general "torture porn" mood of that genre. And while "Skinamax" fans are offered plenty of eye candy, the female characters are never debased or pointlessly exploited, and generally have the upper hand in the end. Yes, the femme fatales are the stars of "FF."
The most recent episode, "Something Like Murder" offers the most traditional "film noir" style of the show so far. And while it depends heavily on familiar characters — the plot was pretty clever, and the cast game. Dialoge-wise, it reminded of what Pauline Kael said about the modern noir classic "Body Heat": "Sounds like the characters have been boning up on Chandler novels." But is that so wrong? Just a wink and a nod to the source material inspirations.
I'm not sure where "FF" is going, but I'll stay along for the ride.
As someone who is tired of reality crap and the same stale, safe plot formulas playing out on network and cable (please kill me before I watch yet another cop/CSI show), "FF" takes a collection of familiar elements and tosses them in a pop culture mix master set to high. Yeah, it's corny at times, but it's also alternately funny, suspenseful, sexy, smart and scary — all depending on the episode.
There are a lot of "grindhouse" elements here but without the gore or general "torture porn" mood of that genre. And while "Skinamax" fans are offered plenty of eye candy, the female characters are never debased or pointlessly exploited, and generally have the upper hand in the end. Yes, the femme fatales are the stars of "FF."
The most recent episode, "Something Like Murder" offers the most traditional "film noir" style of the show so far. And while it depends heavily on familiar characters — the plot was pretty clever, and the cast game. Dialoge-wise, it reminded of what Pauline Kael said about the modern noir classic "Body Heat": "Sounds like the characters have been boning up on Chandler novels." But is that so wrong? Just a wink and a nod to the source material inspirations.
I'm not sure where "FF" is going, but I'll stay along for the ride.
*****UPDATED REVIEW******
I HAD ORIGINALLY rated this Cinemax "after hours" series a two. Based on a single lack luster episode (entitled "Help Me Rhonda" - I honestly could not envision myself, at the time, watching the series again after this)that I still maintain, failed to deliver on multiple levels.
However after recently viewing another earlier episode (ironically and by no planning of my own, CONNECTED to the previous episode I'd reviewed)I found it to be shockingly conflicting to the PREVIOUS episode I'd watched, as well as the subsequent review.
The episode "Behind Locked Doors" proved to well surpass my earlier designation of the "adult action" in this series as "feather core" and move well into the standard (albeit, still somewhat lack luster) "softcore" range and while the acting won't be winning any awards, it was far more palatable than the unfortunate assembly of actors had been apparently capable of delivering in the first episode I reviewed.
Overall the after hours fare in this respect lived up to and surpassed my most minimal expectations and the knowledge that it tied into a later episode (again, strangely enough the first one I'd previously suffered through) was an especially alluring and surprising bonus.
Being somewhat partial to a "presentably" made W.I.P. storyline (Jailbait 2014, anyone?) I felt compelled to give this series its day in court and revise my earlier rather scathing review.
Again, this is no award winner, but at least in the case of THIS episode, it delivered MORE than I expected and deserved a retrial and pardon.
Of note: I noticed the latest particular episode reviewed (premier ep.)was almost 43mins long where the later episodes are only in the neighborhood of 30mins. Comparably I'd say even an extra 12 mins could make a world of difference in both the storyline and plot. So let's just call this "probation," for now.
I HAD ORIGINALLY rated this Cinemax "after hours" series a two. Based on a single lack luster episode (entitled "Help Me Rhonda" - I honestly could not envision myself, at the time, watching the series again after this)that I still maintain, failed to deliver on multiple levels.
However after recently viewing another earlier episode (ironically and by no planning of my own, CONNECTED to the previous episode I'd reviewed)I found it to be shockingly conflicting to the PREVIOUS episode I'd watched, as well as the subsequent review.
The episode "Behind Locked Doors" proved to well surpass my earlier designation of the "adult action" in this series as "feather core" and move well into the standard (albeit, still somewhat lack luster) "softcore" range and while the acting won't be winning any awards, it was far more palatable than the unfortunate assembly of actors had been apparently capable of delivering in the first episode I reviewed.
Overall the after hours fare in this respect lived up to and surpassed my most minimal expectations and the knowledge that it tied into a later episode (again, strangely enough the first one I'd previously suffered through) was an especially alluring and surprising bonus.
Being somewhat partial to a "presentably" made W.I.P. storyline (Jailbait 2014, anyone?) I felt compelled to give this series its day in court and revise my earlier rather scathing review.
Again, this is no award winner, but at least in the case of THIS episode, it delivered MORE than I expected and deserved a retrial and pardon.
Of note: I noticed the latest particular episode reviewed (premier ep.)was almost 43mins long where the later episodes are only in the neighborhood of 30mins. Comparably I'd say even an extra 12 mins could make a world of difference in both the storyline and plot. So let's just call this "probation," for now.
5.9/10? What were those viewers thinking? I think most IMDB users don't use their brains when rating a movie/tv show. It was a good show: a show of pornography and storytelling. It served the purpose of sexually arousing viewers, with some good stories. I loved the episode with a haunted house and the episodes where women sought revenge on men who hurt them. Big kudos to those actresses too. Good acting. Sorry but I couldn't stand those bosoms with silicones. I love all things natural. Also I loved how some stories connected to each other. You will see some faces that show up in multiple different places in different episodes. Great erotic tv series.
¿Sabías que...?
- CuriosidadesLilith is a reference to the character from Jewish folklore of Adam's first wife, a demon who preys on single men, and is the daughter of Asmodeus.
- ConexionesReferenced in Elysaviews: WINEning About Movies: Pilot (2020)
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- How many seasons does Femme Fatales have?Con tecnología de Alexa
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What was the official certification given to Femme Fatales (2011) in Italy?
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