Talaash

So keeping in mind to not disturb any one else's movie experience by giving out any spoilers ,, i would like to review this movie in short. All the AAMIR KHAN bluff of great movies is likely to get over after this one, he had a great time for last few year. Let me give points to just sum up how i felt about different aspects.

Entertainment - 4/10( A few laughs and mostly u will keep searching in your head)

Acting - 9/10 ( Especially Nawazuddin sahab)

Suspense - 8/10 (The core of the suspense was terrible but the unfolding was great.

Direction - 6/10 ( Some scenes really awesome, but some just bore u to death)

Plot- 5/10 ( The way it was hyped , "THE ANSWER LIES WITHIN",, if this was another country ,, the producers would have been sued for giving wrong info of the services the consumers paid for)

Overall- 7/10( Its a really watchable movie than the crap bollywood is producing these years,, don't go with ultra high expectations,, not memorable,and even if would be good if u don't't watch M NIGHT SHYAMALAN movies,,, ohhh and yes one point i gave extra just for Nawazuddin siddique)

Well, As is the case with any Amir Khan movie, this was also eagerly awaited. And to a certain extent the wait is worth. This is essentially an eccentric police officer who tries to work his way out of a traumatic personal experience.

While the personal experience is a major turn in his persona, keeping him sleepless at nights and increasing the spread between him and his wife; it comes at a time when an important case is at hand.

Who is the murder? What was the motive? All these are questions which grip you till the end and as an when the story tires to clarify itself, you find more riddles.

Till this part where the protagonist searches for the killer holds up tightly. Where lies the mystery is for one to believe and disbelieve. The proverbial mystery is where lies the search (taalash)...

Its a worth watch, but don't bank on a really logical ending. Its up to your faith to accept somethings!

The movie opens with a random accident involving a popular film star that seems to defy all explanation. It also introduces the main protagonist, Inspector Shekhawat (played gloriously by Aamir Khan). The rest of the movie details how the good inspector peels away the mystery surrounding the accident. Along the way, he also battles his own demons in the form guilt for his child's untimely death in an accident.

The movie is scripted well enough to keep you interested all the way to the end, even if the end if a tad bit tame.

Five-star performances from all the leading characters ensures that you are sucked into the mood and world that Reema Kagti creates. Nawazuddin Siddiqi gives another stellar performance to follow-up on his performance in Gangs of Wasseypur. Rani Mukherjee redeems her acting credentials after the disaster of Aiyaa. Kareena Kapoor is competent. However, it is Aamir Khan who steals the show with a highly nuanced performance which I am sure he will rate among his finest.

The music from Shankar-Ehsaan-Loy is very complimentary and at no time does it intrude, as it is want to do in Hindi films, into the story-telling. Instead it is very much part of the story-telling and at times even takes things forward.

The movie is another feather in the cap of Zoya Akhtar who has penned the story and screenplay along with the director Reema Kagti. The credits for the dialogs are shared between Farhan Akhtar and Anurag Kashyap.

After the mindless films that preceded it during the Diwali weekend, Talaash comes as a breath of fresh air and bears a promise that Bollywood is not all about assuming that the audience is a collection of sheep waiting to be sheared.

When was the last time Indian audience have witness an intriguing noiri-sh suspense drama without any cheap thrills? Probably not in recent times (for starters Kahaani is a suspense thriller). Talaash is one such celluloid experience that will captivate you to the last reel. The film is a dark,complex psychological yet there are layers of emotions which makes it more compelling..Add to this there is an Occult angle to the mystery..

The film starts with a darkish depiction of Maximum city with eerie background music followed by a car coming at high speed which suddenly takes a turn and gets drowned in a river. It is later known that famous cine-star Arman Kapoor died in that car accident (or murder or something??) Inspector Shekhawat gets the charge of the case. At a personal front Mr shekhawat and his wife are trying to come to terms with untimely loss of their son. The two incidences get connected at a point which changes the life of the protagonist. Without revealing the story I can say clearly the detailing is commendable and you can see the dots getting connected.

Reema Kagti in her second directorial venture proved her understanding of this medium and fluidness in handling of complex themes. Talaash is one of the most complex films of recent times with layers to the narrative and characters. At the same time it's a thriller and an emotional drama of a father coming to terms with his child's loss. The emotions and vulnerability of Inspector Shekhawat is genuinely expressed which one can identify with. Everyone of us have lost a near or dear one at some point of time we will (recently I lost my mother) and after that the mere existence becomes difficult. At those moments mind and brains starts behaving weirdly and one starts accepting irrationality which gives one inner peace. Talaash explores one of those phases of life when everything seems at lost yet one has to move on with life. Without giving away any suspense I would say Kagti's (& Zoya akhtar) script webbed in a beguiling suspense drama around that complex phenomenon. Kudos to K.U Mohanan's camera-work (who was recently being part of award winning pulp noir Miss Lovely) brilliantly captured the by-lanes of Mumbai. Mumbai becomes a darker character in this mystery. The fear of danger lurking around the corner can be sensed and it seems no one should be believed. Subaya's editing and Ram Sampat's flawless music add on to the proceeding and help in building the circuitous narrative. Sampat's music is brilliant with Akhtar's lyrics especially "Lakh duniya kahe tum nehi ho" is mark of a genius and someone who have lost a dear one will surely relate to the lyrics. It brings tear to one's eyes as one look back at life. "Jiya lagena" songs has a good video which gels with the fusion music. There are moments which had excellence written all over it like one in which Shekhawat is trying to recall his child's accident and ponders how his way of handling the situation in a different fashion would have saved him from drowning. The eerie background score and blurred camera work in few of the sequences justifies the end when the truth comes out.

The end is heartening which leaves a lump in your throat, yet the urge to watch it again remains. May be in the second viewing one will find another aspect of the story.

Aamir Khan again proved that he is the only superstar who wants to associate with quality cinema. This film doesn't have the regular masala appeal wala entertainment. While all other stars are playing it safe Aamir ensures that his film has some meat which will be remembered down the line. His performance as Inspector Shekhawat deserves awards and accolades. He flawlessly portrays amenability of a depressed soul who has been caught in a web of mystery. His sequences with Rosy showed his versatility as an actor. Kareena Kapoor is effective as escort Rosy. The role is sensitive and something not on the lines of a typical mainstream heroine but Kareena effortlessly fits in it. Rani Mukherjee is just about perfect as Shekhawat's lonely wife. Another actor who steals the show is Nawazuddind Siddiqui as Taimur who has proved his mettle this year with GOW & Kahaani and now this one (Those few privileged soul who got the chance to see Miss Lovely would have already labeled Siddiqui as finest actor of recent times). He is one of the central characters of this mystery and delivered his best. One will remember this character long after the movie is over. Shernaz Patel & Raj Kumar yadav are ever reliable actors and suits the bill. Subrata Sen as Shahsi leaves his mark in a small role. All the other actors did a decent job.

On a whole Talaash is a rare suspense drama which would be loved by connoisseurs of good cinema. This film will open new window to this genre and hopefully more complicated psychological themes will be explored in the near future. One thing is for sure Talaash will be remembered in the long run as a fine cinematic experience that remained true to the style and content till the very end without falling into traps of commercial arena.

Coming to the end of the film there has been criticism from some sectors claiming it to be "unrealistic" but then who told them the film depicts hardcore reality. The film just tells a story of coming to terms with loss and that also a gripping one with usage of "after life" concept to build the narrative. The end is sensitive.With untimely loss of your near and dear one you would feel or crave for some answers as to why "You" and the answer lies within...And in this film Mr & Mrs Shekhawat at least got some explanations in their quest(Talaash)..

Reema Kagti's much awaited 'Talaash' is An Interesting Noir-Mystery! Its well-written, crisply directed & fabulously acted, but, in no means, is it remarkable. Reason? The Suspense lacks weight.

'Talaash' Synopsis: A cop, a housewife and a prostitute get entangled in a mystery that links their lives in unexpected ways.

'Talaash' has an utterly masterful first-hour, with the drama as well as the characters working big time. The second-hour too begins well, but the actual suspense of this story lacks weight. It isn't bad, but it doesn't offer shock-value. Kagti & Zoya Akhtar's Screenplay is masterful in parts. How one wishes if the suspense was better. Kagti's Direction is mercilessly moody, adapting the film's structure most accurately. Cinematography is perfect. Editing is razor-sharp. Art & Costume Design are good.

Performance-Wise: Aamir Khan delivers superbly. He plays the tormented protagonist with force. Kareena Kapoor is excellent, as always. Rani Mukherji is terrific in a small, but significant role. Nawazuddin Siddiqui is gloriously scene-stealing in a meaty supporting role. Raj Kumar Yadav is highly competent. Shernaz Patel is haunting.

On the whole, 'Talaash' isn't flawless, but it surely is an interesting watch.