Ajuste de cuentas (Muzzle)

Had I heard about this 2023 crime thriller titled "Muzzle" from writers Carlyle Eubank and John Stalberg Jr. Prior to sitting down to watch it? No. But I figured that the movie might be worth a shot, since it had Aaron Eckhart and Stephen Lang on the cast list. Plus, the fact that it was a movie that I hadn't already seen, also helped to make me sit down to watch it.

The storyline in "Muzzle", as written by Carlyle Eubank and John Stalberg Jr., was a pretty straightforward one. Ultimately then the movie came off as being a rather generic crime thriller. So the writers didn't really manage to accomplish a whole lot with the script and storyline. A shame, because there certainly was potential for something here.

The acting performances in "Muzzle" were good, and Aaron Eckhart does carry the movie well enough in the leading role. It wasn't a movie that boasted a whole lot of familiar faces on the cast list. In fact, I was only familiar with Aaron Eckhart and Stephen Lang.

For a crime thriller, then the movie was not particularly interesting or thrilling. And that made for a somewhat bland and mediocre viewing experience. And while I did manage to finish the movie, I can honestly say that I was only mildly entertained. This is hardly a movie that warrants more than a single viewing.

My rating of director John Stalberg Jr.'s 2023 crime thriller "Muzzle" lands on a bland five out of ten stars.

The film story is pretty good apart from a pretty odd and under-sketched villain, but what is distracting is the poor quality of the dialogue.

It's a combination of badly recorded dialogue, likely with a lack of options, and amateur use of dialogue cleanup software.

In this case, ADR would have been better to replace the bad parts.

ADR is replacing on set dialogue with new dialogue recorded later in a studio or custom spaces to replicate sets after the film has been shot. If ADR isn't done well, it sounds terrible. The actor has to be good at it, and importantly, the dialogue sound engineer needs to know how to deal with it to make it sound like it was recorded in the environment we see on film.

For a feature, it's a time consuming process and you have to pay the actors more, so perhaps they didn't have the money for it on this film?

Sometimes directors don't like ADR, which is common. In this instance, hire a better sound recordist!

To explain the 'lack of options' term above, there are usually at least 2 microphones used to record actors lines. One is the boom which is often suspended over the actors heads, the other is the Lav which is hidden on the actors body as close to the mouth as possible.

Sometimes sound recordists stuff up Lav mic placement and all you get is scrapes and bumps from the clothes ribbing on the mic and the Lav recording becomes mostly unusable. You are then left with only the boom mic recording.

In noisy environments, boom mics can pick up as much background sound as dialogue, which is a pain and hard to edit. Here, digital audio cleanup software comes into play, and gets used to remove the background noise. If digital cleanup is done badly, you get the kind of dialogue quality which is present within too many shots in this film.

This movie only starts to become really suspenseful, gripping and action packed after some 45 minutes, so beware the real rewarding suspenseful part of this movie is only firing up during the second half.

But this movie has enough to offer in the first 45 minutes as well, because everything (direction, photography, editing, soundscore, dialogues, characters) are of SOLID quality. I really appreciate it so much to see a movie like this, made with an abundance of craftmanship.

The first 45 minutes are firstmost a subtle character portrait of an introvert, aggressive cop (terrific role by Aaron Eckhart), struggling with his inner demons. When his dog gets shot he desperately wants to find the dogkiller, but while investigating he stumbles upon the most dangerous drug cartel.

Slow start, bleak and supsenseful final. Terrific acting performance by Aaron Eckart. Solid direction.

Probably best suited for an arthouse movie audience, because this is defnitely NOT a fastpaced gungho action picture, but much more a slowburning, psychological character portrait of a cop, struggling with his inner demons.

I have never reviewed a film before, but felt compelled to do so after giving this a watch.

I saw the previews and was excited to sit down and watch...unfortunately, the best part of the movie was the trailer. Eckhart did his best with what he had to work with, but it there were so many forced scenes it was distracting. Beyond that, while the story is pretty linear, scene to scene seems to leave out a lot of information in regards to character development and development of friendships when seemingly there was none.

This is definitely a watch it once film. In the hands of a capable director and producer this could have been excellent.

Ignore the bad reviews. This is a very good movie with good acting. Aaron Eckhart plays the role perfectly. It shows the horrible conditions in Los Angeles and the vast homeless and drug use.

This is definitely one of the best K-9 / military dog movies out there. It shows how dangerous their job is and how good they are at it, especially with the fetanayl crisis that China is importing into the USA now.

This is just a straight-forward movie, without all of the nonsense hollywood is trying to feed down our throats nowadays. There have been few movies this year better than this one. I highly recommend.