Psycho Therapy: The Shallow Tale of a Writer Who Decided to Write About a Serial Killer
- 2024
- 1h 42min
PUNTUACIÓN EN IMDb
6,2/10
1,6 mil
TU PUNTUACIÓN
Un escritor en apuros en medio de un divorcio se hace amigo de un asesino en serie retirado que, por cierto, se convierte en su consejero matrimonial durante el día, y en el consejero de ase... Leer todoUn escritor en apuros en medio de un divorcio se hace amigo de un asesino en serie retirado que, por cierto, se convierte en su consejero matrimonial durante el día, y en el consejero de asesinatos para su próximo libro por la noche.Un escritor en apuros en medio de un divorcio se hace amigo de un asesino en serie retirado que, por cierto, se convierte en su consejero matrimonial durante el día, y en el consejero de asesinatos para su próximo libro por la noche.
- Premios
- 1 premio en total
Lee Sellars
- Cesna
- (as Lee R. Sellars)
Reseñas destacadas
The term point of view can have two meanings. First a point of view is literally a place of observation, a stationary or moving vantage from where the audience is invited to look. The other meaning of point of view is an attitude or mental perspective. Both are used to tell the vantage points and states of mind of the shows three main psychos. Poor Keane meant well for everyone, but his inability to read a room or shut-up has strip mined the love from his marriage. Kollmick, despite being a (retired) serial killer, also means well; he has a lot of respect for his nemeses at the Office of the Medical Examiners. Susie is the only one who means terrible.
Dark comedy done right.
I cannot stress this enough, but I have seen countless films who come with intent to depict dark comedy in its full glory but end up making a tonal mess of the tale. They either fail to execute humor or struggle with dramatic parts of the storyline.
This movie, however, balances all aspects quite competently.
Not only does it make you laugh when you are least expecting it, but the way it builds and then nurtures tension is also pretty commendable.
From quirky characters to their respective plot-lines, all things are conveyed well, though I did wish for more elaboration and a couple of twists and turns in the third act, felt like they cut it off prematurely.
I cannot stress this enough, but I have seen countless films who come with intent to depict dark comedy in its full glory but end up making a tonal mess of the tale. They either fail to execute humor or struggle with dramatic parts of the storyline.
This movie, however, balances all aspects quite competently.
Not only does it make you laugh when you are least expecting it, but the way it builds and then nurtures tension is also pretty commendable.
From quirky characters to their respective plot-lines, all things are conveyed well, though I did wish for more elaboration and a couple of twists and turns in the third act, felt like they cut it off prematurely.
In odd & disappointing New York dark comedy "Psycho Therapy" struggling writer John Magaro (meh) is about to be divorced by fed up wife Britt Lower (excellent - the film's only bright aspect) when 'retired serial-killer' Steve Buscemi convinces him to collaborate on a serial-killer book. Cue a silly descent into farcical events involving Buscemi acting as the couple's unconventional marriage counsellor, Lower thinking Magaro's gonna kill her, a coupla kidnappings, and an ending so infuriating that it renders the whole messy sham pointless. If Turkish writer / director Tolga Karaçelik's first English-language film ends up as his last there'll probably be few complaints. It's a turd. Flush it.
A three-character story centered on a creatively blocked, soon-to-be-divorced writer who encounters a "retired" serial killer sounds like a killer concept, on paper. Unfortunately, this film squanders that premise with lackluster execution and a frustrating tonal imbalance.
Steve Buscemi and Britt Lower are the film's saving grace, doing their best to carry an off-kilter black comedy that never commits to being either dark enough or funny enough. The premise begs for something wild and twisted, but what we get feels muted and safe. The score stands out for its uniqueness.
The character of Kollmick (Buscemi) is woefully underdeveloped. We learn almost nothing about his past, and his interactions with the writer make no sense. Meanwhile, John Magaro's portrayal of Keane, the meek, indecisive writer, is not convincing.
The movie stumbles toward an anticlimactic ending that fails to resolve the story and ends on an unearned cliffhanger-clearly intentional, but entirely pointless.
This film unavoidably draws comparisons to Seven Psychopaths, watch it instead.
Steve Buscemi and Britt Lower are the film's saving grace, doing their best to carry an off-kilter black comedy that never commits to being either dark enough or funny enough. The premise begs for something wild and twisted, but what we get feels muted and safe. The score stands out for its uniqueness.
The character of Kollmick (Buscemi) is woefully underdeveloped. We learn almost nothing about his past, and his interactions with the writer make no sense. Meanwhile, John Magaro's portrayal of Keane, the meek, indecisive writer, is not convincing.
The movie stumbles toward an anticlimactic ending that fails to resolve the story and ends on an unearned cliffhanger-clearly intentional, but entirely pointless.
This film unavoidably draws comparisons to Seven Psychopaths, watch it instead.
From the casting of Mystery Train alum Steve Buscemi to the obligatory Tom Waits song to the deadpan deliveries and the minimalist stream-of-consciousness slice-of-life narrative, it's a fairly familiar formula. And it works for the most part.
Of course, it develops slowly and unfolds at its own unpredictable leisure but the cast is so honestly up for the ride. Suzie can be a little too much at first. But I enjoyed her arc most of all. And the number of clever little things like Ada session, the llama, burn ointment and the chloroform bit, definitely make this fun. Keane's nebbish neuroses and Kollmick's earnest but ineffectual mentoring are delightfully authentic.
Some of the misunderstandings didn't quite click in the comedic way they should have. But a good deal of the film is quirky and interesting enough to keep one entertained.
And every time, she talked to her friend Zoe, my dog with the same name perked her ears up, making the movie quite interactive.
I liked it.
Of course, it develops slowly and unfolds at its own unpredictable leisure but the cast is so honestly up for the ride. Suzie can be a little too much at first. But I enjoyed her arc most of all. And the number of clever little things like Ada session, the llama, burn ointment and the chloroform bit, definitely make this fun. Keane's nebbish neuroses and Kollmick's earnest but ineffectual mentoring are delightfully authentic.
Some of the misunderstandings didn't quite click in the comedic way they should have. But a good deal of the film is quirky and interesting enough to keep one entertained.
And every time, she talked to her friend Zoe, my dog with the same name perked her ears up, making the movie quite interactive.
I liked it.
¿Sabías que...?
- CuriosidadesBritt Lower and Sydney Cole Alexander both star together on the Apple TV show, Severance.
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- Sitios oficiales
- Idioma
- Títulos en diferentes países
- The Shallow Tale of a Writer Who Decided to Write About a Serial Killer
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- Recaudación en todo el mundo
- 40.350 US$
- Duración1 hora 42 minutos
- Relación de aspecto
- 2.39:1
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What is the German language plot outline for Psycho Therapy: The Shallow Tale of a Writer Who Decided to Write About a Serial Killer (2024)?
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