Dil Toh Baccha Hai Ji
- 2011
- 2h 23min
PUNTUACIÓN EN IMDb
5,9/10
4,4 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaThree roommates are in search of true love. They each find a girl with whom they fall head over heels in love with. Now they just have to get the women to reciprocate.Three roommates are in search of true love. They each find a girl with whom they fall head over heels in love with. Now they just have to get the women to reciprocate.Three roommates are in search of true love. They each find a girl with whom they fall head over heels in love with. Now they just have to get the women to reciprocate.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 nominación en total
Shraddha Das
- Gungun Sarkar
- (as Shradha Das)
Shruti Haasan
- Nikki H. Narang
- (as Shruti K. Haasan)
Dhruv Bhandarri
- Chris Pascal
- (as Dhruv Bhandari)
Reseñas destacadas
In a departure from his regular fare of reality inspired films, Madhur Bhandarkar indulges in the comic world with Ajay Devgan, Emraan Hashmi and Omi Vaidya in this light hearted, refreshing entertainer, that is 'Dil toh bachha hai ji'. Accompanied by Pritam's pleasant tunes and good performances by all three actors, the film narrates the love seeking journeys of the room-mates while revealing their idiosyncrasies. Unlike his previous works, this one is hardly bold or bitter and it doesn't even prove his versatility in story telling. However, it succeeds in providing those laughs that come out of genuinely funny dialogues if not innovative situations.
Naren (Ajay Devgan), a divorcée and an executive, finds his new room-mates in the form of Abhay (Emraan Hashmi) and Milind Kelkar (Omi Vaidya) who are two opposite individuals. While Abhay is the jobless playboy who lives on the favours of his one night stands, Milind, who works at a marriage bureau, believes in marriage only after love and sex only after marriage. Naren has an innocent crush on his new secretary who is 17 years younger but finds it difficult to blend into her lifestyle. While his age-gap challenges his feelings, Abhay's audacity with a rich model of yesteryears enriches his own life with the perks that come along. Then we have Milind, playing the sincere simpleton for whom, his love exceeds all limitations and his perseverance, all his budgets. Each of them have a love story in the making but they just cannot seem to make it come their way. Through their experiences, we get some giggles and some laughs while Bhandarkar refrains from adding any seriousness that would weigh the otherwise thin plot down.
Pritam's melodious score keeps the mood subtle and hummable. Tu khwab hai ya jaadugari comes a little too often but is melodious nevertheless. Tere Bin is a good come back for Sonu Nigam with some real singing while all the attention falls upon the beautiful Shruti Haasan on whom it is partly picturized. The film's outstanding song Abhi Kuch dino se is performed by Mohit Chauhan who continues his unstoppable run.
The actors do more justice than what the script and story asked for and Devgan leads the pack impressively with his innocent performance showing teenager like attributes while avoiding the over-the-top 'Golmaal' comic avatar. Omi Vaidya excels at his tailor-made role which he gets absorbed into. We would love to see more of him this year and hopefully, in more comedies. Emraan Hashmi has come a long way with his acting and after 'Once upon a time in Mumbai', he proves yet again, that it's not only the music in his films, but his performance too, deserves appreciation. Shazahn Padamsee has the cheesiest dialogues that are overdone. Tisca Chopra is good in her role but it is Shruti Haasan's beauty (credited to Sarika) and bold persona that captures one's attention.
Madhur Bhandarkar wasn't making a comedy like 3 idiots. It was not meant to be a didactic experience, nor was there any guidance to real living. But by avoiding ridiculous situations and corny dialogues that are the basis of most comedies, he ensures that there isn't a boring moment in the film, no matter the lack of nuance and originality.
7.63 on scale of 1-10.
Naren (Ajay Devgan), a divorcée and an executive, finds his new room-mates in the form of Abhay (Emraan Hashmi) and Milind Kelkar (Omi Vaidya) who are two opposite individuals. While Abhay is the jobless playboy who lives on the favours of his one night stands, Milind, who works at a marriage bureau, believes in marriage only after love and sex only after marriage. Naren has an innocent crush on his new secretary who is 17 years younger but finds it difficult to blend into her lifestyle. While his age-gap challenges his feelings, Abhay's audacity with a rich model of yesteryears enriches his own life with the perks that come along. Then we have Milind, playing the sincere simpleton for whom, his love exceeds all limitations and his perseverance, all his budgets. Each of them have a love story in the making but they just cannot seem to make it come their way. Through their experiences, we get some giggles and some laughs while Bhandarkar refrains from adding any seriousness that would weigh the otherwise thin plot down.
Pritam's melodious score keeps the mood subtle and hummable. Tu khwab hai ya jaadugari comes a little too often but is melodious nevertheless. Tere Bin is a good come back for Sonu Nigam with some real singing while all the attention falls upon the beautiful Shruti Haasan on whom it is partly picturized. The film's outstanding song Abhi Kuch dino se is performed by Mohit Chauhan who continues his unstoppable run.
The actors do more justice than what the script and story asked for and Devgan leads the pack impressively with his innocent performance showing teenager like attributes while avoiding the over-the-top 'Golmaal' comic avatar. Omi Vaidya excels at his tailor-made role which he gets absorbed into. We would love to see more of him this year and hopefully, in more comedies. Emraan Hashmi has come a long way with his acting and after 'Once upon a time in Mumbai', he proves yet again, that it's not only the music in his films, but his performance too, deserves appreciation. Shazahn Padamsee has the cheesiest dialogues that are overdone. Tisca Chopra is good in her role but it is Shruti Haasan's beauty (credited to Sarika) and bold persona that captures one's attention.
Madhur Bhandarkar wasn't making a comedy like 3 idiots. It was not meant to be a didactic experience, nor was there any guidance to real living. But by avoiding ridiculous situations and corny dialogues that are the basis of most comedies, he ensures that there isn't a boring moment in the film, no matter the lack of nuance and originality.
7.63 on scale of 1-10.
This is a Hindi movie with a difference! Yeah, I expected something from the promos and well, I got exactly what I was expecting. But I said it is different, because unlike many Hindi romantic comedies I have watched, it does not portray love as stupid.
The characters in the movie are pretty detailed and distinct. The first half of the movie takes a bit time introducing the protagonists, which is a good thing, so that we actually give a damn about the characters! The title is so apt because the 3 lead characters are so different in character, but they all have a common attribute - falling in love. And their love for the girls, why they fall for them and the incidents following that, make up the story.
I don't wanna reveal anything. I am posting this review here because I have found some negative reviews here. I don't understand why! Hats off to Madhur Bhandarkar for making this movie! He had done a good job..Guys, don't miss this movie! Its kind of an eye opener too, because of some unpredictable stuffs followed by a strong climax. Awesome!
The characters in the movie are pretty detailed and distinct. The first half of the movie takes a bit time introducing the protagonists, which is a good thing, so that we actually give a damn about the characters! The title is so apt because the 3 lead characters are so different in character, but they all have a common attribute - falling in love. And their love for the girls, why they fall for them and the incidents following that, make up the story.
I don't wanna reveal anything. I am posting this review here because I have found some negative reviews here. I don't understand why! Hats off to Madhur Bhandarkar for making this movie! He had done a good job..Guys, don't miss this movie! Its kind of an eye opener too, because of some unpredictable stuffs followed by a strong climax. Awesome!
There are three parallel running stories in movie dil toh baccha hai ji. Of the three stories I liked Ajay Devgan's story the most. It may be because of my ethics. Only thing I would like to tell about the two other stories is yes it happens and its not my cup of tea. My rating(7.5/10) is only for Ajay Devgans story.
Direction, Screenplay, Cinematography: It was good.
Tone: Love life of three pairs has been captured well.
Music: It was above average.
Acting: It was good, especially June Pinto.
Direction, Screenplay, Cinematography: It was good.
Tone: Love life of three pairs has been captured well.
Music: It was above average.
Acting: It was good, especially June Pinto.
Venturing into the comedy is a road less travelled for Mr. Bhandarkar, considering the fact that he bears a monopoly of a self-invented genre which involves cherry-picking a cross-section of the society and present a multi-dimensional view. Obviously more than the expectations, it was the curiosity on his faring that made me have a go at "Dil Toh Baccha Hain Ji". At the outset the outing seems to be on the lines of the classics we have witnessed from the house of Hrishikesh Mukherjee & Basu Chatterjee.
ʘ Ajay: The mid-life crisis of a banker battling a divorce on personal front is well depicted. Him falling heads-over-heels for a girl half his age and undergoing an image makeover is inspired from "American Beauty" (hold your horses don't expect the rose petals which I suppose could have flipped the Indian censor board). Mr. Devgan seems to be under a big misnomer that off-late his signature style constipated look qualifies for acting.
ʘ Rituparna Sengupta: As a news reporter undergoing a mutual consent divorce sans alimony I expected the role to have multiple facets. Sadly the character comes across very much linear and serves no purpose as the plot moves along. Editing to blame perhaps?
ʘ Omi Vaidya: Raju Hirani and Aamir Khan deserve being accredited to extract a fantabulous performance from "the silencer" in 3-Idiots. The same cannot be said in this movie (sad). His performance barely qualifies for an average. The script has been tweaked to incorporate the videsi singing "Mera Bharat Mahaan/ Aamchi Mumbai/ Jai Maharashtra" slogans. His poems/ poetry are worse I have heard in recent years and definitely warranted good some good writing on that front.
ʘ Shazahn Padamsee: Very promising. Her makeup, costumes and effervescence brighten up the Lolita character and make forty plus go head-over-heels.
ʘ Shraddha Das: Dangling between the head and heart she gives an honest performance.
ʘ Shruti K Hassan: Honestly she has got what it takes to give Kats & Sonam a real tough fight, should she give up her condescending attitude and lighten up a bit.
ʘ Shweta Salve attempts a la Rekha of "Parineeta" and croons a number on similar lines. Best not compared I say.
ʘ Mukesh Tiwari was wasted
ʘ Tisca Chopra: The role of trophy wife who has mastered the skill to achieve the best of both both worlds is effortlessly played by Tisca Chopra with a rare maturity.
ʘ Emraan Hashmi:: A believable character whom you would bump into everyday life. Practical, suave and slimy character to which the layers are well fleshed out. Some good tongue-in-cheek lines add icing to cake. Emraan's performance is very smooth and I guess he has a flair for these type of roles.
Tisca Chopra and Emraan Hashmi clearly stand out on the acting front and practically steal the thunder from the rest. Paresh Rawal intro, a novelty, hardly contributes. The screenplay could have been tighten up a bit in conjunction with some chopping on the editing table to chase away the predictability factor. A few songs are quite hummable and neatly blend with the storyline.
Madhur should stick to doing what he is best, the slice-and-dice genre.
PS: Though the title borrowed from the song in "Ishqiya" its my firm belief that the characters from the original (Naseeruddin & Arshad Warsi) aptly justified "Dil Toh Baccha Hain Ji" when it came to the matters of heart.
ʘ Ajay: The mid-life crisis of a banker battling a divorce on personal front is well depicted. Him falling heads-over-heels for a girl half his age and undergoing an image makeover is inspired from "American Beauty" (hold your horses don't expect the rose petals which I suppose could have flipped the Indian censor board). Mr. Devgan seems to be under a big misnomer that off-late his signature style constipated look qualifies for acting.
ʘ Rituparna Sengupta: As a news reporter undergoing a mutual consent divorce sans alimony I expected the role to have multiple facets. Sadly the character comes across very much linear and serves no purpose as the plot moves along. Editing to blame perhaps?
ʘ Omi Vaidya: Raju Hirani and Aamir Khan deserve being accredited to extract a fantabulous performance from "the silencer" in 3-Idiots. The same cannot be said in this movie (sad). His performance barely qualifies for an average. The script has been tweaked to incorporate the videsi singing "Mera Bharat Mahaan/ Aamchi Mumbai/ Jai Maharashtra" slogans. His poems/ poetry are worse I have heard in recent years and definitely warranted good some good writing on that front.
ʘ Shazahn Padamsee: Very promising. Her makeup, costumes and effervescence brighten up the Lolita character and make forty plus go head-over-heels.
ʘ Shraddha Das: Dangling between the head and heart she gives an honest performance.
ʘ Shruti K Hassan: Honestly she has got what it takes to give Kats & Sonam a real tough fight, should she give up her condescending attitude and lighten up a bit.
ʘ Shweta Salve attempts a la Rekha of "Parineeta" and croons a number on similar lines. Best not compared I say.
ʘ Mukesh Tiwari was wasted
ʘ Tisca Chopra: The role of trophy wife who has mastered the skill to achieve the best of both both worlds is effortlessly played by Tisca Chopra with a rare maturity.
ʘ Emraan Hashmi:: A believable character whom you would bump into everyday life. Practical, suave and slimy character to which the layers are well fleshed out. Some good tongue-in-cheek lines add icing to cake. Emraan's performance is very smooth and I guess he has a flair for these type of roles.
Tisca Chopra and Emraan Hashmi clearly stand out on the acting front and practically steal the thunder from the rest. Paresh Rawal intro, a novelty, hardly contributes. The screenplay could have been tighten up a bit in conjunction with some chopping on the editing table to chase away the predictability factor. A few songs are quite hummable and neatly blend with the storyline.
Madhur should stick to doing what he is best, the slice-and-dice genre.
PS: Though the title borrowed from the song in "Ishqiya" its my firm belief that the characters from the original (Naseeruddin & Arshad Warsi) aptly justified "Dil Toh Baccha Hain Ji" when it came to the matters of heart.
Madhur Bandharkar has recently brought us great movies to watch such as Fashion, Jail, etc. Now he has stepped into the romantic comedy genre with Dil To Baccha Hai Ji.
It isn't the best movie or the best comedy in recent times, however its definitely 2 hours well spent. There has been some criticism that the movie's foundation resides on sexual jokes. Sure, i agree that there are quite a few of them but there aren't as vulgar as seen in other movies for example Masti. The 3 male actors, Tisca Chopra performed really well however the other 3 actresses did not shine in my opinion. Especially, Shruti since her role only lasts 15-20mins. The love stories for Ajay and Omi are well structured but i found Emraan's story to be kind of random. It is never clear when he falls in love. The music in the movie is quite good and i really liked the use of 'Jadugari' in the BGM.
Ajay is already set but this movie is a stepping stone for both Emraan and Omi. Emraan in the past has stuck to Mahesh Bhatt movies and this could be his introduction to more commercial movies - he is very talented and deserves a chance to shine. Omi's acting even though was very similar to his character in 3 idiots but the context was different and maybe we will see him in other comedies soon.
As far as 2011 is considered, after No one killed Jessica, this is my favorite movie of the year so far. I recommend that everyone (adults) should go and give this one a shot.
It isn't the best movie or the best comedy in recent times, however its definitely 2 hours well spent. There has been some criticism that the movie's foundation resides on sexual jokes. Sure, i agree that there are quite a few of them but there aren't as vulgar as seen in other movies for example Masti. The 3 male actors, Tisca Chopra performed really well however the other 3 actresses did not shine in my opinion. Especially, Shruti since her role only lasts 15-20mins. The love stories for Ajay and Omi are well structured but i found Emraan's story to be kind of random. It is never clear when he falls in love. The music in the movie is quite good and i really liked the use of 'Jadugari' in the BGM.
Ajay is already set but this movie is a stepping stone for both Emraan and Omi. Emraan in the past has stuck to Mahesh Bhatt movies and this could be his introduction to more commercial movies - he is very talented and deserves a chance to shine. Omi's acting even though was very similar to his character in 3 idiots but the context was different and maybe we will see him in other comedies soon.
As far as 2011 is considered, after No one killed Jessica, this is my favorite movie of the year so far. I recommend that everyone (adults) should go and give this one a shot.
¿Sabías que...?
- CuriosidadesMadhur Bhandarkar wanted to go Hrishikesh Mukherjee way to direct comedy film after making realistic films.
- Banda sonoraAbhi Kuch Dino Se
Written by Neelesh Misra
Composed by Pritam Chakraborty
Performed by Mohit Chauhan
Courtesy of Super Cassettes Industries Limited (T-Series)
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Detalles
Taquilla
- Recaudación en todo el mundo
- 5.323.307 US$
- Duración2 horas 23 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Dil Toh Baccha Hai Ji (2011) officially released in Canada in English?
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