11-11-11

The film has a great look, but the emphasis on numerology just wasn't substantial enough for my taste; it felt somewhat rushed, and the scares didn't get to me, but overall it was disturbing. I'd like to see his next film be a bit more focused and a slow-burn, as opposed to feeling jumbled at points. This movie could have easily been close to 2 hours, and could have really delved into the atmosphere. Again, I enjoyed the look and the acting was there, and I'm a big fan of his work, and the killer twist at the end makes up for other elements which were underwhelming in the film. Overall, it's a highly satisfying movie, and very different from any of Bousman's previous work.

Personally, being obsessed to the whole repetitive numbers made me very excited about this movie. I was really waiting for it to be released! And that's probably why it was a big disappointment for me. The idea of the repetitive numbers was a new unexplored theme and unfortunately it got spoiled with this movie. Very weak acting with obvious predictable flow of the story, combined with cheap visual effects and make up, all built for the failure of this movie. Not to mansion the off topic ending which was a hopeless trial to give a lasting final impression. Seriously the whole religion thing in those movies is a pathetic try from their writers to utilize people's passions towards their beliefs to make free advertisement for the movies! P.S. the only reason I gave the movie 2 stars out of 10 is for it's title nothing more nothing less.

You may or may not have bought into the false advertising campaign that is targeting young horror fans who think that they are going to see some apocalyptic event that occurs on the 11-11-11. If you are part of this target group, I am telling you now that you will most certainly be disappointed. This film is a slow-paced, methodical character-driven piece about the conflict between faith-based ideologies. Don't be tricked into thinking that this is going to be some exciting or thrilling popcorn adventure in the same vein as some of the other high budget apocalyptic films out there. Director Darren Lynn Bousman has himself said that he wanted to explore his own spiritual beliefs and conceptions about existence through this film.

We begin by following Joseph Crone (Timothy Gibbs), a popular novelist who is tormented by the death of his family through constant reoccurring nightmares and hallucinations. As seemingly random events begin to unfold in his life, Joseph struggles to cling onto any real purpose of his continuing existence. As he rapidly descends into a state of self-seclusion, he discovers a pattern in which all the events in his life are taking place. They appear to always happen at the set time of 11:11 am/pm. When his estranged pastor brother Samuel (Michael Landes) rings to tell him about his dying father, Joseph immediately travels to Barcelona. Here is where the story will perhaps turn south for most people. We spend a good 40 minutes of the film trying to decipher strange supernatural clues as we are subjected to long-winded seemingly pointless dialogue scenes. For some this may be incredibly boring, especially since the fact that apart from a few jump-scares and men in goblinesque costumes, the film is basically devoid of any horror or suspense. As the day of 11-11-11 approaches, events get weirder and weirder until the finale where a huge revealing twist is attempted but comes off looking incredibly schlocky.

Overall I'm pretty sure this film will flop badly. Due to its misleading nature, I feel that many people are going to rightfully flame this film in general. In my opinion it would have served better as a psychological drama about the descent of a rational man into madness. The twist would have been Joseph's self-realization that 11-11-11 has no meaning and it is just another number. Unfortunately the film favors a more unrealistic and perplexing ending that wasn't needed. There are however some redeemable qualities to the film such as the philosophical themes surrounding religion vs. society and also the talent of Timothy Gibbs to carry the film until the end despite many major flaws. I recommend that you watch this when it comes out on DVD so you can make up your own mind but I suggest that you consider the limitations of the budget (which couldn't have been more than $2 million).

2/5

11:11 seems to be a real phenomenon, but this movie has no correlation to those beliefs or possibilities. In that sense, it was poorly researched. I Think the idea is good, but here it was almost thrown together and poorly thought-out. The movie seems jumpy and quite random, the characters have no depth,and scenes lack flow. With bad make-up/costume design, low budget special effects, and sometimes pointless dialogue, I was almost distracted from the story. There was enough monotone content, with a few attempts to startle the audience, to keep me until the fairly predictable end. I really wouldn't recommend this to anybody... maybe a study on "How we could have made this movie better" for film students.

American writer and atheist, Joseph Crone, receives word from his estranged brother, that his father is dying. He travels to Spain to see his father on his death bed, where he discovers that his younger brother has followed his fathers calling and become a catholic Pastor. Together they have established their own chapel on the grounds of their family home. Joseph's life has been plagued with strange happenings and tragedies, which seem to be connected to the number 11. His intrigue soon uncovers deeper mythological and religious significance to the number and possibly his family.

11-11-11 is written and directed by Darren Lynn Bousman, who previously brought us Saw 2 – 4 and the superb 2010 remake of Mothers Day. Bousman has made skillful use of popular synchronicity around the number 11, where numerologists and string theorists believe that events linked to the time 11:11 appear more often than can be put down to mere chance or accident and has great symbolism in the universe.

The basic idea for the movie is engaging with lots of potential, unfortunately, this is where the films merits end. The plot becomes tedious and bland fast, holding this pace for the majority of the film. The scares consist of frightening faces appearing in the shadows or windows, but they fail to show any snap or shock value, becoming repetitive and tiresome early on. The special effects, especially the costumes and make up, feel amateurish and almost laughable a times. The acting and dialogue is decidedly mediocre, the characters are difficult to like or relate to in many ways. The twist ending of the movie was better than expected, however, it does not make up for its unexciting story and production short comings. Overall a great idea, wasted.