PUNTUACIÓN EN IMDb
7,1/10
4 mil
TU PUNTUACIÓN
Una joven atormentada recibe un escondite de una anciana y pronto recuerdan su horrendo pasado mutuo.Una joven atormentada recibe un escondite de una anciana y pronto recuerdan su horrendo pasado mutuo.Una joven atormentada recibe un escondite de una anciana y pronto recuerdan su horrendo pasado mutuo.
- Dirección
- Guión
- Reparto principal
- Premios
- 7 premios y 5 nominaciones en total
Reseñas destacadas
Puhdistus (aka Purge) is a well executed drama based on a book by Sofi Oksanen. It pictures the torments of the people of Estonia in the soviet era without being a historical drama. It tells a story of two sisters, of their love to a same man which leads to a deception and ultimate disappointment. A young woman who is brought back by a coincidence is also connected to their past in the beginning.
For a finnish movie with a limited budget this is absolutely the film of the year or maybe a film of the few decades. There'd been nothing like this coming out from the finnish cinema until now. Finnish movies consists of mainly farce comedies, dull historical movies, war movies and that's just about all. Antti J. Jokinen breaks this eternal line of just average ordinary movies by bringing us a film with a beautiful cinematography, fantastic camera work, strong actor performance and an interesting plot. It is loyal to the book but it wouldn't be fair to judge the film and book against each other as with films it has to be consistent and quite solid up until the end and the book can go deeper.
The movie itself is very straight forward film with nothing left to question. That may be one drawback among a few others that kept me from giving this movie full ten stars. The other issue is that the movie doesn't engage as much as it should. Scenes just roll from one to another quite fast and things just happen and that feeling may not be avoided just after the first hour. I guessed what was going to happen but still after the film i felt entertained and not at all disappointed.
I also thought that presenting only one dimensional good vs. evil doesn't do the movie any good. These three three things just made me take a few stars off. It's still an enjoyable strong film that makes an impression but it's good for one time viewing only.
Jokinen has succeeded with this film and i sure hope he has many other interesting films to direct in the future.
For a finnish movie with a limited budget this is absolutely the film of the year or maybe a film of the few decades. There'd been nothing like this coming out from the finnish cinema until now. Finnish movies consists of mainly farce comedies, dull historical movies, war movies and that's just about all. Antti J. Jokinen breaks this eternal line of just average ordinary movies by bringing us a film with a beautiful cinematography, fantastic camera work, strong actor performance and an interesting plot. It is loyal to the book but it wouldn't be fair to judge the film and book against each other as with films it has to be consistent and quite solid up until the end and the book can go deeper.
The movie itself is very straight forward film with nothing left to question. That may be one drawback among a few others that kept me from giving this movie full ten stars. The other issue is that the movie doesn't engage as much as it should. Scenes just roll from one to another quite fast and things just happen and that feeling may not be avoided just after the first hour. I guessed what was going to happen but still after the film i felt entertained and not at all disappointed.
I also thought that presenting only one dimensional good vs. evil doesn't do the movie any good. These three three things just made me take a few stars off. It's still an enjoyable strong film that makes an impression but it's good for one time viewing only.
Jokinen has succeeded with this film and i sure hope he has many other interesting films to direct in the future.
A young woman forced into a prostitution ring in Estonia escapes and seeks refuge with an old lady whose horrific past is revealed through a series of flashbacks, and although I am not fan of a non linear style of filmmaking, it works well for this particular movie.The two main actresses are terrific and the World War Two history lesson regarding Estonia and Stalin's communist Russia is quite compelling. Both the current theme of white slavery and the past one of atrocities committed in the name of patriotism and honor are portrayed in a brutal and honest way. Purge runs a bit too long at two hours and five minutes, but even with that small criticism, I would rank it as one of my favorite foreign language films.
This is an adaptation of the novel by the female writer Sofi Oksanen - daughter of a Finn and an Estonian women (the latter emigrated to Finland yet in the Soviet era). One glance at this woman is enough to see what sort of person she is. People of art, especially in contemporary Scandinavia, are, quite frankly, those 'Jupiters', who are allowed a lot of things we 'oxen' are not allowed. But, seriously, getting acquainted with their works is order of magnitude more interesting and alluring than with, you know, socialist realism novels the authors of which were dressed in respectable jackets.
The same is here: the film based on the book by the contemporary Finnish émancipée really grabs me from the very first frame. The newly independent Estonia which has not yet entered into NATO and the EU. A cursed old house, like in some Grindcore song, hides numerous terrible secrets under its floorboards which are nailed perfectly still. Who lives in it, is of course a creepy old Finno-Ugric woman, who smokes better than an experienced young guy and grabs the sharp ax, should things go a bit wrong. She possesses a pistol as well, as it is later found out. An inscription like 'Russian whore' is shown off on the glass of her window. We see that a lot has gone through this backward old woman and that she would die hard anyway.
In her yard, a half dead escapee - a psycho prostitute girl, chased by her pimps - is trying to hide. Until the end it is not clear: whether God himself brought her exactly to THIS grandmother (in Estonia, after all those dreadful events they have survived, people do not believe in God: this is perhaps the only atheistic country in the world), or she knew beforehand who to seek. In general, in the abundance of flashbacks, the audience can easily read the extremely frank confession of the old Estonian woman, and there will be no doubt that the girl really was at the right time in the right place... And as for the bandits, they once again demonstrated all the riskiness of their ticklish 'craft'. Sometimes, they would get away in such scrapes, that even commandos would not. But here - just a miserable peasant old woman from a single-homestead settlement! Who knew that the granny was kind of Rambo! She would not be frightened by photos of mutilated corpses, by a knife or even by a pistol: in her lifetime, something worse could be seen...
And everything was right about the film (it even, dare I say it, is endowed with the aesthetics of death: puddles of blood with a metallic gleam, flames, carved autumn leaves), but the shocking end. I was just about standing up and cheering the 'Rambo grandmother' who had successfully born everything, when suddenly... The shock was not what I saw there. Shock was in irrationality of the final frame! She has survived all the atrocities throughout her life, if not a lightning incinerates me for such a cynicism, with flying colours. Whatever fell to her lot (torture and abuse, personal life failure and economic disruption) - she would just wash herself thoroughly (hence the name of the work) and her sly life goes on. But the fact of what the author made her heroine to do instead of the happy end, for me, crossed out everything that the author had spoken about the character above.
Hard to say what exactly influenced the author's choice of such a zigzag final (the novel and its film adaptation of the same name end the same, which of course, does not always happen). But one thing is certain. As long as society of many young nations (or rather of those which have existed for centuries, but almost always in their history dependent upon neighbours which have been more numerous, better politically organised and rich) perceives their past as 'genocide' ('playing the victim'), such stories will be just those caps that fit. Whether this is good or bad - who am I to judge. Dwell on the past and you may lose an eye; forget the past and you will lose both eyes out...
The same is here: the film based on the book by the contemporary Finnish émancipée really grabs me from the very first frame. The newly independent Estonia which has not yet entered into NATO and the EU. A cursed old house, like in some Grindcore song, hides numerous terrible secrets under its floorboards which are nailed perfectly still. Who lives in it, is of course a creepy old Finno-Ugric woman, who smokes better than an experienced young guy and grabs the sharp ax, should things go a bit wrong. She possesses a pistol as well, as it is later found out. An inscription like 'Russian whore' is shown off on the glass of her window. We see that a lot has gone through this backward old woman and that she would die hard anyway.
In her yard, a half dead escapee - a psycho prostitute girl, chased by her pimps - is trying to hide. Until the end it is not clear: whether God himself brought her exactly to THIS grandmother (in Estonia, after all those dreadful events they have survived, people do not believe in God: this is perhaps the only atheistic country in the world), or she knew beforehand who to seek. In general, in the abundance of flashbacks, the audience can easily read the extremely frank confession of the old Estonian woman, and there will be no doubt that the girl really was at the right time in the right place... And as for the bandits, they once again demonstrated all the riskiness of their ticklish 'craft'. Sometimes, they would get away in such scrapes, that even commandos would not. But here - just a miserable peasant old woman from a single-homestead settlement! Who knew that the granny was kind of Rambo! She would not be frightened by photos of mutilated corpses, by a knife or even by a pistol: in her lifetime, something worse could be seen...
And everything was right about the film (it even, dare I say it, is endowed with the aesthetics of death: puddles of blood with a metallic gleam, flames, carved autumn leaves), but the shocking end. I was just about standing up and cheering the 'Rambo grandmother' who had successfully born everything, when suddenly... The shock was not what I saw there. Shock was in irrationality of the final frame! She has survived all the atrocities throughout her life, if not a lightning incinerates me for such a cynicism, with flying colours. Whatever fell to her lot (torture and abuse, personal life failure and economic disruption) - she would just wash herself thoroughly (hence the name of the work) and her sly life goes on. But the fact of what the author made her heroine to do instead of the happy end, for me, crossed out everything that the author had spoken about the character above.
Hard to say what exactly influenced the author's choice of such a zigzag final (the novel and its film adaptation of the same name end the same, which of course, does not always happen). But one thing is certain. As long as society of many young nations (or rather of those which have existed for centuries, but almost always in their history dependent upon neighbours which have been more numerous, better politically organised and rich) perceives their past as 'genocide' ('playing the victim'), such stories will be just those caps that fit. Whether this is good or bad - who am I to judge. Dwell on the past and you may lose an eye; forget the past and you will lose both eyes out...
Yes ,this movie has plenty of raw scenes, and not for everyone, but for others , you can see the powerful message through it! I consider the film very well directed and performed. Joining history into present problems is phenomenal. Actors and actresses performance is brilliant! This is the best dramas I have ever seen,keeping in mind that I've seen Schindler's List. I will recommend this film to anybody , who is interested in great acting and untold history. It certainly made me realize, how fortunate and blessed I am. Bravo to the cooperation of countries so little like Finland and Estonia, making so great movie! Already waiting for the next movie!
Saw this title for the name of purge, thinking that it has a purge night thriller plot, but movie is different. One girl who was forcefully thrown in flesh market, flees after killing her customer and takes shelter into a lonely house. Only old woman belongs to that house. But real drama is starting here that old lady is her aunt and later we realized a horrible past of their family while Russian war was going on. Movie is 2 hours long, but you will not bore any moment till the end. Acting of Laura Birn (looking like Uma Therma) (younger Aliide) and Liisi Tandefelt (older Aliide) is remarkable One can easily connect to those character. End is emotional. Overall movie is watchable at once but beware from nudity, female torture, brutal rape throughout the movie and some explicit scenes. Some of them may disturb you. Direction is different from typical Hollywood movies. 7 ratings are okay from me.
¿Sabías que...?
- CuriosidadesThe official entry of Finland to the Best Foreign Language Film at the 85th Academy Awards 2013.
- ConexionesReferenced in Sofi Oksanen. Syntynyt kirjailijaksi (2013)
- Banda sonoraAi Niga-Naga
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- How long is Purge?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 2.400.000 € (estimación)
- Recaudación en todo el mundo
- 2.451.380 US$
- Duración2 horas 5 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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By what name was Purge (2012) officially released in India in English?
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