Tres jóvenes se ven expuestos a una misteriosa sustancia en el bosque, y como resultado, empiezan a desarrollar increíbles poderes. Trabajarán juntos como diversión para pulir sus habilidade... Leer todoTres jóvenes se ven expuestos a una misteriosa sustancia en el bosque, y como resultado, empiezan a desarrollar increíbles poderes. Trabajarán juntos como diversión para pulir sus habilidades, hasta que una serie de problemas personales los empezarán a poner unos contra otros.Tres jóvenes se ven expuestos a una misteriosa sustancia en el bosque, y como resultado, empiezan a desarrollar increíbles poderes. Trabajarán juntos como diversión para pulir sus habilidades, hasta que una serie de problemas personales los empezarán a poner unos contra otros.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 premios y 7 nominaciones en total
- Samantha
- (as Crystal Donna Roberts)
- Park Ranger
- (as Patrick Walton)
Reseñas destacadas
It had definitively left its mark, and seeing this again after eleven years, my impression seems not to have changed even slightly. I loved this movie back in my childhood, and that same admiration has carried to the present times, as it seems.
Albeit It hurts to see this being film so underrated, this certainly deserves more love. It is one of the most overlooked as well as underappreciated science fiction features of the last decade!
P. S. Dane DeHaan as Andrew was freaking incredible here, one of the most effective Anti-Hero parts ever written and played on screen, period.
After a party his philosophizing cousin and another friend ask him to film what they found- a large perfectly circular hole in the ground. They jump into it and follow along the cave to find some alien looking giant glowing mineral. Something happens and the the filming is interrupted.
When the filming continues after some time we find them in the backyard controlling a baseball with their minds. Since the incident, they've developed telekinesis. At first with small objects, then larger ones, then themselves. They take their powers public bothering innocent people in stores and parking lots. Then they lean how to levitate and eventually fly.
When the poor loner kid's mom is one the verge of dying, the kid puts on a protective suit and tries to rob a gas station to get meds for his mom. On his way out, the attendant shoots at him; an explosion ensues and the kid catches on fire. He ends up in the hospital. Even there, and after the mom's death, the father will blame him and try to abuse him. The kid loses it completely. Having realized he's an apex predator and that the strong destroy the weak, he's now ready to unleash his powers and destroy all who get in his way. It's left to his cousin to try and stop him.
Chronicle overall has a good idea. It's entertaining to watch the kids develop and tame their powers and experimenting with them out there in the world. The filming is part POV, part third person because fortunately, the kid learns to control cameras and has them swarming around him. Thankfully, even when he has his old camera, the quality of the footage is excellent- unlike those poor bastards in horror movies who are forever condemned to film stuff in dismal quality grainy video. So at least that makes the POV stuff tolerable. But Chronicle retains the weaknesses of that kind of movie. It's boring at times, the portrayal of relationships overall is pretty poor- the relationship between the cousin and some girl is just awful, and eventually you end up with people just screaming at each other. Still, the entertaining aspects outweigh the negatives and this movie offers something we don't see often.
I think by now the "handheld camera" trick in films is becoming a little stale. Sure, it can help smaller productions and can make some films visually spectacular. However, it seems that it is used in way too many films, usually horror flicks at that. Chronicle, however, is nothing less than a masterpiece at not only the "found footage" style, but is also a brand new way of making a superhero movie, mainly because the people it centers on are far from heroes anyway. They are portrayed as everyday people. People with real problems and psychologies. All the larger than life characters of other sci fi or super hero movie is nowhere to be seen here.
Read the rest of the review at : http://devlifeintechnicolor.wordpress.com/2012/02/13/chronicle-a- realistic-take-on-sci-fi-action/
¿Sabías que...?
- CuriosidadesDirector Josh Trank made Dane DeHaan, Michael B. Jordan, and Alex Russell live in a house together for fifteen days, in order to create a genuine bond between the three actors.
- PifiasThe movie is set in Seattle but after the guys talk about the new camera, an Opel dealership is visible through the car window. Opel cars are not sold in the USA.
- Citas
Steve Montgomery: Yes, it was the black guy this time.
- Créditos adicionalesThe title doesn't appear on screen until the end.
- Versiones alternativasThe UK release was cut, the distributor was advised that the film was likely to receive a 15 classification but that their preferred 12A classification could be obtained by making some cuts and visual reductions. When the finished version of the film was submitted for formal classification, cuts had been made in two scenes. Cuts involved the removal of a violent act and subsequent discussion of this, with some bloody focus, reducing focus on bloody injuries, and reducing sight of a character being impaled. With these changes having been made when the film was formally submitted, it was classified at 12A.
- ConexionesFeatured in Projector: Chronicle (2012)
- Banda sonoraReady to Roll
Written by Joel Beeson, Simon Berckelman & Daniel Williams
Performed by Philadelphia Grand Jury
Courtesy of Boomtown Records
By arrangement with Sugaroo!
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Poder sin límites
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 12.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 64.575.175 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 22.004.098 US$
- 5 feb 2012
- Recaudación en todo el mundo
- 126.636.097 US$
- Duración1 hora 29 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1